These tracks were uploaded anywhere from 7 or 8 years ago to December 2019.
  
This is my most eclectic playlist so far, and my favourite.  Lots of traditional music mixed in all over in various degrees of depth.  By traditional I mean here anything played with musical instruments, including electric guitars and synths used like keyboards.

It was truly a backlog because I could not keep up with my lists.  I'm working on a system so it goes faster later, I'm investing in my future.  I just could not wait, it's too good.  It's like a very good team, soccer let's say, where there are no superstar player, but everyone is very good.  They play fast and tight but never waste energy, mastering tactics, precise passes, able to adjust quickly to any change in the opponent's configuration, etc.  They win every time, teamwork.  This playlist is like that to me.

HK_Superdance-tracks_2019-backlog

NOVEMBER 2019 // Electronic - Techno - Industrial - EBM - Ambient

WL//WH - NOVEMBER 2019 // Electronic - Techno - Industrial - EBM - Ambient

Lorenzo Senni - The shape of core to come (oblinof edit)

FREE DOWNLOAD:
https://whypeopledance.bandcamp.com/album/v-a-matediteria-materi-005

https://soundcloud.com/facets-music

whypeopledance is back with another MATERIÁ release, for which friends, family members and colleagues - 16 of them - made 16 different edits for almost any occasion. Harsh raw vibes, ambiguous hip-hop disco treats, just pick and roll!

Compiled by Serial Experiments. 
Artwork by Serial Experiments & Scannoir.

V.A. - MATEDITERIA (MATERIÁ 005)

FREE DOWNLOAD!

Beats (Facets Edit) [MATERIÁ 005]

C๏sʍ๏tune ★ 5 - @manucho_arevalo
Pops Staples - Somebody Was Watching (Manucho Edit)
Release date: July 29 | 2019
Label: @cosmovisionrecords
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About @manucho_arevalo
Born and raised in Buenos Aires, Manucho is a natural storyteller. Chef by day and Dj by night, he combines the elements to take his guests on a delightful journey full of emotions. As a lover of improvisation and spontaneity, Manucho is not restricted to any style. When the time comes, he gets carried away by his instinct and feeling with his audience.
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About Pops Staples
Roebuck "Pops" Staples was an American gospel and R&B musician. A "pivotal figure in gospel in the 1960s and 1970s, he was an accomplished songwriter, guitarist and singer. He was the patriarch and member of singing group The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha. Pops was born near Winona, Mississippi, the youngest of 14 children. He grew up on a cotton plantation near Drew, Mississippi. From his earliest years he heard, and began to play with, local blues guitarists such as Charlie Patton Robert Johnson, and Son House.  He dropped out of school after the eighth grade, then sang with a gospel group before marrying and moving to Chicago in 1935.  In 1948, Robs and his wife Oceola Staples formed The Staple Singers to sing as a gospel group in local churches, with their children. The Staple Singers first recorded in the early 1950s for United and then the larger Vee-Jay Records, with songs including 1955's "This May Be the Last Time" .  In the 1960s the Staple Singers moved to Riverside Records, Epic Records, and later Stax Records and began recording protest, inspirational and contemporary music, reflecting the civil rights and anti-war movements of the time.
A further move in the late 60s, the family extending their range still further with aspirational soul material such as Respect Yourself, which won them a gold disc; the hypnotic chant I'll Take You There; and the million-selling If You're Ready (Come Go With Me). Staples also recorded an instrumental blues album, Jammed Together, with fellow guitarists Albert King and Steve Cropper. There were those who regarded these progressive accommodations to the secular music market as betrayals of the traditions the family were supposed to represent. To such accusations Staples succinctly replied, "Ain't nobody want to go to heaven more than me, but we got to live down here too."
The Staples Singers worked less after Mavis left to pursue a solo career, but in the 90s "Pops" Staples, as he now billed himself, enjoyed a spell of international success away from the family setting, appearing at blues festivals - though steadfastly refusing to sing the blues - and recording the well-received albums Peace to the Neighborhood and Father Father in collaboration with admirers such as Ry Cooder and Bonnie Raitt.

<a href='https://theartistunion.com/tracks/bab955'>Download for free on The Artist Union</a>

FREE DOWNLOAD

FREE DL : Pops Staples - Somebody Was Watching (Manucho Edit)

El Irreal Veintiuno - Yuto Nahua

https://turningtorso.bandcamp.com/album/ephemeral

Ephemeral

Recorded live 12 October 2019 At Dusty Road Studio Room 1. Manassas, Va, USA
The Beltway Bandits
Mat Scaife - Percussion
David Chladek - Vocals - Guitar - Bass - Synth - Effects
Nestor Berrios - Multi-Instrumentalist
You can purchase this track now... 
https://david-chladek-and-the-beltway-bandits.bandcamp.com/track/free-radicals

Free Radicals

Buy-link: https://smarturl.it/VEYL012

Written and produced in a country house surrounded only by vast, empty landscapes and an endless sky, ‘Suicide Disco’ is the fruit of a 3-year long collaboration and Years of Denial’s debut LP for Veyl.
Urged to escape from crowded cities and information overload, the duo sharpened their sound and working process through isolation and introspection, crafting 11 songs filled to brim with enormous hooks, New Wave nostalgia and razor-sharp production details.
Barkosina’s voice echoes and oscillates against Jerome’s snares, profound and wounded at once. Her expressionist narrative take us to unknown yet familiar places, amplified by dub delays and otherworldly reverbs. Each track tells a story based on the intensity of relationships, a touching and distorted invitation into intimacy and complicity.

LISTEN ON YOUTUBE

PREMIERE : Years Of Denial - Face To Face

The seventh release of the label is related to the label owner Alexander https://soundcloud.com/Moralez together with the legendary techno/ hardcore/ EBM producer The Horrorist [https://soundcloud.com/thingstocome]. Their casual acquaintance at one of the night underground parties in Neukölln (Berlin) led to that future collaboration. EP contains three versions of the track “Sleep when you die”: the original version with the lyrics and vocals by Oliver Chestler aka The Horrorist; extended (DJ friendly) version without any vocals; and the “chaos effect” variation in the best traditions of the early hardcore techno.

1.Sleep When You Die [Original Mix] 03:28
2.Sleep When You Die [Instrumental Mix] 04:43
3.Sleep When You Die [Chaos Effect Mix] 05:26

Buy Digital Here: 
https://mosaiquerecords.bandcamp.com/album/sleep-when-you-die-incl-chaos-effect-mix

This is the sound of analog wave, electro-techno and post-industrialism of the early 9Os hardcoretechno. Enjoy!

Spotify:
https://open.spotify.com/album/0J5z2n3jQIMJ4fkz6KlmCa

BUY 12" Vinyl HERE: 
www.juno.co.uk/products/umwelt-moralez-the-horrorist-alessandro-adriani-universe/725162-01/

Masterered by https://soundcloud.com/dcsmastering

Sleep When You Die

[007] Moralez & The Horrorist - Sleep When You Die

Body (R&M do acid mix)

Disconnect

Opening track from SARIN's debut album Moral Cleansing. @sarinvx

Ephemeral

Turning Torso