FEEL MY BICEP PLAYLIST

Dark & Gothic

costas' delight

Playlist filtered from &quot;The Sound of Industrial&quot; at 05&#x2F;29&#x2F;2019 - 21:12:15 via Skiley (https:&#x2F;&#x2F;skiley.net).

1980

Le meilleur de la new wave de 1977 à 1990 !

80's New Wave

Late Night Tales: Royksopp

hungover

Molly Nilsson - Never O'Clock

Tones on Tail - Go! [VR48 Club Mix]

Nightcall

Stream / Download: https://westwood.fanlink.to/moontrickshome

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Westwood Recordings is proud to present the debut release from Moontricks. Having taken the westcoast festival circuit by storm this summer, the duo comprised of producer NOG and guitarist/banjo player Sean Rodman, have redefined the link between live and electronic music. Their patented Moontrickery is a welcome addition to the Westwood roster and we couldn’t be more excited to bring their signature sound to the masses. Soulful instrumentation, effortless grooves, and deep basslines have become a Moontricks trademark across their debut 5-track “Home EP". Special guests MC Dash and producer Metaphoracle also join the record for two special collabs and guaranteed maximum vibes.

Stream / Download

Moontricks & MetaphOracle - Northern Lights (Original Mix)

The Complete Adventures Of The Style Council

The Paris Match (feat. Tracey Thorn)

Sleeper Catcher

Light Of Day (Remastered 2022)

The Best Of...

Dear Prudence

The Colour of Spring

Life's What You Make It (1997 Remaster)

Idlewild

I Always Was Your Girl

Japanese Whispers

The Lovecats

Complete Greatest Hits

Let's Go

Blade Runner (Music From The Original Soundtrack)

Blade Runner Blues

Here Comes a Regular

The Hurting

Pale Shelter (2nd Single Version)

After the Snow

I Melt with You (7" Mix)

A Bell Is A Cup Until It Is Struck

Kidney Bingos

Holy Wars

In a Manner of Speaking

V/A - mono no aware もののあわれ

Format: 2xLP / Digital
Label: PAN
Cat.No: PAN 77
Release Date: 17 March 2017

http://p-a-n.org/

purchase:
site: http://bit.ly/2mQN5AO
bandcamp: http://bit.ly/2n9ToSm

mono no aware (もののあわれ) is the first compilation to be released on PAN, collating unreleased ambient tracks from both new and existing PAN artists.

Featuring Jeff Witscher, Helm, TCF, Yves Tumor, M.E.S.H., Pan Daijing, HVAD, Kareem Lotfy, ADR, Mya Gomez, Sky H1, James K, Oli XL, Bill Kouligas, Flora Yin-Wong, Malibu, and AYYA, the compilation moves through more traditional notions of what is called ’ambient’, to incorporating wider variations that fall under the term.

“Mono no aware”, ‘the pathos of things’, also translates as “an empathy toward things", or "a sensitivity to ephemera”. A term for the awareness of impermanence, or the transience of things. A meditation on mortality and life's transience, ephemerality heightens the appreciation of beauty and sensitivity to their passing. In investigating the passing of time, the boundaries between memory and hallucination become blurred; between fiction and reality. The movement of time transforms into an eternal present.

The album is mastered and cut by Rashad Becker at D&M, featuring photography by Molly Matalon and design by Bill Kouligas. A limited version of 100 copies will be released as a special art edition in collaboration with Mount Analog for the LA Art Book Fair 2017, before going on general release.

mono no aware

6. AYYA - Second Mistake (PAN 77)

Godstar

Death in June - The Calling (mk II)

CHROMATICS / INTO THE BLACK

Written and recorded by Michelle Gurevich, Berlin 2012. 
Michelle: vox, synths 
Van Roland: drum production, guitar, extra keys, sfx 
Produced by Van Roland and Michelle Gurevich. 
Diego Ferri: lead guitar 
Mixed by Van Roland, Mastered by Tomas Brabec.

 Follow: http://goo.gl/G3MTRr


To Be With Others

F.R. David - Music

'Pulsar' is taken from 'Ambivert Tools Volume Four' released 12th October 2018 via R&S Records.

BUY/STREAM - http://smarturl.it/lone-ambivert-4

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Ambivert Selections: www.lonemusic.co.uk

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Follow Lone:
Facebook: www.facebook.com/magicwirelone
Twitter: twitter.com/Lone
Instagram: www.instagram.com/magicwirelone
RA: www.residentadvisor.net/dj/lone

Lone - Pulsar

1984-1989

Forest Fire

"It’s a rare thing to find a reformed band that are better than the original” VIVE LE ROCK MAGAZINE 2011. 30 years after first gracing the charts with IS VIC THERE? GOING LEFT RIGHT and I WANT…DEPARTMENT S have been rampaging across the UK and Europe thrilling audiences with their guitar based sound from Wickerman in Scotland to Benicassim in Spain. With 4 original members, Mike Herbage, Stuart Mizon, Mark Taylor and Eddie Roxy joined by Back To Zero’s Sam Burnett giving the group a unique sound with two lead guitarists. Since 2006 three singles have been released, Wonderful Day, God Squad Saviour and My Coo Ca Choo with guest musicians such as Glenn Matlock, Marco Perroni, Mark Bedford and John Keeble. A new LP released last year “MR NUTLEY’S STRANGE DELUSSIONARIUM” was greeting by warm reviews and represents the more rock sound the band believe would have immerged had VIC producers(Buffin and Overend from Mott The Hoople) been allowed to produce the debut LP…….sadly the label wanted a more commercial sound and then went bust after the record was finished but before it was released thus the first Department S album was released 10 years after it was made!!!  2013 will see a new LP “The Constructavist’s Nightmare” and the band back on the road playing clubs and festivals.

Department S - Is Vic There?

The first single off of Bronski Beat's "The Age of Consent", "Smalltown Boy", was recorded at The Garden studio (owned by former Ultravox singer John Foxx) and mixed at Maison Rouge studio, both of them based in London. It was released in June 1984, peaked at number 3 in the UK singles pop charts and is a poetically poignant, soul searching composition addressing homophobia, loneliness and family misunderstanding. It is accompanied by a video of Jimmy Somerville with fellow band member friends Larry Steinbachek and Steve Bronski who, while cruising at a public swimming pool and changing room, are attacked and beaten up by a gang of homophobes. Somerville is returned to his family by the police; he leaves home alone and has a reunion with friends Steinbachek and Bronski, travelling to a new life on a train.

Smalltown Boy - Bronski Beat - The Age Of Consent

I've wanted to do something with this cut for a while. One of best punk songs of all time.... ruined. 

Suicide  "Ghost Rider"  Al Lover Remix

Andy Stott - Versi

Nail

The Throne of Agony

https://kalaharioystercult.bandcamp.com/merch/nathan-melja-synesthesia-12-w-anthony-naples-pariah-remixes-oyster21

https://soundcloud.com/kalaharioystercult/nathan-melja-synesthesia-12-w-anthony-naples-pariah-remixes-oyster19-snippets

A1 Synesthesia [06.00 - 130 BPM]
A2 Synesthesia (Anthony Naples Remix) [08.02 - 128 BPM]
B Synesthesia (Pariah Remix) [07.28 - 130 BPM]

“Empty your mind, be formless, shapeless – like water. Now you put water into a cup, it becomes the cup, you put water into a bottle, it becomes the bottle, you put it in a teapot, it becomes the teapot. Now water can flow or it can crash. Be water, my friend." The steadily brilliant French producer Nathan Melja - who's made the rounds between choice outlets over the past half decade, from Mister Saturday Nights to Antinote, via Ninja Tune offshoot Technicolour and Opal Tapes, seems to have learnt Bruce Lee's lesson by heart, and his seamlessly fluid, no-nonsense debut foray on KOC is here to potently cement his status as one of Europe's number one club trailblazers, and one that knows all too well how to turn any dancefloor into an infinity pool of pure liquid euphoria.

Drawing its name from the physiological and psychological process that results in a confusion of one's sensory perceptions, 'Synesthesia' is indeed the kind of club single that shall trigger off massive reaction amongst right-minded bipeds and chromakey house suckers. Straightforward club business done right, Melja's original is a vivid kaleidoscope of skittish drums, swampy bass stabs and a well-rounded, supremely curvy synthwork, tailored to take ravers on a flash journey through space and time without the help of Richard Branson or Elon Tusk (pun intended).

Called in on remix duty, TTT affiliate and Incienso co-founder Anthony Naples delivers a more fragmented and ambientish variation, though functional and club-ready in its own right. Brushing even wider verbed-out pad tapestries for your brain to wander in, the track expands to deeper organic horizons with a field-depth that can not but recall that of the KLF and Bochum Welt's emotional soundscaping. Meanwhile, Karenn half Pariah takes care of whelming us deep into more techno-friendly terrains, true to his ever masterly touch for epic buildups and multi-level textural innovation, bringing up the acidic phlegm of Melja's original as he treats us to a carefully orchestrated ballet of synthetic whorls, contemplative chords and propulsive drum programming.

𝐇𝐔𝐑𝐅𝐂𝐋𝐔𝐒𝐈𝐕𝐄 ➟ Nathan Melja - Synesthesia (Pariah Remix)

Order: http://latenighttales.co.uk/product.php/200/r-yksopp-late-night-tales
iTunes: https://itunes.apple.com/gb/album/late-night-tales-royksopp/id643663833

The new edition of Late Night Tales journeys to Scandinavia to invite Norwegian duo Röyksopp to delve through their record collection. Their Late Night Tales mix is eclectic, diverse and wonderful. Sliding from light folk to widescreen ambience to experimental rock to prog-pop (seasoned with the occasional guilty pleasure); it’s all in the spirit of the night.

Following the exclusive introduction track 'Daddy's Groove', Rare Bird's beautiful 1975 B-side'Passing Through' then leads into Australian supergroup Little River Band. The first of several delicate folk moments, it's joined by the ever soulful John Martyn. There's a strong representation of alternative European sounds. Röyksopp mine deep and wide to unearth the rare and unusual German psych-pop of Richard Schneider Jnr (featuring none other than Can's Jaki Leibezeit on drums), France's unique F.R. David and the new age melodies of Switzerland's Andreas Vollenweider - it's pop Jim, but not as we know it. There are also the more familiar names of XTC and Thomas Dolby, as well as Röyksopp's exclusive cover of Depeche Mode's 'Ice Machine' and brand new track opening Daddys Groove. The music draws to a close with goth-dream-pop 4AD founders The Mortal Coil's Emmylou Harris cover 'Till I Can Gain Control Again'; blending into a cinematic moment from German electronic avant-garde band Popol Vuh, contributing to the soundtrack of Werner Herzog's 1972 movie Aguirre, the Wrath of God. The second part of the Benedict Cumberbatch narrated story 'Flat of Angles' closes time on this coolly individual edition of Late Night Tales.

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Röyksopp - Daddy's Groove [Exclusive New Track] (Late Night Tales: Röyksopp)

In a Manner of Speaking

Tuxedomoon