Two happy animals making music in Japan with analog instruments in a digital robot world.  Are you a happy animal too?

If yelling can make someone listen better, doesn't shutting up do the same?
Music over ya hoz

Les sons sur soundcloud,
Les mixs sur mixcloud...
Sois créatif et créé ఇ
Impossible n'existe pas...ϖ
Pi, d'façon, c'est toi l'meilleur.

Papageorgiou’s music has and always has had a certain predilection towards various forms of similarity and structural reiteration. In such a context, structural redundancy and parsimony stand at the epicenter of his work, as recurrences of patterns that share the same underlying structure unfold in time, elaborating centripetally on the same structural complex or similar structural features, again and again, creating, maintaining and exalting one or various states from a single or from a variety of perspectives.
He has appeared in festivals, conferences, and concerts in most European countries (Germany, Austria, Switzerland, France, Italy, Finland, Netherlands, Spain, Croatia, Greece, Cyprus), in Russia, Serbia, Armenia, Iran, Turkey, and several States of the U.S.A. (NY, CA, IL, FL, OH, IA, OK, NV, etc). Most notably his music has been performed at Darmstadt Ferienkurse für Neue Musik, Unerhörte Musik (Germany), Klangforum Concert Series, Konzerthaus Wien; Musik Protokol, Graz; Klangspuren, Schwaz; Tage Neuer Musik, Graz; 4020.Mehr als Musik, Linz (Austria),  Avignon Festival (France), NUNC4, Chicago; Grains of Sound, San Francisco; Florida Electroacoustic Music Festival; Research on Contemporary Composition Conference, University of North Georgia (U.S.A.), TUUDEN MUSIIKIN LOKAKUU Festival (Finland); Dialog, Gare du Nord – Bahnhof für Neue Musik, Basel; Forum Wallis Contemporary Music Festival  (Switzerland), Diffrazioni Florence Multimedia Festival; Il Suono Music Week (Italy);  ME_MMIX, Festival de Música Electrónica, Mallorca (Spain), ICMC|SMC International Computer Music Conference, Athens; Alternative Stage, Greek National Opera; Onassis Stegi, Athens; Off Borders, Thessaloniki; Freiraum Festival, Thessaloniki (Greece), Pharos Arts Foundation 3rd International Contemporary Music Festival (Cyprus), Tehran International Electronic Music Festival (Iran),  28th International Review of Composers, Belgrade (Serbia), inner sOUNDscapes (Oklahoma, USA), etc. He has collaborated with ensembles such as Arditti String Quartet (UK); Klangforum Wien, Reconsil, Zeitfluss, Airborne Extended, Studio Dan, Trio ArtResonanz, Pro Arte Chor (Austria); Proxima Centauri (France); Ensemble Il Suono Giallo (Italy); Interface (Germany); Ensemble Et Cetera, CNM Ensemble Iowa, BGSU New Music Ensemble, Neophonia, University of Nevada New Music Ensemble (USA); Oerknal (Netherlands); UMS & JIP (Switzerland); Ensemble Assonance (Armenia); Thessaloniki National Orchestra, Radio Symphony Orchestra Athens, dissonart, Trio IAMA, duo Goliardi (Greece).
In December 2016 he served as visiting composer at the University of Iowa School of Music and the University of Nevada at Reno; in April 2017 he was visiting composer at the University of Music, Drama and Media at Hanover, and in June 2017, 2018, 2019, 2021 as a faculty member at the Delian Academy for New Music, an international summer academy for composers, which is curated under the auspices of Georges Aperghis. Since 2017 he holds composition master classes in Tehran, Iran.
He is one of the artistic co-directors of outHEAR  New Music Week. He is also an artistic advisor and a member of the scheduling committee of the Tehran International Electronic Music Festival. 
Currently an associate professor of composition, he was appointed at the Department of Music Studies of the Aristotle University of Thessaloniki in 2007.

𝘾𝙊𝙈𝙋𝙊𝙎𝙀𝙍 - 𝙀𝙓𝙋𝙀𝙍𝙄𝙈𝙀𝙉𝙏𝘼𝙇 𝙎𝙏𝙔𝙇𝙀

Here you can find a piano track so you can practice in home with your very personal pianist.

Composer, Violinist, Conductor, on my way to Film Music.

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