Chicago Singer/Songwriter | Multi-Instrumentalist | Composer
Full-length album: It’s Not Me | It’s Used released 2.20.2020

Cobey.’s music carries the torch into a new era of indie-pop, and brings together all of your favorite alternative music influences. His new album, ‘It’s Not Me | It’s Used’, nods to the likes of Bon Iver, Death Cab for Cutie, and Tame Impala, while also adding the pop sensibilities of Billie Eilish and Maggie Rogers. His songs carve out a new musical path and invite any indie-pop enthusiast to enter.

It’s Not Me | It’s Used atmospherically binds light and dark using sonic experimentation that eerily mirrors the complex human experience. Cobey.’s songs interweave melancholic and hopeful arrangements by using intimate lyrics, polyphonic melodies, disheveled entrancing rhythms, and harmonious vocals.

When listened to from beginning to end, the album is a gripping emotional arc that walks you through the dense layers of his personal story, giving listeners an inside perspective into processing pain and using it as a tool for growth.

It's Not Me | It's Used was written and recorded by Cobey Bienert in his bedroom in Chicago. All songs were mixed, mastered, and produced by Neil Strauch in Chicago, IL. 

Special Thanks to: 
Artist Management: Matthew Boll
Marketing & Visual: McKenzie Hanson

Friend of the earth, maker of music.
https://www.youtube.com/channel/UCaj-_9PAZPnbTeIYvQghQiA

Successfully bridging the gap between the high-stakes world of medicine and the exhilarating lifestyle of an internationally touring DJ, Bodalia is a UK-based artist producing techno and progressive house inspired by artists like Franky Wah, Camelphat, Artbat, and Meduza.

Over the past decade, Bodalia has become a powerful voice across music, media, and culture - reaching over 500 million viewers on 1,000+ TV channels globally, with a social audience of 70,000+.

Prepare to be titillated, pop culture fans, because Fangasm is here; featuring horned-up fantasies, beloved characters, and a heavy dose of comedic commentary. (Think: My Dad Wrote A Porno, except spotlighting your favorite book, TV, and movie characters.) Didn’t know erotic fanfiction existed? Neither did hosts and fangirls and fanboy Allie LeFevere, Lyndsay Rush & Danny Chapman...until now. In each episode, they read and discuss a hot and steamy chapter from an erotic fanfiction story. Yep, pop culture just popped a boner. Previously known as ‘The Potterotica Podcast’, Fangasm is no longer monogamous with Harry Potter, and instead, has gone poly by reading erotic fanfiction from all fandoms. And FYI: S=Season (stories 6-12 episodes in length), E=Episode

Want to hear the rest of this Season, plus our new ones? Head on over to http://www.fangasmpodcast.com OR listen to us on iTunes: http://apple.co/2jMahPB OR Stitcher: http://bit.ly/2fxbI6D

In the wordless communication that passes between violinist Catriona Price and harpist Esther 
Swift as they perform, the strength of their decade-long musical partnership, friendship and shared 
humour is evident. It’s this depth of connection, and tangible desire to have fun, that gives Twelfth 
Day its extra edge.
Though Twelfth Day wear their rich and varied experience with pride – their folk roots, their 
classical training – this duo are more than a simple product, an exponent, of their practice. It is their 
inherent curiosity, their need to understand through experimentation, that compels them to create 
their unique, genre-bending music.
Their songs confront societal conventions by exploring a wealth of urgent current issues, such as 
gender roles, power balance and the challenges of working in the arts as a young woman; the threat 
of climate change and society’s reluctance to act; and the struggles of mental health.
In their new album Face to Face (out November 2019, and their first featuring their full band [with 
whom they play tonight]) their multi-layered influences come together to create something entirely 
individual. There’s the radio-friendly catchiness and self-proclaimed respect for Beyoncé; there’s 
the swagger and surprise of jazz and funk; there’s the precision and technique of classical. The only 
label to truly hit the high note is ‘contemporary’: Face to Face could only be made now, and only by 
Twelfth Day.

"genre-blending style that is both edgy and inventive. . . A bold, intriguing set." ★★★★The Guardian

“Unconventional yet completely open” - Clash

“Right up my street” - Tom Robinson, 6 Music

“instantly addictive” Max Reinhardt, BBC Radio 3

Described by London's 'Soul Stripped Sessions' as 'a powerhouse and then some', Oxfordshire’s Abi Farrell was raised on a soundtrack of female-driven pop, funk and soul.
Influences from the likes of Aretha, Carole King, Eva Cassidy and Chaka Khan may all be present in Abi’s music but each song is brought into the here and now by her effortlessly pure voice and earnest, empowering lyrics;
In November 2019 she released her debut EP ‘The Only Way I Learn’ which has amassed nearly 50K streams to date.
Following its release, Abi was named Richer Unsigned’s ‘Artist of the Week’ - “Abi’s control and vibrato of her incredible vocal tone is truly stunning”.
At an East London jam In February 2020, a chance meeting with Nick Corbin (New Street Adventure, Lack of Afro, Laville), sparked a songwriting partnership that would develop fruitfully over lockdown.
A shared love of soulful music contributed to ‘Empowered’ - Abi’s solo composition, re-produced in demo form by Nick - and the co-written ‘I Will See You Through’.
The songs attracted the attention of producer, Mitch Ayling (The Milk), who invited Abi and her band to record at Woods Lodge Studio in Essex.
Look out for the limited edition 7” vinyl featuring “Empowered” and “I Will See You Through” in early 2021!

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