Programming

One of the tracks from the upcoming Zvuku LP on Heat Death.

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Zvuku - Coldsong

Moesko live piano performance at Kaptár, Budapest, 29.11.2013. 
The pieces were written and played by Péter Farkas. 
Guest appearance on "We Read Stories" by András Komáromi. 
Special thanks to Zoltán Major, who helped organizing this evening. 

"Walter / Breaking Down" originally written by Clem Leek. 
"North Way" originally written by Otto Andreas Totland. 
"Over There, It's Raining" originally written by Nils Frahm. 
"Four Chambered" is a re-interpretation of a Moon Ate the Dark-track.

Otto A Totland: North Way

Made for
 https://itunes.apple.com/us/app/bubl-christmas-ice-cream-musical/id892939714?mt=8

Christmas Gelato

The Keep Encounter

Legacy Broken is a cinematic orchestral concept album that explores the psychological weight of legacy, family, and emotional silence. Blending restrained elegance with hypnotic minimalism, each track unfolds like a room in a haunted memory palace—echoes of conversations, legal inheritances, betrayals, and unresolved grief.

Muted strings, fractured piano motifs, trembling horns, and emotionally conflicted harmonic structures form a sonic language of unspoken tension and decaying tradition. The arrangements resist resolution, allowing silence, repetition, and space to carry as much meaning as melody.

This album is not just a score — it’s a portrait of inheritance, power, and the long shadows of memory. The finale song "Inheritance of Silence" concludes with a vocalized song about empty love, wealth and social responsibility. 

1. Ghostly Reflections

Yearning is a sorrowful and deeply melancholic piece that takes the listener on a journey of longing and inner conflict. The track unfolds slowly, carrying moments of pain and hope, and gradually builds into a powerful, epic finale.
It is music that makes emotions tangible – between darkness and light, silence and monumental grandeur.

Yearning ist ein wehmütiges und zutiefst melancholisches Werk, das den Hörer auf eine Reise voller Sehnsucht und innerer Zerrissenheit führt. Der Track entfaltet sich langsam, trägt die leisen Momente von Schmerz und Hoffnung in sich und steigert sich Schritt für Schritt zu einem kraftvollen, epischen Finale.
Es ist Musik, die Emotionen spürbar macht – zwischen Dunkelheit und Licht, Stille und gewaltiger Größe.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.
℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.

Yearning

Geometer

Ascend

Emilie Levienaise-Farrouch is an award-winning French pianist/ composer currently living in London. Spanning film score, bespoke composition and sound design, her work is connected by both its high quality and evocative, meticulous craft - a common sensibility of elegant, instinctual composition. Signed by FatCat’s post-classical imprint 130701 following receipt of a stunning demo in 2014, Levienaise-Farrouch’s first album, ‘Like Water Through the Sand’ was released in November 2015.

A collection of new compositions written primarily for piano, string quartet and electronics, ‘Like Water Through the Sand’ is equal parts graceful as it is dark; powerful as it is subtle. A wide-ranging yet cohesive collection, there’s an immediately evident sense of class in the quality of the instrumental playing and the beautifully nuanced sound design, marshalled masterfully throughout by its creator. 

Born in Paris, Emilie grew up in Bordeaux, studying classical piano throughout her childhood. Recognising a strong early interest in “making up music rather than just fixating over perfectly playing other people's,” her first experiments in recording began as a teen. Convinced of her vocation, in 2006 Emilie moved to London to embark first on a BA course in music at Westminster University, then a Masters degree in composition at Goldsmiths, studying new complexity and spectral composition. Alongside these studies, Emilie worked for three years at online electronic store Bleep, gaining enlightening exposure to a vast range of weird and wonderful new music. New influences like Alva Noto + Ryuichi Sakamoto, Richard Skelton, Andy Stott, and LFO were added to existing ones in Bach, Sufjan Stevens, soundtracks by Clint Mansell and Carter Burwell.

A gorgeously detailed and hugely impressive debut, ‘Like Water Through The Sand’ manages to sound at once fresh and familiar. It nestles comfortably within the contemporary cannon of post-classical producers/ composers which 130701 played a formative part in helping establish (the adventurous modern landscape of Max Richter, Johann Johansson, Dustin O’Halloran, Hauschka, Nils Frahm, et al), and reveals a brilliant new voice to add to the firmament. 

Emilie Levienaise-Farrouch - Minnesang

I have contributed in this CD compilation [released by the Canadian Label Les Enregistraments Variables] with this piece for piano solo called "The movement of the grass II"
Also participated Library Tapes, Machinefabriek, Danny Norbury, Ex Confusion, Évo Lüthi, Fjordne … among others. Les Enregistrements Variables & Autres mélodrames is a 59 minute collection of sweet tales and introspective drones. Delicate, sometimes intricate, sometimes powerfull, these little tragedies are brought to you by a slew of captivating artists from across the world. You can get it here: http://variables.bandcamp.com/music

 
-- --

If you then want to be informed, when I release new titles or concerts, you are welcome to join my newsletter. You can do this at www.bruno-sanfilippo.com 
Or if you prefer, follow me on twitter: https://twitter.com/BrunoSanfilippo

The movement of the grass II

Carbon Based Lifeforms 5 hours mix

Chasing Home

From the album "Woven Tide" by From the Mouth of the Sun (Dag Rosenqvist & Aaron Martin):

http://www.experimedia.net/?artists_id=2741&typefilter=artist

Color Loss (From the Mouth of the Sun)

Untitled 28 was a sculpture, video and sound installation created in 28 days by artist Marie-Louise Jones and composer Lucy Claire. It was exhibited in July 2017 at Here East in London as part of Gavin Turk and Anna Maloney’s show, Inside Out. 

The music reflects each sculpture in the installation and explores themes of duality and pairs through atmospheric binaural recordings, beautiful violin melodies and vocal textures. The materials used in the physical installation; wood, stone and metal play a prominent role in the soundtrack and the sounds created when collided together were used to create unusual textures which were weaved into the piece.

Symbiosis

FatCat Records is a British independent record label founded in 1997.

Emilie Levienaise-Farrouch - Minnesang

FatCat Records

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