Really love this one guys :-) Just started playing the new album, next 36mins will be awesome...

Two Cheers

Founded	January 2013
Members	Recordings:
Peter Michel

Live:
Peter Michel
Dillon Maxwell
Dustin Carroll
Patrick Smail

Ben Shipley
Bill Doerrfeld
Hometown	Seattle, WA
*(eee-booo)* 
@petermichel www.youtube.com/hiboumichel 
hiboumichel.tumblr.com/ 
twitter.com/hiboumichel

FOR PROMO | SUPPORT THE ARTIST | CHEERS !

Hibou  - Above Us

Strawberry

The Explode Boys

Splendor

Music by Two Cheers
Lyrics by Bryan Akcasu
Recorded, engineered and Mixed by Bryan Akcasu at Two Cheers' Studio in Berkley, MI
Copyright 2016 Two Cheers

Pepper Tree

The 2nd Full Length from the Cincinnati Electronic-Dance-Beat-Rock group Fluffer

02 Monolith

Five Years Of Loving Notes's opening song by Domenique Dumont

ATN5YEARS - FIVE YEARS OF LOVING NOTE 
OUT NOW

Five Years Of Loving Notes

ATN5YEARS - DOMENIQUE DUMONT - +371

Hachiku, a.k.a Anika Ostendorf, 22, writes and produces dream pop with an avant garde twist from whichever bedroom she is currently inhabiting. Born in Detroit, raised in Germany and now residing in Melbourne her debut EP is out now thru Milk! Records  http://milkr.ec/hachikuEP

Hachiku - Moon Face

Here it is. Our last release <3 
We've been holding onto this song so that we can release it with our 'Thanks For Having Us' video - http://bit.ly/2rCLxh5

BUY ON ITUNES ~ http://apple.co/2rCvujb
Also available on every single other music platform in the whole wide world <3

Recorded at Digital Forest Studios, Cape Town.
Mixed and Produced by Francois de Klerk - Blakk Productions.
Mastered by Rogan Kelsey at Kelsey Mastering.
Track Art: Caitlin Weare.

Just A Like Song

<3 it on Hype Machine: http://bit.ly/2sn9BHx

Lost My Mind is out now on Spotify and iTunes!

http://spoti.fi/2sJ3XvO

Instagram: @alicelk

Lost My Mind

“Future Constellations” is about a night under the stars in Michigan's wild and chilly upper peninsula, longing for something or someone whose never coming back: I wrote this song because back in Detroit, I had a terrible sense of loss: I missed my friends who spread out across the country, I missed my life in California, I missed my mom and grandma who had both just passed, and I had the feeling of losing my innocence too, especially seeing my once happy family in so much pain and having so many hopes and plans shattered. So, while I can’t pinpoint the subject of the song; I just had a longing for a lost world, lost people, lost hope, and I wanted to believe I could relive it all and see everyone again. During those days, before we left Michigan, I used to visit my aunt’s cabin on Lake Superior and just kick around on my own. One night on the lake, I started thinking about the constellations changing shape over millions and billions of years, and how the arrangements of stars we know now are just a snapshot of the universe at this time. They’ll scatter over time, but maybe if enough time passes, stars will eventually end up making the same shapes, and the constellations we know could reform. It seemed like the right metaphor. 



Two Cheers returned to L.A. and Bryan started writing and recording a lot of songs. These 8 are the first to be finished. The songs represent a process of reliving the past, synthesizing it, and investing life with new meaning for the rest of the journey... It reflects Bryan's decision to give up on a music career, heal his soul, start a family, devote himself to domestic life. These songs started out as rock songs akin to Two Cheers’ past material, morphed into electronica experimentation, and while you can still hear remnants of them strewn about through the tracks, it was determined these special songs were better stripped down and played on acoustic guitar, with the other elements taking a backseat to the vocal performances. John O’Reilly Jr made a triumphant return on drums and percussion, and Alison Crawford of the indie band Ghost Hotel lended some background vocals to “Four Months” and “Future Constellations”. Justin Newton lent his tremendous talents to mixing and mastering these songs, and Los Angeles artist Timothy Dutch created over a dozen new pieces for the cover art for the record and singles.

Future Constellations

“Keep Us From Danger” was written about my friends' young kids’ and the balance between bliss and danger that we all juggle with our loved ones. We were hanging out with our friends and their kids in their back yard on a beautiful Sunday evening. And it was really idyllic, and the kids were playing and the grown-ups were chatting and sipping wine. But every once in awhile my friends would, as if by instinct, look over at the kids and yell “be careful” or “don’t do that, you’re going to hurt yourself”. And I started thinking about how psychotic and dangerous the world is, and how we are all subject to a lot of danger and pain, and the kids even more so because they don’t know anything. It’s kind of an incredible task we all take on that seems like a combination of a state of joy as well as tension - protecting and raising and nurturing each other in the face of all the chaos going in the world, and if we take it seriously we learn to become poised, and on-guard, and even dangerous ourselves in a way, in order to be able to keep the people we care about safe. 

Two Cheers returned to L.A. and Bryan started writing and recording a lot of songs. These 8 are the first to be finished. The songs represent a process of reliving the past, synthesizing it, and investing life with new meaning for the rest of the journey... It reflects Bryan's decision to give up on a music career, heal his soul, start a family, devote himself to domestic life. These songs started out as rock songs akin to Two Cheers’ past material, morphed into electronica experimentation, and while you can still hear remnants of them strewn about through the tracks, it was determined these special songs were better stripped down and played on acoustic guitar, with the other elements taking a backseat to the vocal performances. John O’Reilly Jr made a triumphant return on drums and percussion, and Alison Crawford of the indie band Ghost Hotel lended some background vocals to “Four Months” and “Future Constellations”. Justin Newton lent his tremendous talents to mixing and mastering these songs, and Los Angeles artist Timothy Dutch created over a dozen new pieces for the cover art for the record and singles.

Pepper Tree

Two Cheers

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