SAASH - 3 6 9 EP
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SAASH - Sweet 369

Mike Lisk AKA AP Mike of The Best Show and co-host of his own Egg Foo What?! podcast takes us INTO THE MARLOWEVERSE with a pair of very different portrayals of Raymond Chandler's cynical gumshoe Philip Marlowe. 

Mike's choice, MURDER MY SWEET (1944), is one of the first examples of film noir, and its success--along with DOUBLE INDEMNITY from the same year--added the spark that set off late 40s film noir explosion. It's also a way stoney and a total gateway drug to classic cinema with its snappy dialog and its trippy AF hallucination sequences. Former song-and-dance man Dick Powell plays Marlowe in this one, and he handles Chandler's dialog with a sense of cartoon humor that makes this one stand out. Directed by Edward Dmytryk (one of the Hollywood 10) with a script by John Paxton, the writer of several classic noirs (CROSSFIRE, CORNERED), and the uncle of crime fiction comic book writer Ed Brubaker (it runs in the family). Also starring noir ice queen Claire Trevor and ex-pro wrestler and Mike Mazurki. Available on disc at your local library and online via Archive: https://archive.org/details/murder-my-sweet-1944 

Our next interpretation of Marlowe comes three years later while film noir was in full swing. Like Dick Powell before him, Robert Montgomery used his portrayal of Marlowe to shed his nice guy image, only he did it while barely being seen onscreen! As director and star of LADY IN THE LAKE (1947), Montgomery shot the entire film from Marlowe's jaundiced point-of-view. We only see the private eye when he's looking at himself in the mirror, making it one of the strangest films every made. While Mike and the OMFYS crew can't quite agree on if this cinematic experiment is successful or not, they all think that Montgomery put the dick in private dick as he is the surliest of the movie Marlowes. This is really saying something when you consider that Humphrey Bogart, Elliott Gould, Robert Mitchum and growly-assed Liam Neeson have all taken turns as the detective, and none of them are Mr. Sunshine. With Audrey Totter as the femme fatale, and Lloyd Nolan as a tough-talking cop who might not be on the up-and-up. Streaming on Criterion Channel. 

In the opening discussion, Mike and your hosts stay on topic and talk about their favorite movie Marlowes, and Cory and Bob give us a Noir City 21 report. 

Follow Mike Lisk on the site formerly known as Twitter at @APMike and check out his Egg Foo What?! podcast at https://podcasts.apple.com/us/podcast/egg-foo-what/id1635904703

And if you aren't already a fan, check out The Best Show at https://thebestshow.net/

Hosts: Bob Calhoun, Cory Sklar and Greg Franklin
Philena Franklin is on assignment

Music: OMFYS Theme Song by Chaki the Funk Wizard

"Members Only" by TrackTribe and "Blue Mood" by Robert Munzinger via YouTube Audio Library

Trailer audio via Archive.org. 

Web: www.oldmoviesforyoungstoners.com
Instagram/Facebook (Meta): oldmoviesforyoungstoners
Bluesky: @oldmoviesystoners.bsky.social
Twitter (X): OM4YStoners

Contact: oldmoviesforyoungstoners AT gmail DOT com

S3E2 Into the Marloweverse feat. AP Mike w/ Murder My Sweet (1944) & Lady in the Lake (47)

As a next on Spring Tube Liquid we present you the remixes by Michael Orr aka MPO8 on two 2023 tracks from Paul Cudby aka C37. Lovely and creative Michael's fresh interpretations here.

Show Me Your Way (MPO8 Remixes)

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C37 - Show Me Your Way (MPO8 Remix)

おい, みんな! メブ ここ！ これ は 1つ の 私の 公式 トラック, これまで!

WEEKND (BUBBLES VERSION) - DIE FOR YOU (MADLOCO REMIX) (HIGH QUALITY AUDIO) | ウィークエンド - ザ のために あなた

A Hora do Mução #05 08.02.23

Balko Musik Radio draws inspiration from African rhythms, melodic compositions and deep grooves which makes it the ultimate destination for afro, melodic and organic house. Each episode is carefully curated to bring you a unique blend of tracks that will uplift your spirit and transport you to a world of musical bliss.

Hosted by the talented Balko Musik, this radio show takes you on a captivating journey through rhythmic beats and soulful melodies.

Whether you’re a devoted house music fan or someone looking to discover new sounds, tune in every second Tuesday of the month from 9-10 pm and immerse yourself in the captivating ambiance created by Balko Musik.

9:00 – 10:00pm
Monthly on the second Tuesday

www.blooplondon.com
www.facebook.com/blooplondon
www.youtube.com/blooplondon
www.twitch.tv/blooplondon
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@blooplondon

Balko Musik Radio - 13.02.24

ALEATORIO

ESO RAPER SE ESTAN COMIENDO LA MOVIE
TENGO KNOWLEDGE SE ESTAN JODIENDO LAS GRUPIS
NO ME HABLES TE ME HACES MUY ESTUPI(DO) 
200MIL E LO QUE PONGO VOY CON TUTI
VOY CON TU TIA Y TU PRIMA VOY TAMBIEN 
ESO RAPER TAN BUSCANDO A QUIEN JODER
Y YO ESTOY BUSCANDO COMO PEGARME
Y YO ESTOY BUSCANDO SIEMPRE A MARY JANE
PODE VERME EN DUBAI O MONTE GRANDE
TOY HACIENDO COSAS NENE COSAS GRANDES
YO SE QUE TODAVIA NO SE PUEDE VER
MA NIGA SOY MUY BUENO PERO TODAVIA NO LO VEN
NO LO VEN? NO
NO LO VEN, NO

ESO RAPER SE ESTAN COMIENDO LA MOVIE
TENGO KNOWLEDGE SE ESTAN JODIENDO LAS GRUPIS
NO ME HABLES TE ME HACES MUY ESTUPI(DO) 
200MIL E LO QUE PONGO VOY CON TUTI
VOY CON TUTI EN EL BOLSO Y NO ES TETRABRICK
VOY CON TUTI EN EL CORSO Y NO ME VEN NI AHI
TOY HACIENDO COSA' GRANDE VO QUE ME VE GIL
ME TOMO EL 306 Y ME VOY DE AHI
I CANT BREAK THE CODE NI* ESO LO QUE HAY
SI YA ESTOY EN LA JODA NIG* COMPRO UN SKY
ELLO TAN EN LA JODA NIG* TOMAN JUGO CLIGHT

FACN - DUBAI (Ep Luh Tyler Flow)

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Yung Dave - Subtle Radio - 13/02/2024

Sello: @kymakomplex
Artista: @karen-menad-1v

'Karen Menad' presenta el sincero EP 'Elektric y Circle Room'. En medio del caos pandémico, Karen convirtió su espacio vital en un refugio de creatividad, dando a luz a este EP cargado de emociones, el cual viene acompañado de dos remezclas incandescentes, la primera a cargo de los artistas residentes 'Ledi Cannit & Veltran' y la segunda versión creada por el electrizante dúo brasileño 'Classic Dellas'.

Elaborados dentro de las paredes de su estudio casero, 'Circle Room' y 'Elektric' sirven como reflejos sonoros del estado mental de la artista durante el vaivén del confinamiento. 'Circle Room', concebido al inicio de las restricciones, y 'Elektric', emergiendo mientras los ecos del encierro persistían, encapsulan los sentimientos de la artista de sentirse 'loca y confundida'. Una expresión cruda y personal.

Menad meticulosamente curó su sonido en su estudio casero, mezclando los palpables ritmos de la TR8 de Roland con las melódicas percusiones del Crave de Behringer y una variedad de plugins. El énfasis deliberado en la percusión y la batería en este EP se convierte en una firma sonora, destacándose en un paisaje musical abarrotado.

Reflexionando sobre la recepción de estos temas, Karen Menad expresó satisfacción con la efusiva respuesta durante una exhibición de verano en Sicilia. La música resonó con el público, fomentando el baile espontáneo y una atmósfera contagiosa. La recepción positiva afirmó la creencia de la artista de haber encontrado su auténtico camino musical. Para seguir navegando por el paisaje sonoro en evolución de su arte, 'Elektric y Circle Room' se erige como un testimonio de resiliencia, creatividad y el poder de la música para trascender tiempos difíciles.

___________________________________

'Karen Menad' unveils the heartfelt EP 'Elektric and Circle Room.' In the depths of the pandemic chaos, Karen turned their living space into a haven of creativity, giving birth to the emotionally charged EP, which comes accompanied by two incandesced remixes, the first by the in-house artists 'Ledi Cannit & Veltran' and the second version made by the electrifying Brazilian duo 'Classic Dellas.'

Crafted within the walls of her home studio, 'Circle Room' and 'Elektric' serve as sonic reflections of the artist's mental state during the lockdown's ebb and flow. 'Circle Room,' conceived at the outset of the restrictions, and 'Elektric,' emerging as the lockdown's echoes lingered, encapsulate the artist's feelings of being 'crazy and confused.' A raw and personal expression.

Menad meticulously curated her sound in a home studio, blending the tangible beats of Roland's TR8 with the rhythmic melodies of Beringher's Crave and an array of plugins. The deliberate emphasis on drums and percussion in this EP becomes a sonic signature, setting it apart in a crowded musical landscape.

Reflecting on the reception of these tracks, Karen Menad expressed satisfaction with the lively response during a summer showcase in Sicily. The music resonated with the audience, fostering spontaneous dancing and a contagious atmosphere. The positive reception affirmed the artist's belief that they have found their authentic musical path. To continue navigating the evolving soundscape of her artistry, ‘Elektric and Circle Room’ stands as a testament to resilience, creativity, and the power of music to transcend challenging times.

Live Extract 01

Tzoltek

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