Name: Re: Clubsub by Tousist.
Duration: 1 h 28 min 44 s
Description: A re record of a recent set planned for Modern Hypnosis, at Sub club.

BIG HANDS 6.9.22

https://www.nts.live/shows/well-street-records/episodes/well-street-records-21st-september-2022

Hour 1 - Sam Fussell
Hour 2 - Yak

NTS Radio w/ Sam Fussell & Yak (21.09.22)

https://soundcloud.com/alejandro_mrnco
Alejandro Marenco, the shortened moniker of Nicaraguan-born, Chicago-based musician Noel Alejandro Gutierrez Marenco, makes expansive electronic grooves designed for “throwing ass.” Marenco’s music is evocative of that night, the one that feels simultaneously driftless and gigantic, one that glimmers upon remembering hours spent in a sweat-drenched, dimly-lit club, or the last dance at a dive bar down the street, or a blaring stereo during a wide-eyed 3am cross-city drive to get home. Largely creating in Ableton (and occasionally bolstered by a drum machine and Moog synth), Marenco fluidly weaves a variety of sounds from endless inspirations - Jamaican collective Equiknoxx, the latin tribal techno of Nick León, and the influential dance label Livity Sound, to name a few. Elastic beats, industrial percussion, fluid synth, oscillating rhythms, and a flourish for ever-changing instrumentation, Marenco’s mixes are reverberating moments of kaleidoscopic euphoria.

RND 069 - Alejandro Marenco

Elena Colombi helps to keep Mondays weird - expect a diverse range of up-and-at-'em records: from techno to post-punk, through EBM, industrial and -wave...

https://www.nts.live/shows/elena-colombi/episodes/elena-colombi-23rd-january-2023

Elena Colombi 230123

Katatonic Silentio embarks on a tripped out crawl through "a combination of shadowy, ethereal and intricate ambiences," a glimpse of the sounds and textures she draws from for her latest album, Les Chemins De L'inconnu.

https://www.factmag.com/2023/02/06/fact-mix-894-katatonic-silentio/

Fact Mixes

Fact Mix 894: Katatonic Silentio (Feb '23)

https://soundcloud.com/forceplacement
“Force Placement is the DJ and production alias of L.A. native Jason James, who has released all moods of house, techno, IDM, and outsider electronics for labels including 100% Silk, Private Selection, Clave House, Bank NYC, Lost Soul Enterprises, and EVAR Records. His DJ sets and high-energy live P.A.s find him mood-shifting between Chicago and Detroit heaters, mind-bending acid techno, dark analog electro, and twisted chill-out room sounds – always with a mysterious, subversive edge. This fluency has led him to residencies with two of L.A’s most acclaimed party crews: Into the Woods and The Black Lodge.”

RND 076 - Force Placement

A re record of a recent set planned for Modern Hypnosis, at Sub club.

Re: Clubsub

Next up we have the ethereal talent that is Pasta Kebab. Amelia Constanti is a Dj, producer and artist based in North West London however flows between all areas of the capital. She has played a huge part in the underground scene for some time now offering us the most tasteful experiences London has to offer through her mystical, experimental mixes, exhibitions and personality which has bagged her residencies on Kindred and Aaja. Not to mention being a part of West London’s hidden-gem label and collective, Kite Hill Records. One may say she is the full package with the eyes and ears for deep, dubby and swampy sounds. There’s no doubt Mills brings a breath of sweet fresh air to everything she does, creating the most obscure, hypnotic mixes and sets on and off the dancefloor....Pasta Kebab takes us on a tumultuous journey through off beat, avant garde experimental.....

Continue for Interview.......

1. How and why did you get into producing / dj'ing?

I started because I was exposed to a lot of DJs and producers and I felt like I could also have a voice within the electronic world, I was given a really big push by people around me to just try and explore. Then my student loan came in and it gave me the financial ability to build a collection of records, buy Ableton, and immerse myself in my own little world without any limitations. 

2. Who, What/where was your most coziest gig you've been to or experienced and why?

Event @ Ormside. I let out a lot of aggression and I really resonated with the dark atmosphere Nkisi had created. I let myself go within a really accommodating environment where I had space to completely rage through dance.

3.Are you an introvert or extrovert in the industry?

Depends on my mood! Sometimes I’ll be having a really good day and end up talking to everyone and their aunties lol, other times I’ll be really reserved and just be soaking up the music and the environment. I think now I have to allow myself to not feel guilty for being introverted, because it's a really giving experience when you are with yourself and everyone else is secondary. Sounds quite selfish but sometimes I think it's necessary to have musical experiences with yourself and no one else. 

4. If you had to choose 1 track to vibe out too forever what would it be?

That is a question I always swerve BUT I think a song I will never tire of is Indian Dub by Mad Professor, a heavily played-out fave of mine haha. 

5. What is your routine when preparing for a gig / production/writing session? do you have any special remedies/ mental prep/ places to go to? :)

Firstly I always dig through my archives which is a massively enjoyable experience for me, I find having a dig through my own stash is like looking back at my different phases and headspace’s. I also look at songs I was too scared to play in a set and I try to base my next set around those songs. I find I dig better when I’m on the move, so a long train/bus ride is perfect for me, then I associate those songs with a pleasant journey compared to digging in my bedroom which is obviously more mundane… but I definitely don’t shy away from bedroom digging with my ginger honey tea and some candles going girl!

Cozi xx

CoziMix 02 - Pasta Kebab

"Here at Distant Signals Laboratories, we are excited to present our recent discovery of an exoplanet with quite unusual gravitational properties. Lead scientist on the project, boxofbox, has obtained a gravimetric recording for analysis and reports their findings below:

bit.ly/3UzLq3k

In March 2023, our Advanced LIGO detectors were able to hear a planetoid body in the star system Phustrus, 2.7 Gpc, Earth relative. The planetoid, hereafter deemed Aephus.5722.27a appears to be near the Roche limit with its star and the system also possesses a rapid, secondary, 0.5-hourly orbit around a nearby black hole, NGX-HL 3777. Over time this binary system has apparently forced the planetoid’s bulk into a bi-lobular conical form (confirmed by Vortex coronagraph), the most directly measurable consequence of which is that Aephus.5722.27a possesses multiple meta-stable gravitational norms. We hypothesize from the obtained recording that the beings of Aephus are attuned to this multiples-of-gravity effect as evidenced by the musical artifact extracted from the LIGO recording, as this “music” appears to express simultaneous, approximately integer-multiple, polyrhythmic tempos (61.1±10g, 90±5.2g, & 180±12.7g are the three most significant and consistently detectable of these quasi-static gravities) .

There appears to be some periodic (perhaps anxious) temporal dissonances (we’ve termed this ‘almost-clangs’) indicated by moments where the metastable time slips, degrades, and recalibration occurs in the recording. We hypothesize that this has to do with the difficulty in maintaining a planet-wide clock and rhythm synchronization with the relativistic effects. Alternatively, this could be a result of large scale gravitational fluctuations due to changes in angular momentum given the measured axial precession wobble.


During rare moments in its dual orbit, Aephus.5722.27a is at apogee with both NGX-HL 3777 and Phustrus; here we calculate an overall period of planetary “weightlessness” as the gravity goes below detectable levels during these periods. This has been difficult for us to precisely measure as it nearly always coincides with an Earth-NGX/Aephus syzygy, introducing significant gravitational distortional that temporarily blocks our detector. Yet finally, we are fortunate with this latest recording, as we were able to capture the onset of one of these events; the sudden breakdown of any discernible temporal consistency near the end of the recording seems to correspond to this event. A list of all our extracted measurements is provided in the tracklist appendix."

@boxofbox
IG: @boxofbox

boxofbox is an artist/scientist/engineer working on bioelectrical systems, adaptive signal processing, and the fundamental physics of rump-shaking. A long-time giver to the US underground rave scene as a dancer and afterparty DJ, they are known for their genre-slippy, psychedelic, qu-ear'd sonics, and a passion for longish sets. They can frequently be found in the form of a tender and weird light in chatty internet corners or as a sweat-drenched, grinning pumpkin, smack dab in the middle of the closest dancefloor.

Distant Signals 018: boxofbox

Gag Reflex's moniker is an apt embodiment of her musical output. It's propulsive; pushing you forward then pulling you back, dragging you under then spitting you out.

It's down to the intriguing spread of influences that fuel the US-born, Berlin-based producer and DJ's work. While there's nods to percussive noughties techno, classic rave and early UK dubstep in there, you'll hear echoes of her formative love of punk bands like Crass and The KLF bubbling underneath the surface too.

As a DJ she's made quite the name for herself in the US, holding residencies in Portland and San Francisco, as well as her former home of Seattle, where she ran transfeminist club night BLOOM: a space to inspire connection, catharsis and experimentation within the local scene and beyond.

The connections that she's made have led to releases on international labels like Scuffed Recordings, Violet's naivety sub-label and, most recently, on the former's newly minted sister label Angel with her Lush EP, which drops on 21st April.

In the lead up to the release she takes the controls of this week's Shine A Light On mix with a blend of murky, percussive and weighty sonics for the heads down and the hands up crew...

Gag Reflex: The 'Shine A Light On' Mix

Juanita's Mix 041 with Amelia Holt @ameliaholt

Q. How would you describe yourself?
A. x-traterrestrial, x-plorative and sassy

Q. How long have you been a part of the NYC music scene?
A. Around six years. It all started when I met Justin Strauss at my first job at Red Bull Studios. I became friends with him and he would add me to the guest list for some of his parties in Brooklyn. After that, I started meeting more cute people in the Brooklyn music scene and took the chance of playing music myself + doing a lot of Bossa happy hours. 

Q. Tell us a little bit about this mix.
A. This is a hypnotic cyber spa with a misty twist.

Re: Clubsub

Tousist.

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