2021 The Ox Year Epic Moments

Right Now

new heat

Dark Pleasures

Dark Pleasures (Original mix)

Losing Control

Mars Tedak - Plasma (Original Mix)

New Latin Age - Long Wave

Ladonia is a micronation  proclaimed in 1996 by the artist Lars Vilks. In 1980, he began construction of two sculptures, Nimis and Arx in the Kullaberg nature reserve in north-west Skåne, Sweden. The location of the sculptures is difficult to reach, and as a consequence they were not discovered for two years, at which point the local council declared the sculptures to be buildings, and demanded that they should be dismantled.  Vilks appealed the decision of the council, but lost. He appealed repeatedly, and finally the case was settled, in the council's favour, by the Swedish government. Frank Agrario has given Ladonian citizenship this year and titled the label's second release to his new nation. 

The peaceful and deep nature that surrounds Nimis really impacted the sound. There is a certain deepnes  that dominates the tracks, still the beats are funky as usual and percussion and dub fx work is an undeniable Frank Agrario's trademark.
The Rmx comes from his Majesty RICK WADE that sparkled the release with his magic  Detroit's vibe, a masterpiece. 
Note : Anthem is the first recording of Ladonia's national anthem known to be pressed on vinyl. 

Amedeo Malagia (Mafiosi Bross), Anton L , Belabouche, Bottin, Chris Carrier, Daniel Malagia, Dicky Trisco, Dj Rocca, Flashmob (Danny), Fran Deeper, Giacomo Trevi, Hector Moralez, Herbert, Joseph Capriati, Jp Source, Luigi Madonna, Luna City Express, Maik Dulze, Markantonio, Paco Osuna, Severino Panzetta (Horse Meat Disco), Soul Clap, S hmlss, TREASURE FINNGERS, UGLH (Marco Duranti)

www.juno.co.uk/products/frank-ag…nia-ep/625705-01/
www.discopiu.com/detail.aspx?ida=119651
www.decks.de/t/frank_agrario-ladonia_ep/c86-mm
www.redeyerecords.co.uk/vinyl/78154-m…io-ladonia-ep
techno-import.fr/shop/index.php?i…roduct&id_lang=1
www.groovedis.com/shop/product.php…productid=822944
lighthouserecords.jp/?pid=108102548
www.technique.co.jp/item/144290,MN02.html
oye-records.com/sgl.php?id=153699&aplay=0


STREAM ON SPOTIFY : Spotify : https://open.spotify.com/album/3xf3untogMDF257lhkst9b

DOWNLAD HERE :

ITUNES : itunes.apple.com/us/album/ladonia…s&ign-mpt=uo%3D4

GOOGLE PLAY : play.google.com/store/music/album…ihxcds4psypbvsmga

Ladonia Ep

Buy Vinyl

Frank Agrario - I Played That Track Already

Out 15/02/2017 : www.discogs.com/release/9524309

Les Yeux Orange - Amantes Cosmicos

The Great Marcello Giordani with Patrizia Pellegrino "Mondo da una nuvola". Simply a perfect version.

Buy on Juno

Marcello Giordani - World from a Cloud

Cosmic edit of the 1988 italo-disco banger "Te Gusta ?" originally interpreted by Myriam Fecchi and Donatella Milani

Fecchi & Milani - Te Gusta (Gui & Strausz Edit)

It's with great pleasure to welcome long time dear friend Jonny Nash (@jonnynash) who in 2019 released 'Make A Wilderness' with us (MFM037). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Jonny, welcome to the series. So, it's already been over a year ago since Make A Wilderness came out. How do you look back on that now? 

JN: In many ways Make A Wilderness marked the start of a new chapter for me, the first steps into new territory - a wilderness you could say! That record was really about exploring a simple question - what kind of sounds resonate with me, and why. I think the record was primarily an exercise in sound, and not necessarily in arrangements or songwriting. I felt it was necessary to open the doors to new sounds in this record, and I feel like I got pretty close to creating the album that I wanted to make. 

MFM: You went to different places to record specific instruments and in certain environments. Why? 

JN: It took me a long time to make the record, not in terms of actually writing the music, but determining what the instrumentation should be. I wanted a finely balanced mix of alien, unfamiliar sounds and organic human sounds, to somehow express a feeling of “ancient future”, the sense of floating in some timeless space that could be millions of years in the past or in the future. I found that the Cristal Baschet, was perfect for expressing this feeling of “deep time”. Capable of beautiful harmonics and also wonderful atonal textures, it was a central part of the album. I contrasted these sounds with familiar instruments such as piano, vibraphone and voice. It was very important to have some sparse elements of voice in the record to somehow keep it grounded on earth. 

MFM: Have you always been that interested in sound and sound sculpturing?

JN: Well, I’m a naturally curious person and I think my brain and also my ears are always developing and learning new things. I think that I am able to hear sound in a different way than I did a few years ago. A big switch from focussing on melody as the dominant element that catches my attention. Of course, melody is still a central element for me but I now spend alot of time thinking about timbre, the colour of the sound and how the distinctive character of a sound sits in context with other sounds in a given composition. New ways of hearing influenced the record and took me to a place where “sound sculpting” was of equal importance as deciding what chords and melodies to choose. 

MFM: You mentioned earlier that the past couple of months your label Melody As Truth got a lot support through digital sales. Does that have effect on your label vision and strategy?

JN: The switch towards digital and especially streaming does undoubtedly have an effect on how I think as a label owner. It is pretty clear that this is an important area of growth and although there are lots of issues with certain platforms and revenue models, I find it important to keep on top of what is going on and try to adapt. In the future I can see the label experimenting more with digital only releases, I think there are interesting areas to explore here. Quiet dynamic music cut on vinyl in 2020 often sounds worse than a WAV file to my ears. I also buy hardly any vinyl myself these days, it is expensive, taxing on the environment and often a form of object fetishism. The other side is that a physical object looks amazing, can sound great, gives full importance to the artwork and design, can be treasured and won’t be lost. So a physical object is almost like an insurance policy for not losing the music too. I guess I’m sitting somewhere in the middle.

MFM: Thanks for contributing your mix. Can you tell us a bit about it?
 
JN: The mix is pretty much a selection of music I have been enjoying or discovered this year. A few older favourites too. I had no idea except to make something that I would enjoy listening to whilst having a walk or reading in the morning.

MFM Mix 020: Jonny Nash

Mix 21 comes from the hands of Potato Head resident and Second Circle affiliate Dea Barandana (@dea-barandana). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Dea, welcome to the series. How have you been lately? How are you spending your days in Bali?

DB: Hi!! Thanks for having me. I’m actually doing well, i’ve been living in Jakarta for the past 3 months. I moved to Jakarta in order to work in the music industry, which is more alive here, where in Bali 93% of the income are coming from  tourism.

MFM: I assume dance floors in Indonesia have been closed for a while too, right? As a resident of Potato Head, do you fear for what will become of nightlife after all this is over or do you extract positive energy from it too maybe?

DB: It is pretty much dead regarding club scene in Indonesia, but there are still nightclubs open illegally here and there. I don’t want to think about too much, I just hope the best for everyone who work or involve in anyway with this industry to survive this pandemic situation.

MFM: Can you tell a bit more about how you initially got involved in becoming a resident for Potato Head?

DB: It was all started on 2012, which is pretty much day 1 . Back then I was only a resident DJ and soon it progressed to managing their audio engineering thing, setting up all their music venues such as Studio Eksotika, Kaum Jakarta, etc, even involve in designing room acoustic for them. So pretty much I’m doing almost everything related to sound and music in that company. And the actually gave me a cool title as AUDIOPHILE DIRECTOR hahahahha..

MFM: You were a musician at that time too already, right? What's the balance like in between all those roles?

DB: I wouldn’t say I’m a musician, I do play instruments but I don’t consider myself as a musician. I see myself more as an audio engineer and a sound designer. DJing is not my main income, I did it just because of my obsession on collecting music in any physical form, and I like to share it to others. DJing is just one of many ways to do so. But yeah 70% of my income comes from music or audio work related.

MFM: Exactly one year ago your first release as part of Zatua came out via Second Circle, as result of a live improvisation of 4 members. What can you say about how the EP was recorded?

DB: It’s recorded live, I don’t use any samples. My role in the band is the rhythm section. I wrote most of the bass line, both acoustic and synth based. I also wrote melodies and ideas for pretty much everything.

MFM: It initially was never a planned project, correct? Now that the first release is a fact, do you have more future ideas and plans for it? 

DB: For now, I’m more focusing on working with my other band than Zatua. The band are called White Shoes and The Couples Company, it’s one of the biggest independent group here in Indonesia and I'm in charge of the production of their 3rd album, I wasn’t part of the group but I took full responsibility on their recording process. It's different from my usual style but its more applicable for Indonesia local market. I supposed to release 2 mini album of my solo project this year, but it got postponed because of the pandemic. For Zatua itself, hopefully we can record a new album by the end of the year.

MFM: Thanks a lot for sending in your contribution to our mix series. What can tell about the mix? 

DB: I’m just let it flow. I don’t think to much when I play records.

MFM Mix 021: Dea Barandana

We made that edit more than 1 year a half ago to include it in a 100% french vintage vinyl mix of boogie, disco, synthpop and the likes that we gave to the guys of Bon Entendeur. 

DOWNLOAD the High Quality (wav/aiff/320mp3) file there and feel free to leave a tip if you're cool ;)==> https://lesyeuxorange.bandcamp.com/album/lyo-free-edits-02

Free Download

Maureen - Tu Me Tues (Les Yeux Orange Edit) FREE DOWNLOAD

No Game - Filta Freqz

2020, in my opinion, was an amazing year for ambient music. I don't know if it was simply the right conditions due to the pandemic and producers being stuck at home, or if I'm just starting to notice stuff more, but I ended up buying more ambient than I ever have. I have loads of it on wishlists for future purchases as well on Bandcamp and record store sites. 

For this mix, I compiled some of my favorite ambient tracks that I bought on vinyl this year, all of which I believe were released this year. There are so many good ambient releases that aren't released on vinyl, so I wouldn't necessarily consider all of these my top favorites of the year, but they're all certainly up there. 

Anyway, I hope you enjoy it, and let's hope 2021 is a better year altogether ;). Happy New Year!

TL:
Bartosz Kruczyński - IV [Emotional Response]
Nikolaienko - Jazz Tape [Muscut]
Piper Spray - First Snow [Gost Zvuk]
Gia Margaret - Apathy [Dalliance Recordings/Orindal Records]
Vera Drale - Sirutumine [Good Morning Tapes]
Eden Burns - Kelly 1 [Public Possession]
Robert Merlak - Skele [SWIMS]
Evano - Grandel_s Musyc [Voiceless]
Todd Mattei - Lake Charles [Standards & Practices]
Pontiac Streator - Trizlang Gem ft. Ulla [Motion Ward]
Folder - Smaze [Experiences Ltd.]
Haji K - Black Against An Orange Line [Daisart]
J. Albert - Skitter [anno]
Ben Bondy - Flejlern [Experiences Ltd.]
Ulla - New Poem [Experiences Ltd.]
Kaiji - ჭოლევი [Kimochi Sound]
Exael + Arad Acid - My Love Is An Extension of You [Motion Ward]
Axel Boman - Echoes Of My Mind [Studio Barnhus]
Ben Bondy - Suelti [West Mineral Ltd.]
Grand River - Equations For A Falling Body [Editions Mego]
Ura - Neo Piano (Unextended Version) [NAFF]
Echium - Yellow-Flowered [Sferic]
Arv & Miljö - Fireworks In The Sky [Discreet Music]
Pontiac Streator - Triz Cohors Pt. 3 [Motion Ward]
Broshuda - Airlite DMV [Soda Gong]
DVL - Hotel Vibes [ÆX]

Alex Steiner - Best of Ambient 2020 Vinyl Mix

Kenyan artist KMRU records a deep, transportive mix of ambient electronics, rustling beats and found sounds for the Fresh Kicks series

Interview & tracklist: https://djmag.com/features/fresh-kicks-147-kmru

Fresh Kicks 147: KMRU

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