Programming

Percussions - KHLHI (TEXT029A)

From the album Morning/Evening released on Text Records (TEXT036). Available here:

itunes https://itunes.apple.com/gb/album/morning-evening/id1011756986
bandcamp https://fourtet.bandcamp.com/album/morning-evening
bleep (LP and CD) https://bleep.com/release/60944-four-tet-morning-evening
amoeba (LP and CD USA) http://www.amoeba.com/morning-evening-lp-four-tet/albums/3686747/

Morning/Evening

itunes

Morning Side

Geometer

Follow on
Facebook: www.facebook.com/submorphinesynth
YouTube: https://www.youtube.com/@SubMorphine
Bandcamp: www.submorphine.bandcamp.com/

UltraNova

Emilie Levienaise-Farrouch is an award-winning French pianist/ composer currently living in London. Spanning film score, bespoke composition and sound design, her work is connected by both its high quality and evocative, meticulous craft - a common sensibility of elegant, instinctual composition. Signed by FatCat’s post-classical imprint 130701 following receipt of a stunning demo in 2014, Levienaise-Farrouch’s first album, ‘Like Water Through the Sand’ was released in November 2015.

A collection of new compositions written primarily for piano, string quartet and electronics, ‘Like Water Through the Sand’ is equal parts graceful as it is dark; powerful as it is subtle. A wide-ranging yet cohesive collection, there’s an immediately evident sense of class in the quality of the instrumental playing and the beautifully nuanced sound design, marshalled masterfully throughout by its creator. 

Born in Paris, Emilie grew up in Bordeaux, studying classical piano throughout her childhood. Recognising a strong early interest in “making up music rather than just fixating over perfectly playing other people's,” her first experiments in recording began as a teen. Convinced of her vocation, in 2006 Emilie moved to London to embark first on a BA course in music at Westminster University, then a Masters degree in composition at Goldsmiths, studying new complexity and spectral composition. Alongside these studies, Emilie worked for three years at online electronic store Bleep, gaining enlightening exposure to a vast range of weird and wonderful new music. New influences like Alva Noto + Ryuichi Sakamoto, Richard Skelton, Andy Stott, and LFO were added to existing ones in Bach, Sufjan Stevens, soundtracks by Clint Mansell and Carter Burwell.

A gorgeously detailed and hugely impressive debut, ‘Like Water Through The Sand’ manages to sound at once fresh and familiar. It nestles comfortably within the contemporary cannon of post-classical producers/ composers which 130701 played a formative part in helping establish (the adventurous modern landscape of Max Richter, Johann Johansson, Dustin O’Halloran, Hauschka, Nils Frahm, et al), and reveals a brilliant new voice to add to the firmament. 

Emilie Levienaise-Farrouch - Minnesang

Carbon Based Lifeforms 5 hours mix

Two Thousand And Seventeen

Chasing Home

Planet

SW9 9SL

Partnering up again with the exceptional musician AND friend, Droid Bishop!

Syntax - Bellatrix (f. Droid Bishop)

summer

Man Machine Interface

'Flashback' EP is out now:

Spotify: https://open.spotify.com/album/7gEJxjN68PJS3FZU93Smtx
Bandcamp: https://creepcrawlflash.bandcamp.com/album/flashback

Perfume (Bonus Track)

"Hong Kong Express" is out now! Hope you enjoy our first collab guysツ

Get the single at: https://marvel83.bandcamp.com/track/kiile-marvel83-hong-kong-express

Kiile's Soundcloud: https://soundcloud.com/kiile
Follow me on Twitter: https://www.twitter.com/Marvelsound83 
Facebook official: https://www.facebook.com/Marvelsound83

Kiile & Marvel83' - Hong Kong Express

Miami Lightnings

Moonlight Shadows

This is our 10th synthwave release. 
This track is produced by by Jan Petersen (Meneer Produceer), Bob Pillen and Sicco Visser - Leeuwarden. Release date 19-9-2017

Space Shuttle

Album: Variable Clouds
Artist: Behind Clouds 
Song: Amongst The Clouds
[ free download ] 
thank.you.all<3

Full Releases & Extras:
https://behindclouds.bandcamp.com

"Clouds in the sky very much 
resembles the thoughts in our minds! 
Both changes perpetually from one second to another!"

Programming

Quantum Composer