Koris is an artist of trajectory. Trajectory of sets, which the DJ and producer of Swiss origin knows how to put together like sensitive trips, on the outer borders of contemporary electronic trends. An artist’s trajectory too, as Koris is coming back front stage after exploring other creative fields – contemporary dance, urban happening and event layouts.

Coming back to music as well as returning to being himself. A major figure of the international scene since the early 2000s, he is now letting personal inclinations blossom more than ever in terms of deep house, techno and IDM. The eclecticism of his selections envelops the body as much as the mind: in the connections which link one track to another, emerges an organic space, an invitation to poetry and escape.

Starting point: an adolescence of synthesizers, turntables and samplers, tucked away in the basement of the family home, Koris tried out his ear and technique. He was soon invited to the biggest festivals: Mayday, Energy, Street Parade. A set in San Francisco in front of thousands of people in a disused warehouse, launched a career spanning Europe, the United States, Russia and Japan.

With a commitment to making the pulse serve emotion, Koris favors human dimensions of music, powered at the heart of machines as much as in terms of the imagination.

At a time when a new generation of labels and listeners is allowing a culture, which has long been confined to the night, be brought into the light, Koris wants to defend a techno which is one of sharing. "Today, styles and audiences are combining in new ways. I want to go towards this spontaneity."

An innovative, flexible techno is the trajectory which is already shining its first golden light of tomorrow. 

There is a sound coming from the east that is taking over the electronic world by storm, a kind of electronic, melodic, maybe even an acquired classical sound, it is an unstoppable wave of imposing deep-atmospheric vibes over modern beats. There is no doubting its impact currently on the industry......

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