his project will be fully released in this November. It feels like an autobiography, done over some brilliant instrumentals from producers all over. The subject matter ranges from past relationships to my struggles with depression, to how much I’ve learned from becoming a father to dreams, motivations, current situation-ships, etc. For someone to listen will feel like I’ve given them a part of me. This project goes over the highs and lows of a man trying to balance his daily life and what he dreams of it to be.

A Broken Love Story

Lover Girl Pack 1

I Rather (Sped Up)

closer

Listen , Comment & Share 
Enjoy Something Until The Project! 
Follow Me @WillGotTheJuice2 (Ig / Twitter) 
Prod By @Flowebeatz

Imma Hold You Up

Take You To The Moon by Tyree Thomas

Redbone by Tyree Thomas

Time Machine by Tyree Thomas

I wish y’all could’ve been with me when I recorded this one 😮‍💨 until then follow me on all platforms  @12tildee! 😁😁😁

DEMON TIME

I Refuse by Tyree Thomas

“Smoke on the Last Goodbye” is a slow-burn R&B meditation on endings that don’t explode but evaporate. From the opening lines, the song situates itself in a nocturnal, intimate space—“velvet shadows,” fading footsteps, and “whiskey stains on wounded time” evoke a room heavy with memory, where the damage has already been done and the truth is settling in quietly rather than arriving with confrontation.

The central imagery of smoke functions as both presence and disappearance. Smoke lingers, distorts vision, and refuses to be grasped—mirroring how the relationship ends not with clarity or closure, but with ambiguity and emotional residue. Promises don’t shatter; they “let go.” The goodbye is not abrupt, but slow, drifting, and suffocating in its softness.

Verse 1 frames betrayal as subtle rather than violent. “Soft betrayal dressed in night” and “quiet lie” suggest deception without drama—perhaps avoidance, emotional withdrawal, or unspoken truths rather than overt wrongdoing. The ashes falling “like truth we can’t deny” imply that what remains after love burns out is honesty stripped of illusion, arriving too late to save anything.

The pre-chorus turns inward. “I taste the echoes that you hide” blends sensory language to show how the narrator absorbs what was never said. Love’s “darker side” here isn’t cruelty; it’s concealment, emotional withholding, and the slow corrosion of intimacy. This makes the pain more haunting—nothing screams, yet everything hurts.

The chorus anchors the song emotionally. Its repetition reinforces the idea of being stuck in the moment of departure, replaying it over and over. “Silk in the silence, cruel and low” is a key contradiction: the goodbye is gentle, even beautiful, but precisely that softness makes it more devastating. There is no fight to justify the end, no villain to blame—only a quiet release that leaves the narrator alone with the aftermath.

Verse 2 deepens the emotional crime-scene metaphor. The “blue” shadow and “crime-scene heart” suggest emotional damage examined after the fact, as if the narrator is revisiting the relationship like evidence. “Broken records spin the ache” reinforces circular grief—the same memories replaying, the same questions unanswered, the same loss rehearsed.

The outro completes the dissolution. Curtains close “without a sound,” confessions fall unheard, and footsteps blur into the sky rather than walking away clearly. Smoke doesn’t clear; it dissolves. The goodbye isn’t resolved—it fades. This ending reinforces the song’s central truth: some relationships don’t end with closure, only with absence.

Overall, “Smoke on the Last Goodbye” carries a restrained, mournful tone—sensual, introspective, and emotionally heavy without being melodramatic. It captures the particular pain of endings where love dies quietly, leaving behind atmosphere instead of answers, and where the hardest part isn’t the loss itself, but how slowly it settles into the soul.

Smoke on the Last Goodbye

SV

Thaison är en låt om kamratskap, lojalitet och den där cirkeln som nästan ingen kliver in i.

Det är sent. Skärmen lyser.
Inget behöver sägas – alla vet var de står.

Modern Thai R&B / Rap om crew före världen,
tyst respekt och band som är tjockare än blod.

Vänner. Livet ut.

EN

Thaison is about loyalty, brotherhood and a circle that stays closed.

Late nights. Silent understanding.
No explanations, no invitations.

Thai R&B / Rap rooted in real connections —
where trust matters more than noise.

TH

Thaison คือเพลงเกี่ยวกับมิตรภาพ ความไว้ใจ
และวงเล็กๆ ที่ไม่เปิดให้ใครง่ายๆ

ดึก เงียบ หน้าจอสว่าง
ไม่ต้องพูด… ก็เข้าใจ

เพลง R&B / Rap ที่พูดถึงพี่น้อง
ความผูกพันที่หนากว่าเลือด

Thaison

One of the most talented artists in R&B, Tyree Thomas is a vocalist, songwriter, and producer with sounds from Hip Hop to Mainstream Pop. Tyree started releasing music as an early teen and has racked up millions of streams across Spotify, Apple Music, and YouTube combined.

Tyree Thomas is originally from Atlanta, Georgia. As an early 90s baby, he was exposed to hearing family members play lots of R&B around the house from artists like Joe, Avant, Usher, R. Kelly and so many more that intrigued him on the sound of the genre. He studied albums by Usher and performed songs by him around the city of Atlanta. His father bought instruments like beat machines and keyboards from the thrift store and gave them to him to play with as a child. His dad also gave him a tape recorder and this is how Tyree first started recording his songs. By age 13, Tyree walked away from his favorite sport football to pursue his dream of music. His mother, father, and stepfather supported him by buying his first PC and a Roland Phantom keyboard. From there, he used software like FL Studio, Reason, Logic Pro, and Pro Tools to start making songs. He spent more of his time with Pro Tools though, spending hours and hours at the computer figuring out the program. After school, instead of hanging out with friends or studying, he was locked in on Pro Tools and writing & producing songs. Today, he has multiple albums and songs out. But there is more to come!