The title track from Twelfth Day's new album The Devil Makes Three
Out 9 June 2014
Click here to get the album:
https://twelfthday.bandcamp.com/

This track features an adapted version of the traditional American song "Didn't Leave Nobody But The Baby". All additional music written and arranged by Twelfth Day.

The Devil Makes Three

det går upp det går ner, på väg upp nu kapten.

Original Albertain. Love motorcycle traveling, jumped in both feet, all eggs one basket, sailing. Started out on classic rock, got hooked on funk shakes. I like shiny things! I like the bad ass country, don’t mix the pop in on that. Love sad songs sometimes. Give me that bad ass bass! I’m always open to new tunes, depends on the mood one is in. Tacos!

Soli Ko is a duo of artists who blend their music with poetic lyrics. Their texts tell stories or feature characters in an introspective manner, exploring inner struggles and the duality of emotions.
Their music combines folk elements with a strong acoustic presence. Their compositions are characterized by minimalist arrangements, where the acoustic guitar is accompanied by a highly expressive voice. Their musical style, both intimate and melodic, highlights sounds that reflect a simple yet profound exploration of emotions.

Soli Ko est un duo d'artistes qui marient leur musique à des paroles poétiques. Leurs textes racontent des histoires ou des personnages de manière introspéctive, explorant les combats intérieurs et la dualité des émotions. 
Leur musique allie des éléments folk avec une forte présence acoustique. Leurs compositions sont caractérisées par des arrangements épurés, où à la guitare acoustique se mêle une voix hautement expressive. Leur style musical, à la fois intime et mélodique, met en valeur des sonorités qui reflètent une exploration des émotions avec simplicité.

In the wordless communication that passes between violinist Catriona Price and harpist Esther 
Swift as they perform, the strength of their decade-long musical partnership, friendship and shared 
humour is evident. It’s this depth of connection, and tangible desire to have fun, that gives Twelfth 
Day its extra edge.
Though Twelfth Day wear their rich and varied experience with pride – their folk roots, their 
classical training – this duo are more than a simple product, an exponent, of their practice. It is their 
inherent curiosity, their need to understand through experimentation, that compels them to create 
their unique, genre-bending music.
Their songs confront societal conventions by exploring a wealth of urgent current issues, such as 
gender roles, power balance and the challenges of working in the arts as a young woman; the threat 
of climate change and society’s reluctance to act; and the struggles of mental health.
In their new album Face to Face (out November 2019, and their first featuring their full band [with 
whom they play tonight]) their multi-layered influences come together to create something entirely 
individual. There’s the radio-friendly catchiness and self-proclaimed respect for Beyoncé; there’s 
the swagger and surprise of jazz and funk; there’s the precision and technique of classical. The only 
label to truly hit the high note is ‘contemporary’: Face to Face could only be made now, and only by 
Twelfth Day.

"genre-blending style that is both edgy and inventive. . . A bold, intriguing set." ★★★★The Guardian

“Unconventional yet completely open” - Clash

“Right up my street” - Tom Robinson, 6 Music

“instantly addictive” Max Reinhardt, BBC Radio 3

The Devil Makes Three

TwelfthDay