This is Jan Seiden playing "Highland Heather" one of her original and copyrighted pieces at my studio for the Audio Technica AT4080 Blumlein Project. 

This is a very special flute. Made by Dana Ross of Falcon Flutes, it is a double chamber, double octave Em native american style flute. All the better to challenge this pair of Audio Technica AT4080 ribbon microphones. 

The mics were fed to GML preamps, an RMA ADI-8 DS A/D converter and then to Pro Tools. Recording and mixing we done at 24-bit, 44.1 kHz. A small amount of EQ was used. Two separate stereo reverbs were used.

Highland Heather by Jan Seiden

Ascension is sound for healing. It tracks the seven main chakras and the spaces inbetween the chakras.

Ascension

This is actor Molly Moores (http://www.mollymoores.com) who does everything from Shakespeare to Roller Derby (and VO). Notice the smooth top and thick chest tones, yet it still cuts through. No EQ, no compression, no nothing. Just straight into Protools and straight out. No editing on this track, no breaths taken out. This is just the raw file.

Molly Moores Female Vocal on an Audio-Technica AT5040

The TLM103 is a little picky about which preamps it likes. Here it is going into the Greg Hanks BA-60. I'm playing my 1971 D28S Martin.

BA-660 TLM103 D28S

These are a series of specially-written legal FCC sign-off announcements for WAYE AM - Baltimore, Maryland. They were used in the early 1970s.

22.1 WAYE Sign Off Theater Master

Heart Chakra

Ty Ford Mystery Bed

Back in the 1980s, in US radio, I worked at 98 Rock, a 50,000 watt FM station in Baltimore, MD. I was on the air, the production director and operations manager. One of my jobs was to create promo spots for the station.

Back then, I was guided by Firesign Theater, The Conception Corporation, Cheech and Chong and The Radio Ranch. I think you can hear a bit of that in this spot promoting 98 Rock T-shirts. The theory was that a little bit of entertainment helped get the message across and stopped people from tuning out. 

I wrote and produced the promo. I was Dr. Brains and one of the kids. Brian MacDonald was The Announcer and the other kid.

Brat And Brad Puke 98 Rock T-Shirt

This is an "air check" from around 1985, when I did mid days at 98 Rock in Baltimore. Every time the mic was turned on, the recorder started. The recorder recorded our voices so we could find out how good (or bad) we sounded on any given day after we got off the air. I think this was an average day for me, but what do I know. 

It's sort of fun to hear the titles of the songs we were playing back then and the promotions we were running.  Even little bits of Lopez and commercials.

Ty Ford On 98 Rock

This is a variety of sources (voice, flute, electric guitar, acoustic baritone guitar and drums) all recorded with the Neumann TLM 107. If you stumble in here by accident and want to read the review, it's on my blog. http://tyfordaudiovideo.blogspot.com

Ty Ford TLM 107 Millennia Media STT - 1 Male Voice

Ty Ford TLM 107 Wide Cardioid Drum Overhead

Ty Ford TLM 107 Millennia Media STT - 1 Transformer In and Out - Flute

Ty Ford TLM 107 Hypercardioid Snare

Ty Ford TLM 107 Cardioid Snare

Ty Ford TLM 107 Cardioid Kick

Ty Ford Tele Wide Card Bridge Pickup 1 Foot 12 DB Pad

This is a variety of sources (voice, flute, electric guitar, drums) all recorded with the Neumann TLM 107. If you stumble in here by accident and want to read the review, it's on my blog. http://tyfordaudiovideo.blogspot.com

Ty Ford Finger-Picked Tele Both Pickups Figure Of 8 @ One Foot 12 dB pad

Ty Ford Martin Baritone TLM 107 Pattern And EQ  Tour

Ty Ford TLM 107 Millennia STT - 1 Vocal Tour Of Patterns

Down a dark and muddy two lane road off of Rt 198, was WLMD AM; a 1kW AM radio station that, in 1976, was playing progressive country music under the direction of Bob Showacre. Bob and I grew up together in Annapolis, about 40 minutes from Laurel. The main air studio, shown here, was nothing special. We did, however, play music that other stations in the Washington DC market didn't play. We each had theme songs to begin our shows. This one is one that I created and played all the parts. That's my D28s Martin.

WLMD Theme

Ty Ford WLMD Theme

This track combines my "Bliss" soundtrack and my reading of Robert Peng's teaching of this chant. 

The track opens with the Chakra soundtrack and you will hear six beats in rhythm, just before you hear me begin the chant. There is a chime heard between the 35th and 36th repetitions, so you know to stop after one more.

Song, Kong, Tong, Bing, Chan, Yu

An original Miriam composition. Recorded here, I think, in 2012.

I'm Lovin' It

Ascension 43 min

This track consists of seven spans of notes and includes at least five octaves of sound from our musical system. It moves in accordance with the Chakra system. Listening to it should relax the listener and enable healing.

Bliss 24.wav

25.1 Jeff Moore David Loomis

25.3 SAMAR MG20

This is me doing a hands-on review of the SAMAR MG33

25.3 SAMAR MG33

An original finger-picked improvised piece on my Harmony Sovereign body 12 string. This is me playing the Harmony once, all the way through. No overdubs. Yes, I like Fahey and Kottke.

Harmony 12 in 2011

A musical donut. That means singing in front and at the end. Here's Baltimore's Aleta Green singing and me selling mattresses Thirty years ago!!!

Mattress Discounters July 1995

A 60 minute + stereo soundtrack of spooky sounds designed for Trick-Or-Treaters.

Halloween Scary Soundtrack

Kevin Butler and Bud Becker, here in my studio, strategizing on the finishing touches for some radio spots announcing the Return of Hammerjacks. Caution:  Bud's voice, my music track and explosion may result in flashbacks!! Women may be inexplicably driven to go shopping for "Hammerjacks Clothes."

Hammerjacks Is Back!

These are male and female voice files recorded at WTMD during a review for the Audio-Technica BP40 large diaphragm, dynamic, hypercardioid mic.

Ty On SM7 No Filter - 01

Ty On BP40

Fermale SM7

Female RE27ND Close

Female BP40

The kick is part of a ten year old Peavey International Series II set. The kick is a 22" x 14" 9-ply basswood drum. As I watched them load it in, I was skeptical. After we tracked the first song I was impressed. The 15 dB pad you see was put on before I gained down my RME ADI-8 DS, because the kick was clipping at first. After gain range adjustment on the RME it all worked very nicely. I was using a GML preamp. What you hearing was EQd a bit. 4-5 dB of gain at 50 Hz and 3 kHz.

Audio-Technica BP40 on kick drum

These are pieces I've "come up with' which is about as close to composing as I get. 

ShovelingDiamonds

A finger-picked acoustic guitar instrumental. 24-bit wav file available.

A Man After My Own Heart

Thank you to Josh, Shuviel, Esther and Mike who came over to provide some great music to test how well the Audio Technica AT4080 ribbon mics would do in recording in Blumlein Stereo. It took a bit of moving people around to get the right stereo balance, but as this short sample shows, it can be done very well.  More recordings to come!

Josh Polak - Blumlein with two Audio-Technica AT4080 ribbon mics

Written and composed by Michael White © 2012 All Rights Reserved. The players are Mike White (guitars & vocals), Dave Mattheiss (guitar) and Van Ertel (pedal steel). 

This piece was recorded in one pass using two Audio Technica AT4080 ribbon mics in Blumlein Array feeding two channels of GML mic pre, an RME ADI-8 DS A/D converter and into Pro Tools 10. No overdubs. I used minimal EQ (a little 1kHz to pop the vocal up), reverb, compression and limiting.

Oh, and it was hugely fun! I'm proud to have these talented guys as good friends and thank them for helping me demonstrate the power of these Audio Technica AT4080 ribbon mics in Blumlein Array. To hear another segment recorded the same way, scroll down to hear "Ty Ford Blumlein with two Audio Technica AT4080 ribbon mics."

Living Will - Blumleim array with two Audio Technica AT4080 Ribbon mics

Singer/songwriter, voicover talent and recording engineer/producer

TyFord

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