Original track by Stan Magendanz here
https://soundcloud.com/stan_magendanz/in-toent-day-in-till-way_02

Check out Stan's volumous back catalogue

In toent day, In till way_02 And a Half

Stan And Bob, In Toent Day In Till Way 02 And A Half

Shit we did: Helped #saveourculture, 
2nd in SC Soundbites contest.
Topped the global chart download chart with the #1 spot, Twice.
Beating out The Prodigy and Zedd (who was very nice about it).  
Many charity releases and hundreds of collaborations.
▌▌¦█¦║█¦║▌¦█¦║▌█¦║▌▌¦█¦║¦
Life is too short for art to be perfect. 
Art is too perfect for life to be short. 
Enjoy your life, no-one is going to do it for you
▌▌¦█¦║█¦║▌¦█¦║▌█¦║▌▌¦█¦║¦

The thing about "Doing something wrong on purpose" is it is easily mistaken for a schoolboy error. It takes a concerted effort to "do things wrong" often enough, under this auspice, for even some to notice the distinction. Hopefully these few hundred tracks serve to properly prove my professional incompetence.

Don't expect a genre, but I like to dance.

You can find a creator of independent audio art here. I've done stuff before if that matters. With people you have heard of and people you haven't.

Some of the free stuff is here https://soundcloud.com/twobob/sets/free-stuff-for-the-clouders, more is "out there", too...

Dig in and take some time away from that which you expected.

A lifetime supporter of grass-roots musical art, Our last act was making a model that create sound snippets from simple text requests https://huggingface.co/PsiPi/audio supported by https://github.com/RoyalCities/RC-stable-audio-tools

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

Musician/Composer/Sound Designer/Producer
Owner/Operator of Sound Source Fundamentals

"The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science."
-Albert Einstein

https://scapeone.bandcamp.com/follow_me
Kurt Baggaley, also known under the alias as Scape One is an electronic music producer based in England. Over the course of his career his music has ranged from driving futuristic electro of his early EPs to more deep and experimental ambient electronica of his Tau Sagittarii releases. His output has gradually become more conceptual with works such as 2012's Natural Phases which focuses on down tempo stripped down low-fi beats with wave formed harmonics. 2015's Former Self consisting of intricate and a slowly building hypnosis of synth sequences.
https://soundcloud.com/kurt-baggaley
https://soundcloud.com/tau-sagittarii

Curly Compositions from a German Composer.

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud.

Caveat: I explicitly prohibit the use of any material I post for purposes of torture, brainwashing, hypnosis, bedazzlement or any other nefarious activity. This prohibition applies to all governments, corporations, institutions, agencies and individuals. 

“The avant garde is dead. That is its triumph. Let it lie.” - Chris Cutler in “Not As We Choose: Music, Memory and Technology”. (Highly recommended!)

“… there is increasingly less call to exercise an already too rare generosity of aesthetic hospitality.” - Chris Cutler

" Music is one of the great Mysteries. It gives life. It is not a career, nor a business, nor a craft. It is a gift... and a great responsibility. Because one can never know where the creative spark comes from or why it exists, it must be treasured as a Mystery. For the most part I believe creativity chooses you, not the other way around." - John Zorn (excerpt from the liner notes to 'Magick')

“Listen as if you were being told a secret” - Federico Fellini

“Experimental and electronic music was once not-so-benignly tolerated at the margins of western art music, but it has over the last decade or so moved toward a central position as something of the soundtrack of our digital culture. Where it once was merely tolerated it is now more engaged and doesn’t have to apologize to anyone”.  - Douglas Kahn 

"Through technology, voices are amplified and silence is broken. Spaces are shared." – Laurie Anderson

"I frequently hear music in the heart of noise." - George Gershwin

"'Tis an ill wind that blows no minds." - 
Malaclypse the Younger in 'Principia Discordia'

“Let us cross a great modern capital with our ears more alert than our eyes and we will get enjoyment from distinguishing the eddying of water, air and gas in metal pipes, the grumbling noises that breathe and pulse with indisputable animility, the palpitation of waves, the coming and going of pistons, the howl of mechanical saws, the jolting of the tram on its rails, the cracking of whips, the flapping of curtains and flags. We enjoy creating mental orchestrations of crashing down of metal shop blinds, slamming doors, the hubbub and shuffle of crowds, the variety of din from the stations, railways, iron foundries, spinning mills, printing works, electric power stations and underground railways.” — Luigi Russolo in 'The Art of Noises' (L'arte dei Rumori)

Urban Dictionary (https://www.urbandictionary.com/define.php?term=Mesmo)
(New Norberian English)

1. lit. in a state of mesmerism, hypnotism; in a trance
2. in a state of bewilderment or confusion, daydreaming; 'out of it'
3. mind bogglingly awesome, spellbinding, captivating

(1) "He swung that watch in front of her face and she got all mesmo"
(2) "When the teacher called me to the board I had just woken up and was still pretty mesmo"
(3) "The new N64 cartridge is totally mesmo, bro”

Banner: The Hearing Trumpet_Leonora Carrington (detail)

booking/inquiries : tocovervisch@gmail.com


08.07 Pointe Lafayette (Solo)
28.06 Charbon Collectif, Bagnolet
21.06 Chaton indépendant (Vélvélé)
14.06 Non Jazz (Stéphanie Lotion )
08.06 Tour Orion, Milieu Studio (Stéphanie Lotion)
06.06 Plateforme Paris (solo)
04.06 Olympic Café (solo)
29.05 Ground Zero (Stéphanie Lotion)
25.04 Furium, les Nouveaux sauvages ( Stéphanie Lotion)
19.04. Non Jazz, Cantine pas si loin (solo)
25.01 Vanilla café, cmptrmthmtcs (Stéphanie Lotion)
21.12 Pan café (solo)
13.12 Théatre Berthelot, Montreuil, Collectif Coax et Instants chavirés (Stéphanie Lotion)
30.11 La Berge, Saint Aignan, 41 (Stéphanie Lotion)
05.11 Olympic café, Sport National (solo)
19.10 Tour Orion, l'Amorce des consignes (solo)
02.10 Shakirail, dernière de vaagues de chaleur (Stéphanie Lotion)
28.09 Festival l'Ode Mère (Stéphanie Lotion)
20.09 Consulat (solo)
12.07 Sport National Café de Paris (solo)
27.06 Beaux arts Paris (Stéphanie Lotion)
01.06 Le boulingrin Rouen (solo)
13.06 Beaux arts Paris performance avec Margot Bernard
05.06 l'international (Vélvélé)
04.05 Feux avec (Stéphanie Lotion et Vélvélé)
16.04 Instants Chavirés (solo) Quasi
16.03 à DOC performance avec Laure Mathieu 

__
12/01/24 Chapelle Port Royal avec Stéphanie Lotion 
13/12/23 Pointe Lafayette avec Velvélé (silence kills concerts)
10/11/23 Zorba, (La sale pépinière) solo 
03/11/23, Café de Paris, Sport National avec France Connect
26/10/23 Supersonic avec Velvélé
18/08/23 Pallistock festival 
11/04/23 Instants Chavirés, solo show

Rust Cutler has no money, so he only experiments with low-cost synthesizers and no Digital Audio Workstation (DAW). He'd rather have hardware that makes interesting sounds than a decent computer. He never thought he'd have to point out that no artificial intelligence is used in his compositions, but apparently we are now in that world. Rust Cutler strongly believes limitations spark creativity and enjoys creating a melody where perhaps none should exist.  All tracks are single musician, single take recordings with no editing and no processing except onboard effects. Everything you hear is how it sounded at the moment it occurred, then posted under the name, Dancing With Tea. Rust Cutler hopes you enjoy these experiments.

Stan And Bob, In Toent Day In Till Way 02 And A Half

TWOBOB