A Detroit-based four-piece that creates minimalist psychedelic rock and rough-hewn pop. They bring a sweetly sinister hue and atmospheric haze to urgent, gliding jams.

Hailing from Detroit, Reuther is a band that rose from the ashes of the former projects of the founding members Jim Vee and Daniel Stover. Having spent years together touring the US with their former bands, they ultimately wanted to continue the excitement and energy that reckless touring and performing afforded them. Their vision is to allow their penchant for catchy, poppy and infectious songs guide them while obtaining inspiration from their favorite bands The Loved Ones, The Flatliners and The Swellers.  This combination of pop sensibilities and powerful melodies have been building Reuther’s name since their inception in 2013. After a series of demos and singles, they released their first full-length LP  “Like a Ghost” in early 2018. It is available on Digital and Vinyl via Get Party Records and Too Hype Music.

A new 5 song EP by the band called “Letting Go” was released on January 1st, 2021 on Get Party Records. The new batch of songs are a reflection on the current state of life in the US, both intimate and broad. The band’s namesake, Walter Reuther, is well known in Detroit for fighting endlessly for worker’s rights in the early and mid 20th century. The past year has been a stern reminder that this fight is never over. Singer, Guitarist and Lyricist Jim Vee has taken direct inspiration from the hardships that many are enduring since losing their jobs at the beginning of the 2020 pandemic and prior. Reuther wanted to encapsulate these ideals into their new songs, relying on the deprivational experiences that many can identify with in America, especially now. The content of the lyrics are personal and at the same time, completely relatable. Themes of hopelessness after losing a job, struggling with depression, and the yearning for a new start and a new understanding are what you can expect from this record. Many new themes were being explored for the band, but they’re always mixed with Pop Rock ferocity.

Underflow Records 

where the underrated can flourish,
the under-appreciated can blossom 
& the underground flows.

Contact: underflowrecordings@gmail.com

PLAYGROUND DETROIT is a catalyst for art, design and music, with its finger on the city of Detroit’s pulse. Since 2011 we have been empowering emerging artists in Detroit’s creative community by connecting creative entrepreneurs with exposure and resources to further enable them to springboard their careers by establishing a connection between Detroit’s creative economy and the rest of the world.

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Detroit-based indie pop outfit Twin Deer is described as powerful poetry with super catchy music. (Prism Reviews). A sound made up of hazy guitars and dreamy vocals. “Light and fog intermix on these songs.”

Megan Marcoux
Tom Skill
Dan Harness
Bill Kahler
Sung-jin (Joseph) Jankowski

“What is even happening right now?” 
 
Good lord! How many times have you said that to yourself in the last 2…3…4…10 years? Bat-shit presidents, natural disasters, a global pandemic, murder hornets, you name it - something fucked up is always happening.
 
Detroit power pop band Extra Arms knows this. They understand it. But instead of accepting it and moving on, they do something about it - they turn up the volume, and channel their confusion, frustration and rage into catchy-as-hell bangers that make you want to punch a hole in the sky. 
 
If you’re reading this, perhaps you’ve been here before. It’s possible that you have cranked their first full band album - 2018’s Headacher - on a run through your neighborhood. Maybe you laughed and cried while speeding down the highway listening to 2019’s concept/break-up album for the ages, Up From Here. There’s even a chance you’ve been down since day one, and know some of singer/guitarist/songwriter Ryan Allen’s solo albums by heart. 
 
But what is even happening RIGHT NOW? Well, Extra Arms has another record to blast into your ear holes. And this time, the guys just wanna have fun. Sure there’s some existential dread sewn into these ten cranked up rockers, but there’s also a sense of joy, positivity and self-reflection that picks up where “Up From Here” (the album and the song) left off. 
 
An 80s video game sample ushers in the relentless, Superchunk-y “Fun Guy” - a redemption song with a title swiped from the nickname of basketball player Kawhi Leonard - and from there it’s pretty much ON. “Big Dogs” mixes Allen’s choppy delayed guitar with drummer Dan Stover’s propulsive beat and a hooky, sing-along bridge, all while being a heartfelt ode to man’s best friend. “Falling Into Place” is a minor key ripper with a stand-out Randy Rhodes-esq lead from guitarist Michael Gallacher. “Feeling Alright” bubbles and scrapes with Cars-esq synth, Ryan Marshall’s driving bass and Allen’s hiccupy vocals. “Click Wars” calls out the conspiracy theorists, boasting the best Vox organ sound this side of Elvis Costello’s “This Year’s Model”. “Vulnerabilities” big ups the benefits of self-care, while pushing the riffs and rhythm to epic heights. “In Control” grinds with a stop-start dynamic, referencing the dark tones of Jawbreaker’s “Dear You”. “Life In A Cube” wonders what would happen if Foo Fighters covered Stereloab while soundtracking the movie Office Space. “Denial” goes hard after Fox News devotees, musically throwing a party where everybody from Rocket From the Crypt to the Go-Gos to the Ohio Players are invited. The album wraps with “I Don’t Wanna Die”, a go-for-broke jam that throws all of the band’s influences into the melting pot, reminding the listener that even in these dark times, there’s always something to live for. By the time it’s over you’ll be asking yourself what just happened. And then you’ll hit play again.
 
Now, we would be remiss if we didn’t mention a few details: The album was created in the era of social distance. Demos were made. Files were shared. Zoom calls were had. Masked-up band members convened in small numbers at engineer Chuck Huber’s Drifting Sun Studios. Tracks were captured there or flown in from home. Experiments were conducted. Bass parts were recorded in comfy pants. Oh, and we can’t forget the guests: Matthew Caws from Nada Surf, Bob Nanna from Braid/Hey Mercedes, Gregory Macdonald from Sloan, Lily Paul from the Plastic Beach, Scott Allen from Thunderbirds Are Now!, Chris Hatfield from Love Axe and saxophonist Matt Jones can all be found in the fibers of this album. All that was left was for Paul Miner (New Found Glory, Thrice, Touche Amore) to mix, master, and stick a fork in it. 
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So the only question left is: What is even happening…next? Well, only time will tell. But one thing is for sure: You’ll have a killer new Extra Arms album for the soundtrack.

twin deer is following