The mission of Tŷ Cerdd – Music Centre Wales is to support, develop and promote the creation, performance and empowering experience of music, both in and of Wales. In so doing, we aspire to reach people in local communities, nationally and internationally, promoting excellence through vision, participation and training.

Sound Designer, Composer and Songwriter also working as a Theatre Writer/Director/Facilitator/Producer. 

Originals (mostly for theatre projects) and some covers. 
I have composed scores and soundscapes for film ("Into the Manosphere" (It's My Shout, BBC 2025), "Neon Masquerade" (indie film by Ash Kriengsak, funded by Chapter Arts and the BFI 2024)), audio drama (Little Boots (co-designed with Jessica Gittins @jessicagittins23 2021)) multiple theatre shows (The Welsh Lxdies (co-designed with Eädyth, Jenna Dyckhoff and Purple String Productions) 2024, Orchestra 2024, The Lion The Witch and the Wardrobe 2023, Samphire 2023 - performed at the National Theatre, Cable Street 2022, Windrush Generations 2021, The Marxist in Heaven 2020, Stuff 2019, Wendy and Peter Pan 2018, The Ceasefire Babies 2018-19, Young Jane Eyre 2017, FOMO 2017, Roll for Remission 2016-22, Glasoed/Growing Pains 2015, Dreams of Anne Frank 2015), musicals (The Sea Maiden 2012), and my own music. 

You'll often see me somewhere in the UK happily strumming away in front of a collection bucket for https://soundcloud.com/clic-sargent.

For more about me visit: https://bio.site/annasherratt

Songwriter 🎹 
Piano balladeer 🦌 
ADHD Alicia Keys 😎

Best before dawn/
with headphones on

Tony has been a songwriter for over 40 years and has written songs for several well-known artists around the world.

Gareth Glyn was born in Machynlleth, mid-Wales, in 1951, but has lived since 1978 on Anglesey, an island whose history, mythology and landscape have been important influences on his work as a composer, as has his Welsh identity.

His works were first broadcast by the British Broadcasting Corporation while he was studying music at Merton College, Oxford.

His compositions have been commissioned and played by eminent orchestras and ensembles and bands, including the London Symphony Orchestra, the BBC Concert Orchestra, the North Carolina Symphony, The BBC Scottish Orchestra, the Strasbourg Philharmonic, the Ulster Orchestra, the BBC National Orchestra of Wales, I Musici de Montréal and the Royal Ballet Sinfonia, and soloists including Bryn Terfel, Catrin Finch and Charlotte Church.

His many works for choirs of all kinds are sung all over the world, and he is particularly eminent in the field of male voice choirs – his Clychau’r Gog/Bluebells recently went into its 4th printing, and Heriwn, Wynebwn y Wawr/The Future’s Beginning Today is widely regarded as one of the best original Welsh choral pieces of the last fifty years.

His output includes orchestral, chamber, solo instrumental and vocal works, musicals, songs and song-cycles for professionals, amateurs and children, music for brass band and large-scale works for orchestra, narrators, actors and audience-participation; he has worked widely with leading orchestras in many parts of the world providing specialist works like EGAD! and Strings on the Wing, which can be performed by players of many different abilities simultaneously – from absolute beginners to concert soloists.

Gareth Glyn’s work is widely published (Spartan, Gwynn, Curiad, Adlais, Alaw, Chanterelle) and recorded (principally on ASV/Universal, Sain and Laserlight).

Gareth Glyn received an Honorary Fellowship from Bangor University, and the rank of Honorary Druid in the National Eisteddfod’s Gorsedd of Bards, for his services to music in Wales.

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