Name: Samo DJ & Tzusing - NBA (Snippet) by Tzusing in Tzusing Remixes Collabs Comps and Misc.
Duration: 4 min 13 s
Description: Purchase: http://www.rushhour.nl/store_detailed.php?item=92190

Will there be a digital release of this beast ?

Haven't had my ass whipped like that for a while

Tzusing Remixes Collabs Comps and Misc.

DOWNLOAD ALBUM

SLIKBACK X TZUSING - JAHAD

Rinse FM Podcasts

Download

object blue with ASJ - 28 November 2021

New Release: DEEP GECKO ENERGY by salllvage
Out on May 16th!

DEEP GECKO ENERGY is the first label release for DJ, producer and dancer Rowan Savage. Having cut his teeth in Warrang’s ballroom scenes - as both a dancer, DJ and producer under the name Guy Ruin - Savage’s practice takes its starting point within queer ballroom culture and the celebration of queer Indigeneity. His work has been featured at Soft Centre, Essential Tremors (curated by Angus Andrew of Liars), Carriage Works LiveDreams and Midsumma Festival.

Under a new moniker, salllvage, queer Indigeneity becomes launched into space, and an offering to the burgeoning field of Indigenous futurism is made. Created from field recordings taken on his Country, Kombumerri Country (located in Southeast so-called Queensland), Savage’s music channels his relationship to Country within the esoteric landscape of club music. Sludgey, dubby, bass-y and rhythmic – Deep Gecko Energy is a release that crawls under the skin. Across each of the five tracks - ranging from hard hitting dancefloor bangers to the more subtle rhythms of bass music - the listener is immersed within a constantly shifting field of textures, dynamics, and grit that at once reaches forward into new sonic territories while harnessing a deeply familiar fundamental energy from within.

PREMIERE: Autochthonic Sensory Meridian Response - salllvage

during this not-so-post pandemic limbo state where the uncertainty of what’s next haunts us all, we want to materialise, through sound and vibration, the different futures and feelings we daydreamed through the last 2 years.
we once more tap into the worldwide grid of artists who, through their knowledgeable prophetic sensitivity, help us bring these fantasies closer to life.

100% of all proceeds will be donated to Casa T - a shelter for trans & non-binary immigrants living in Lisbon.
you can also donate here: gofund.me/b53b0cb2

artwork by márton [IG: marutonkun]

@yazzus-1
master by @jitterrr

donate

Yazzus - Zenith

https://sfx-space.bandcamp.com/album/pitch-blender-sf04
https://www.youtube.com/watch?v=rFCgd3IJhk0&ab_channel=SFX

Written, performed, recorded and engineered by Zoë Mc Pherson
Mixed by James Ginzburg
Mastered by Joker
Cut by Lupo Lubich
Artwork by Lucie Rox
Vinyl design by Tatjana Stuermer
Text by John Twells

Pitch Blender

Lamella

Sounds of the Sumatran Rainforest recorded via real-time, remote, cloud-based audio sensors and remixed by https://soundcloud.com/TZUSING, Shanghai and Taiwan based electronic music producer, into a ‘Jungle Sonics’ soundtrack.

The BIO/VERSE is a four-season collaborative project between PUMA and P.A.M. The collections all use a minimum of 20% recycled materials, and are paired with inspiring environmental impact projects built by DEEP. For it’s second season the BIO/VERSE has funded a network of audio sensors in the buffer-zones of the Gunung Leuser National Park (Indonesia). Live transmissions from this network help local and global scientific communities by assisting research projects, habitat management efforts and by combating illegal activity, like logging and poaching. For this season’s campaign, Thai-Swedish rap legend Thaiboy Digital and his paramour, Cartoon, venture to North Sumatra, witnessing first hand the important work of the Sumatran Ranger Project and Rainforest Connection.

PAM/PUMA BIO/VERSE ii - TZUSING

Track: Friends who lie are not friends
Artist: Dog on Acid
Label: The dog pound
Catalog: TDP01
Format: Digital
Genre: Electronic
Style: Techno
Release Date: 05/05/2024
Mastering: Cari Lekebusch

Tracklist:
1. A dog never forgets
2. Friends who lie are not friends
3. Life in the dark forest

Artist links:
BandCamp: thedogpound.bandcamp.com
Soundcloud: @dogonacid
Instagram: www.instagram.com/dogonacid.radiance

Friends who lie are not friends

Support

PW PREMIERE | Dog on Acid - Friends who lie are not friends [TDP01]

MNSXANDREAS

MNSXANDREAS - Tzusing - I DO NOT OWN THIS SONG

Purchase: http://www.rushhour.nl/store_detailed.php?item=92190

Samo DJ & Tzusing - NBA (Snippet)

Artist: Hyph11e
Title: Vanishing Cinema
Label: SVBKVLT
Cat. No: SBKT017
Release Date: 10th November 2017
Artwork: Wang Newone
Mastering: Raphael Valensi
Format: Digital
Distribution: Cargo UK

In 2016, DJ, producer and member of Genome 6.66MBP Tess Sun, aka Hyph11e, began work on her debut EP.

Living a double life as a composer for TV by day, and DJing around Shanghai by night, the passing of time often stifled and spurred on her production process. After having a dream of a Vanishing Cinema, a place where memories disappear in front of your eyes through the passage of time, Hyph11e quit her day job to focus on her own music full-time. The result is four original, uncompromising tracks that owe as much to vintage noise and industrial music as they do to field recordings and contemporary club music.

On the remixes, Tzusing tweaks and tunes “Black Pepper”, driving it into idiosyncratically ominous territory; M.E.S.H. rebuilds “Unknown Number” from the ground up until it reaches the clouds; while Kid Antoine takes “Escapism”s warning sirens and cuts them into playful, bouncing cascades.

Track list:

01. Black Pepper 炎
02. Unknown Number 未知
03. Escapism 庇
04. Speak To Me 呓语 feat. Sharon Stewart
05. Black Pepper炎 (Tzusing Remix)
06. Unknown Number 未知 (M.E.S.H. Remix)
07. Escapism 庇 (Kid Antoine Remix)

Vanishing Cinema

Hyph11e - Black Pepper 炎 (Tzusing Remix)

The most fun I ever had making a track was this one with Samo. It came out almost 2 years ago on Public Possession. I recently stumbled on a remix online where a Aaron Richter threw the original Gwen Stefani vocals back into our version. I really dug it but didn't really like the singing bits as there was a bit of a key clash. So here is my take on it free 4 you all. A remix of a remix of a remix. Njoy!

Download: http://tzusing.com/music/Samo%20DJ%20and%20Tzusing%20-%20Hollahback%20Boi%20%28Tzusing%27s%20Vocal%20Remix%20of%20a%20Remix%20of%20a%20Remix%20Edit%29.aif

Samo DJ And Tzusing - Hollahback Boi (Tzusing's Vocal Remix Of A Remix Of A Remix Edit) Free DL ^_^

GOZPAAL - STILL - UMFANG RMX

alot to say but i will let the music speak......

recorded a while ago....

Spider Bite

feat. Kenichi Iwasa, Kuljit Bhamra

Beatrice Dillon - Workaround
Format: LP / DL
Cat.No: PAN 106
Release Date: 07 February 2020
Purchase: bit.ly/33ISoYr

‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythmobsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro- Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

Recorded over 2017-2019 between studios in London, Berlin and New York, ‘Workaround’ renders a hypnotic series of polymetric permutations at a fixed 150bpm tempo. Mixing meticulous FM synthesis and harmonics with crisply edited acoustic samples from a wide range of guests including UK Bhangra pioneer Kuljit Bhamra (tabla); Pharoah Sanders Band’s Jonny Lam (pedal steel guitar); techno innovators Laurel Halo (synth/vocal) and Batu (samples); Senegalese Griot Kadialy Kouyaté (Kora), Hemlock’s Untold and new music specialist Lucy Railton (cello); amongst others, Dillon deftly absorbs their distinct instrumental colours and melody into 14 bright and spacious computerised frameworks that suggest immersive, nuanced options for dancers, DJs and domestic play.

‘Workaround’ evolves Dillon’s notions in a coolly unfolding manner that speaks directly to the album’s literary and visual inspirations, ranging from James P. Carse’s book ‘Finite And Infinite Games’ to the abstract drawings of Tomma Abts or Jorinde Voigt as well as painter Bridget Riley’s essays on grids and colour. Operating inside this rooted but mutable theoretical wireframe, Dillon’s ideas come to life as interrelated, efficient patterns in a self-sufficient system.

With a naturally fractal-not-fractional logic, Dillon’s rhythms unfold between unresolved 5/4 tresillo patterns, complex tabla strokes and spark-jumping tics in a fluid, tactile dance of dynamic contrasts between strong/light, sudden/restrained, and bound/free made in reference to the notational instructions of choreographer Rudolf Laban. Working in and around the beat and philosophy, the album’s freehand physics contract and expand between the lissom rolls of Bhamra’s tabla in the first, to a harmonious balance of hard drum angles and swooping FM synth cadence featuring additional synth and vocal from Laurel Halo in ‘Workaround Two’, while the extruded strings of Lucy Railton create a sublime tension at the album’s palatecleansing denouement, triggering a scintillating run of technoid pieces that riff on the kind of swung physics found in Artwork’s seminal ‘Basic G’, or Rian Treanor’s disruptive flux with a singularly tight yet loose motion and infectious joy.

Crucially, the album sees Dillon focus on dub music’s pliable emptiness, rather than the moody dematerialisation of reverb and echo. The substance of her music is rematerialised in supple, concise emotional curves and soberly freed to enact its ideas in balletic plies, rugged parries and sweeping, capoeira-like floor action. Applying deeply canny insight drawn from her years of practice as sound designer, musician and hugely knowledgable/intuitive DJ, ‘Workaround’ can be heard as Dillon’s ingenious solution or key to unlocking to perceptions of stiffness, darkness or grid-locked rigidity in electronic music. And as such it speaks to an ideal of rhythm-based and experimental music ranging from the hypnotic senegalese mbalax of Mark Ernestus’ Ndagga Rhythm Force, through SND and, more currently, the hard drum torque of DJ Plead; to adroitly exert the sensation of weightlessness and freedom in the dance and personal headspace.

The album is mixed by James Rand and mastered by Rashad Becker at Dubplates & Mastering. Artwork by Thomas Ruff, layout by Johannes Schnatmann & Bill Kouligas.

Workaround

Beatrice Dillon - Square Fifths (PAN 106)

The sound of SVBKVLT.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=734

@osheyack

Resident Advisor podcast

RA.734 Osheyack

人生得意须尽欢，莫使金樽空对月
Stockholm syndrome Shanghai
Started @seacucumberlabel

upcoming dates:
Oct 13 NetherSphere @ Miscellania , Melbourne
October 14 @ mode festival , Sydney 
Oct 27, Berlin
Nov 4 Club 2 Club, Turin
Nov 11 Eel, Taipei 

Bookings:
EU: brandon@lb-agency.net
Asia: This Page Direct

Samo DJ & Tzusing - NBA (Snippet)

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