Two Cheers

This track is about the "..." when someone was going to send a message, but didn't, leaving a lot unsaid.

It's about distance, time, and about the failure to connect, even despite the best of intentions.

Ellipses

Morning Light

The Water & The Rough

Cloudships

Strawberry

The Explode Boys

Splendor

From the Absence EP
Love vs Fear (16 Sep 2016)
iTunes: hyperurl.co/absenceitunes
CD & vinyl: http://marsicans.bandcamp.com
Official video:  http://hyperurl.co/youtubeswimming

Stop talking all the time
Please rest your weary mind
This nervousness is hurting us
And I am not inclined
To draw out these grand designs

So won't you come swimming?
Swimming on back to me
Won't you come swimming?
Swimming on back to me

You've set sail for far away
I know this won't be night and day
I'm telling you that you'll be fine
To have a backbone, show some spine
If only I could do the same.

So won't you come swimming?
Swimming on back to me
Won't you come swimming?
Swimming on back to me

It's far too cold to be out there alone
There's this place I know we could build a home
This works all right for some
Can we give it a run?
I know we're only young

But won't you come swimming?
Swimming on back to me
Won't you come swimming?
Swimming on back to me

Written and performed by Marsicans 
Produced, engineered and mixed by Mickey Dale at the Cellar of Dreams 
Artwork by Liv Hodder


iTunes

Swimming

The third single off Van Damsel's upcoming, self-titled debut LP.

Artwork by Joshua Laplap and Richard Bregoliss
www.joshualaplap.com 
_____________________________________

Domino, tunnel vision, she'll go tumbling
At 21 he can sense her naivety 
It's always how it goes
His apartment, a mattress, and tattered sheets
Cigarette butts, quarters for the laundry

Yeah, he
Yeah, he'll say anything
And she
Yeah, she'll do anything

She's just 17
She's just 17
She'll do anything
She's just 17
She's just 17
Yeah

She cries, "I'll wait! But how long can it take!?"
He says, "Please stay! Sorry...sorry..."

It's always how it goes
'86, Main and 5th, sunny Van City
Days and nights with Mary, never with Jimmy

Yeah, he
Yeah, he'll say anything
And she
Yeah, she'll do anything

She's just 17
She's just 17
She'll do anything
She's just 17
She's just 17
Yeah

She cries, "I'll wait! But how long can it take!?"
He says, "Please stay! Sorry...sorry..."
He stays out late
Excuses, all he makes
She cries, "I'll wait!"
She cries, "I'll wait!"

He goes out, tunnel vision, to the liquid scene
4:00 am, empty bottles and some pocket change
He says, "I don't wanna, I don't wanna go!"
He says, "I don't wanna, I don't wanna go!"
He says, "I don't wanna, I don't wanna gooooo!"

She cries, "I'll wait! But how long can it take!?"
He says, "Please stay! Sorry...sorry..."
He stays out late
Excuses, all he makes
She cries, "I'll wait!"
She cries, "I'll wait!"

She's not tumblin'
She's not tumblin' down
I said, she's not tumblin'
She's not tumblin' down

Domino

https://www.facebook.com/SilentCrowdBand

Produced and Mixed by Kristofer Harris at Squarehead Studio, Kent
http://www.kristoferharris.co.uk
Mastered by John Davis at Metropolis Studio

Artwork by Remi Rough
http://remirough.com

Available digitally from 21st October (Bon Nudity)

Candy

BUY: http://ajedwards.bandcamp.com

Written & Performed by AJ Edwards. Produced by Bleu. Engineered by Ducky Carlisle. Recorded at Ice Station Zebra. Mixed by Bleu & Ducky. Mastered by Jeff Lipton at Peerless Mastering, Boston, MA. Assistant Mastering Engineer: Maria Rice

Enswell

“Future Constellations” is about a night under the stars in Michigan's wild and chilly upper peninsula, longing for something or someone whose never coming back: I wrote this song because back in Detroit, I had a terrible sense of loss: I missed my friends who spread out across the country, I missed my life in California, I missed my mom and grandma who had both just passed, and I had the feeling of losing my innocence too, especially seeing my once happy family in so much pain and having so many hopes and plans shattered. So, while I can’t pinpoint the subject of the song; I just had a longing for a lost world, lost people, lost hope, and I wanted to believe I could relive it all and see everyone again. During those days, before we left Michigan, I used to visit my aunt’s cabin on Lake Superior and just kick around on my own. One night on the lake, I started thinking about the constellations changing shape over millions and billions of years, and how the arrangements of stars we know now are just a snapshot of the universe at this time. They’ll scatter over time, but maybe if enough time passes, stars will eventually end up making the same shapes, and the constellations we know could reform. It seemed like the right metaphor. 



Two Cheers returned to L.A. and Bryan started writing and recording a lot of songs. These 8 are the first to be finished. The songs represent a process of reliving the past, synthesizing it, and investing life with new meaning for the rest of the journey... It reflects Bryan's decision to give up on a music career, heal his soul, start a family, devote himself to domestic life. These songs started out as rock songs akin to Two Cheers’ past material, morphed into electronica experimentation, and while you can still hear remnants of them strewn about through the tracks, it was determined these special songs were better stripped down and played on acoustic guitar, with the other elements taking a backseat to the vocal performances. John O’Reilly Jr made a triumphant return on drums and percussion, and Alison Crawford of the indie band Ghost Hotel lended some background vocals to “Four Months” and “Future Constellations”. Justin Newton lent his tremendous talents to mixing and mastering these songs, and Los Angeles artist Timothy Dutch created over a dozen new pieces for the cover art for the record and singles.

Future Constellations

“Keep Us From Danger” was written about my friends' young kids’ and the balance between bliss and danger that we all juggle with our loved ones. We were hanging out with our friends and their kids in their back yard on a beautiful Sunday evening. And it was really idyllic, and the kids were playing and the grown-ups were chatting and sipping wine. But every once in awhile my friends would, as if by instinct, look over at the kids and yell “be careful” or “don’t do that, you’re going to hurt yourself”. And I started thinking about how psychotic and dangerous the world is, and how we are all subject to a lot of danger and pain, and the kids even more so because they don’t know anything. It’s kind of an incredible task we all take on that seems like a combination of a state of joy as well as tension - protecting and raising and nurturing each other in the face of all the chaos going in the world, and if we take it seriously we learn to become poised, and on-guard, and even dangerous ourselves in a way, in order to be able to keep the people we care about safe. 

Two Cheers returned to L.A. and Bryan started writing and recording a lot of songs. These 8 are the first to be finished. The songs represent a process of reliving the past, synthesizing it, and investing life with new meaning for the rest of the journey... It reflects Bryan's decision to give up on a music career, heal his soul, start a family, devote himself to domestic life. These songs started out as rock songs akin to Two Cheers’ past material, morphed into electronica experimentation, and while you can still hear remnants of them strewn about through the tracks, it was determined these special songs were better stripped down and played on acoustic guitar, with the other elements taking a backseat to the vocal performances. John O’Reilly Jr made a triumphant return on drums and percussion, and Alison Crawford of the indie band Ghost Hotel lended some background vocals to “Four Months” and “Future Constellations”. Justin Newton lent his tremendous talents to mixing and mastering these songs, and Los Angeles artist Timothy Dutch created over a dozen new pieces for the cover art for the record and singles.

Keep Us From Danger

The Lighthouse present their single 'Tel Aviv'.
Listen/buy: https://fanlink.to/TelAviv

--Credits--

            Written and composed by The Lighthouse;
            Produced by Huub Reijnders;
            Mixed by Huub Reijnders at Blue Motel Studios;
            Mastered by Robin Schmidt at 24-96 Studios;

Want more? You can check us out on facebook: http://facebook.com/thelighthousesound

Tel Aviv

instagram.com/kitamenari
facebook.com/kitamenarimusic

Management: lee@justtalentmgmt.com
Live Agent: p.feith@friendly-fire.nl
PR: lewis@supercatpr.co.uk
Radio: niels@jorisseymulder.nl

'Feel It All'
04:07
ISRC: NL1HH1900003
Written by Micha de Jonge, Tom Meijer

Feel It All - single

Feel It All

blissed out, sparkly sad, deep beats, stream-of-consciousness.

The Explode Boys

Two Cheers

Recent comments

DeeMendez

Dennis van Leeuwen

The Ambient Light

Dartal

Related tracks