When it comes to Hardstyle, it’s impossible to argue the fact that any artist has had a bigger impact on the genre than Headhunterz. From the moment his first records were released, his unique melodic and energetic take on the genre sparked a new movement within the international music scene. A rise unparalleled, Headhunterz continues to take Hardstyle to new heights. 

Willem Rebergen, better known as Headhunterz, kicked off his DJ career over a decade ago. A visit to Qlimax 2003 lit a spark in Willem, leading to an uncontrollable wildfire, as he dedicated himself to becoming the best producer in the genre. His originals, as well as the album he made with Wildstylez under the Project One moniker, redefined the hardstyle sound of the late 2000’s. Headhunterz’ new take on hardstyle music made the genre grow into an international phenomenon and become something worldly. 

From 2014-2017, Headhunterz took on a new challenge and found himself headlining major festivals like Ultra Music Festival, Coachella and EDC, making him explore the boundaries of his own, musical imagination and discover new parts of the world as well as different territories within the electronic dance scene. Though it did trigger his creativity, Willem became homesick, missing his beloved hardstyle scene. In 2017, in front of 60,000 ecstatic fans who thought they had lost their hero, he announced his comeback to hardstyle at Defqon.1. With open arms, the community embraced him, as he travelled the world to celebrate his return with fans, old and new. It took him to 125 performances across 34 countries in 2018 alone, a journey which inspired him to create ‘The Return of Headhunterz’, an album that tied past, present and future together. Surpassing 15 million streams on Spotify, the album – along with his No. 28 position in the 2018 DJ Mag Top 100, showed that, no matter the adventures Headhunterz would undertake, he’ll always find a warm welcome in his home base.

The album also marked the launch of a new label – ART OF CREATION, with his colleague Wildstylez. A creative and dynamic platform that bridges the gap between music makers and community. At the same time, Headhunterz relaunched the HARD with STYLE Podcast, recorded live from a brand new studio, with state-of-the-art equipment and sound. This is where new Headhunterz music comes to life, plans to conquer new territory for his tribe are forged and the one thing reigns that will always remain Headhunterz’ greatest achievement; the music from within.

My newest track 'Let it Drop' is Out Now!

Anthony Joseph Lanman is an active and passionate musician that divides his time between composing, performing, teaching and advocacy for new classical music.

As a composer, Anthony creates music that reaches general audiences as well as new music connoisseurs. Embracing influences that range from progressive rock and metal, to medieval and renaissance music, to jazz, to new classical, Anthony strives to create a sound that is his own. He has written for ensembles and soloists around the world.

Recent commissions include – E.G.S./A.J.L. for guitarist Matthew Cochran, Hear Us! for children’s choir and string ensemble commissioned by Otter Creek Middle School, Automaton – a concerto for 8-string electric guitar and percussion for Clocks In Motion, The Rag and Bone Shop – a song cycle for baritone and piano trio for Brian Lewis and David Small commissioned by the University of Texas Butler School of Music, Rush – a quartet commissioned by the Music Teacher’s National Association and the Indiana Music Teacher’s Association, Hommages for Piano, Book 2, for Holly Roadfeldt, and Damselfly – a duo for 8-string electric guitar and percussion for Kyle Lutes.

Anthony’s performing career began in high school while singing and playing electric guitar with his touring progressive band Canvas. His principle instrument changed to classical guitar during his undergraduate years at University of Texas at Austin where he studied with Adam Holzman. Through his graduate study at Indiana University he added renaissance lute and theorbo to his instrumental arsenal, studying with Nigel North. He has performed with the University of Texas New Music Ensemble, the University of Texas Early Music Ensemble, the Indiana University New Music Ensemble, the Indiana State University Wind Ensemble, and Clocks in Motion. He has also performed many concerts of solo and chamber music.

Anthony’s advocacy is life-long. In the nineties, he hosted a contemporary classical music radio show on KVRX in Austin, Texas. In the 21st century, he promoted fellow Indiana University composers through a web presence on Mp3.com (now defunct); created Guitar Heroes, a weekly presentation series in Second Life; and produced more than 100 episodes of his ongoing music-centric podcasts All the Cool Parts and the 1,000 Recordings Podcast. He has appeared as a guest on Soundnotion, Composer Quest, Classical Guitar Insider, Goes 2 Eleven, and The Portfolio Composer.  His new podcast 1 Track focuses on the music of the contemporary classical world.  In addition, he has exposed thousands of new listeners to contemporary classical composers by sharing this music to his more than 400,000 followers on Soundcloud.

Anthony has held several positions at multiple universities and colleges, as well as K-12 public schools. In 2016, he held an adjunct position at Butler University in addition to teaching choir and music at West Vigo Middle School. He holds a BM in composition from the University of Texas, and an MM and DM in composition from Indiana University.

Anthony currently resides in Bloomington, IN with his wife Jenna and their cats Silas and Bod.

We are Yellow Claw and we are awesome.

United Talent Agency (USA & Canada)
wilcox.weaver@unitedtalent.com

Barong Bookings (Asia & Europe)
harley@barongfamily.com

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

Twan Temminghoff is following