Soothing and peaceful depth of the sounds. A delicate piano theme... :)

A lovely, sweeping piece - a moving epic ……..

Very nice composition, finely orchestrated, nice work👌

you are seriously talented Tuuligan, wowzers!

@the-hungry-pyknic: thank you so muck for your kind comment, much appreciated!:

JIM ANDERS _ Hood

Jungle

This recording is a completed work of Wild Christopher's work "Jolene (Ever Find Your Forever Man)" with my guitar playing. "Jolene" is based on "Let Me Know", one of the "Paploviante Open Collab" pieces.
I received warm compliments and words of welcome from both of them. I am very grateful.I would like to thank them from the bottom of my heart for including me in their wonderful work.

This work is over 6 minutes long. My guitar playing starts with a low volume and rhythm. About a third of the way through, my guitar starts playing to complement Christopher's great singing.

Below are links to each work.

Wild Christopher-Jolene (Ever Find Your Forever Man) - Paploviante Open Collab
https://soundcloud.com/neon-blur/jolene-ever-find-your-forever-man-paploviante-open-collab

Let Me Know - Offer Open Collaboration 80 Bpm(Paploviante and friends)
https://soundcloud.com/paploviante-and-friends/let-me-know-offer-open-collaboration-80-bpm

"Let Me Know" by Paul (one of the "Paploviante Open Collab" pieces)
A few days after the release, he received a number of really excellent works. I was really surprised by the ability of the artists to finish such amazing works in such a short period of time.

Results Offer Open Collaboration Let Me Know(Paploviante)
https://soundcloud.com/paul-racle/sets/results-offer-open

Chord= A ,E
Key = E

After listening to the above works, I realized immediately. Simplifying the scales that form the melody, assuming the case of playing the guitar, it was divided into the case of  Cm/E pentatonic, and the case of  Cm/E and Em/G pentatonic. I thought, ``This is a great exercise for me. For example, putting four songs together on one track, listening to them all in order, and playing the guitar along with each scale is a very useful daily practice. I could imagine that this would be useful not only for myself, but also for most people who are learning to play the guitar.

For example, alternately play the following:
1)Cm/E　Pentatonic scale(Key = E)
2) Cm/E, Em/G Pentatonic scale(Chord = A7,E7)
2) '  Am/C,Cm/E,(Em/G) Pentatonic scale

It's easy to envision it that way, but first, what do I do with the first one? So I started playing guitar while listening to Wild Christopher's "Jolene".
I found it possible to use two chords, A and E7, and finish off with some rock'n'roll backing, but it's too simplistic a way to spice up Christopher's cool and passionate vocals. 

So I took the plunge and tried using the A7 and E7 chords to make a blues rock song. And I was convinced that depending on the way I played, I could proceed without discomfort. An image of the rough blues rock of the early 1970s came to mind. However, I was conscious of keeping the taste of the country blues that was popular before that.

I thought that Wild Christopher's wonderful singing voice would suit slightly rough guitar playing based on precise rhythm composition. A playing style that many great guitarists and predecessors have developed over the decades. I hope that people who come across this piece will want to listen to it again and again :))

Wild Christopher - Jolene - Paploviante Open Collab ft.JUNZO on electric guitars

Wild Christopher - Jolene - Paploviante(Let Me Know) ft.JUNZO on electric guitars

After trying many times, I finally composed my first hard rock song in my life. I managed to fit into the rock music category without compromising my musical style.
　I made it by destroying the Punishment Bus that I made once. I feel the joy of completing it all over my body.

This Is My Hard Rock Sound!（271）

Angels gather for war.

You Have Passage to My Last Shabby Corner, and There, Among the Debris, You’ve Found Life

I've had this idea for a while to insert a Reggae/Dub section into a Jazz or Blues tune, and finally got around to it. Luckily, this is both - a 24 bar Blues structure in a Jazz style, with 3 horns. As a bonus, I managed to work in a little tribute to Pink Floyd. See if you can spot the several references to the song 'Money' in the Dub section starting @ 2:46, and the subtle nod in the track art. 

Also, one of my fave sounds in music is hearing a trombone player 'go off' in an unhinged solo, bonus points if it's muted with a plunger  ;). I tried at least a very small attempt at that... it comes in right after the 'Dub' section while the sax & trumpet swap melodies from the first half. Maybe it works maybe it doesn't, but I laugh whenever I hear it. All instruments are played by me on keyboard.

***Also, check out the really cool take that fellow Canadian 'Big Al From The Grove' has on this track, where he graced it with his brilliant guitar playing: 
https://soundcloud.com/user-543408605/1-for-the-money-3-for-the-blues

thanks for listening!  

(just realized, this is actually track #100 in my SC catalogue, since starting in 2013. yay!)

-sound sample & some music themes from 'Money' by Pink Floyd (written by Roger Waters)
-image created using Dall-E

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve.   :)

----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- 

- Here's a funny photo I took & Photoshopped which was inspired by this Pink Floyd song: 
https://www.flickr.com/photos/mark_boucher/53706894609/in/dateposted/

- my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

1 For The Money, 3 For The Blues (& Dub tribute to Pink Floyd)

I remember your first smile, your first steps hesitantly taken, your first word, your first wave at me - all of that in amazement and wonder which I still have every day when thinking of you! Happy Birthday!

Released on 24 Nov 2023

You Are My Love

Avec l'aimable autorisation de Suzy Delair (1917-2020) "avec mon tralala" du film Quai des Orfèvres.


IL ÉTAIT UNE FOIS
J’AVAIS LA FOI
JE CROYAIS EN LA LOI
EN DIEU EN MOI    
MAIS AVEC LE TEMPS VOILÀ
ET TOUT SON TRALALA       
BON DIEU J’AI PERDU LA FOI
JE SAIS PLUS OÙ JE VA
 
IL ÉTAIT UNE FOIS
JE DONNAIS DE LA VOIX OUAIS
JE CHANTAIS SOUS LES TOITS
POUR MON CHAT
MAIS AVEC LE TEMPS VOILÀ
FINIS LES TRALALAS
MON DIEU J’AI PERDU MA VOIE 
JE SAIS PLUS OÙ JE VA

IL ÉTAIT UNE FOIS
C’ÉTAIT LA JOIE
ON ÉTAIT DES BABAS
COOL HARE KRISHNA
MAIS DE CHARHYBDE EN SCYLLA
TOMBÉ DE HAUT EN BAS
DANS CE BRANLE-BAS DE COMBAT
JE SAIS PLUS OÙ JE VA

IL ÉTAIT UNE FOIS
J’AVAIS LE CHOIX
TREMOLOS ET TRALALAS
GUIDAIENT MES PAS
MAIS ENTRE ICI ET LÀ-BAS
OU SUIS-JE QUI LO SA
ET TOI A PART DROIT DEVANT TOI
TU SAIS PLUS OÙ TU VAS

TRALALA (Lyrics + note)

breathless

The name of this track derives from the opening strings sound. This was created based on sampling the stock sound Arco Strings from the Roland D-50. This is one track I'm really looking forward to modernizing, including moving some if not all of the string parts to more of a string quartet sound, while still blending the Arco Strings sound as appropriate.

Anarcosis

Soundscapist or maybe even an escapist... 
 
Thank you for your kind support on my musical journey!
Follow me on Spotify: https://open.spotify.com/artist/0u00Y3ou7k8C6vJQp50ChX

You Are My Love

Tuuligan

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