Somewhere between DJ Screw and Bad Brains, De La Soul and Scritti Politti sits Houston’s native son, Fat Tony. For the last decade, Anthony Lawson Jude Ifeanyichukwu Obiawunaotu has been everywhere: from star-making turns on the first A$AP Rocky mixtape to hosting shows on Viceland and Super Deluxe, to co-founding a DIY culture magazine to playing every worthwhile rap party in America and burning the stage down every single time. A singular and experimentally-minded rap artist adept at both traditional regional styles and indie pop, hardcore thrash and melodic candy-painted bangers. He is punk in the platonic sense of the word: experimental and subversive, but also funny, whimsical, and virtuosic. 

Over the course of more than a half-dozen LPs, and countless other short-form gems and collaborations with everyone from Das Racist to Bun B, Fat Tony has reimagined and blurred the boundaries of hip-hop. There are a few things you can depend on in this schizophrenic world. About once or twice a year, Fat Tony will drop an album and it will sound like nothing that he has done before. There’s a spirit of creative restlessness and intelligence that runs through his deep discography. He is a national treasure, one of those rappers destined to seem forever underrated until you ask around and realize that everyone in their right mind likes Fat Tony. He is the Whataburger of rappers: if you know you know. 

Raised in Houston’s historically black and culturally radical neighborhood, the Third Ward, Tony’s mom and teachers educated him from the get-go about how this was the regional cradle for the Black Panther Party -- and how BP hero, Carl Hampton, was murdered by the Houston Police Department. It was an environment where social awareness and Pan-Africanism were always around and celebrated. His childhood home was filled with records—country music, King Sunny Adé, and Jimmy Cliff from his father’s collection, his mother’s classical music, rock, and soul, and his granny’s gospel. Then as a teenager, empowered by the internet and his discovery of independent artists like E-40, Bikini Kill, and Bad Brains, Fat Tony began recording and distributing his own music. Heavily influenced by renowned Texas rappers like UGK and Scarface, Fat Tony started playing and organizing live shows at a time when there wasn’t much of a scene for young artists in Houston. He started booking bands of all types from all over, hand-making flyers for the shows and mailing them to addresses nabbed from the Carnegie Vanguard High School student directory. 

His dedication to Houston’s rap scene earned him Houston Press Music Awards’ “Best Underground Hip Hop Artist” in 2008, 2009, 2010, and 2013. Primed for more national audiences, Fat Tony began taking his music on tour and collaborated with more artists around the country. His sonically unpredictable and emotionally vulnerable music has garnered praise from Pitchfork, The Fader, and Noisey. His achievements in rap have pushed him out of his comfort zone into other performance and hosting opportunities on TV and the Internet. This fall, Fat Tony releases Exotica on Carpark Records. It heralds his most visionary work yet, an ode to the art of storytelling through music. A rich and compact iteration of rap short fiction that firmly establishes him as his own one-man genre, the preeminent post-modern griot shooting game.

COME AND FIND ME

To Whom It May Concern xx

Kam Franklin Bio
 
Kam Franklin is a singer-songwriter, activist, writer, orator, model,visual artist, and actress from Houston, TX. She is best known for her work with the gulf coast soul band, The Suffers, but Kam began performing in public at the age of five. A three-time recipient of the Houston Press Music Award for Best Female Vocalist, Kam has performed on five continents and has performed with the Suffers backed by The Houston Symphony in addition to being featured solo. Kam is also known for her unique collaborations, some of which include: filling in for H.R. (of Bad Brains) during the 2016 Afropunk Superjam alongside members of Bad Brains, Fishbone, and Living Colour, performing in the 2016 March For Science band alongside Jon Batiste and Stay Human, Judith Hill, and Fred Wesley(longtime James Brown collaborator), and repeated appearances at Newport Folk Festival where she has participated in numerous tributes and collaborations.
 
Both Forbes and Vice have featured Kam for her activism and business ventures that seek to create an inclusive environment in the arts for female artists working in all mediums and from all backgrounds, and in fall 2018, she joined the board for Headcount.org. Kam’s unique style and fashion-sense has also been covered by Buzzfeed, Refinery 29, and Nylon. Fronting The Suffers, Kam has performed nationally on The Late Show with David Letterman, The Daily Show with Trevor Noah, and Jimmy Kimmel Live in addition to speaking about The Suffers with Ari Shapiro  on NPR’s All Things Considered. 
 
At home, Kam remains a very active participant in the Houston music scene, producing events that have featured up-and-coming acts from around the Houston area while leveraging her and The Suffers’ international platform to represent the City of Houston and champion her entrepreneurial approach to finding success in the arts for women, minorities, and independent artists.

Independent music blog based in Riga, Latvia. 

Exquisite picks.
Different approach. Stable visions, nimble words.

BLSHS – Hold On EP coming soon on Synth Records.

For booking email Mikalsteed@gmail.com




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