Aaaaaaaaaaaah...... me sure De Dekker would be proud an intrigued by dis fiiiiiiiiiiiine arrangement!!! Well done, guys! ;)

Tony and pam

Who Knows' is the first official single from Protoje's forthcoming album,  which is due March 10, 2015.  

Purchase the album here: 
www.bit.ly/ancientfuture (US)
www.bit.ly/ancientfutureeur (EUR)
bit.ly/ancientfuturecdlp (CD & LP)
Follow @protoje

It features Chronixx and is produced by Winta James.
Overstand Entertainment/In.Digg.Nation Collective.

Lyrics:

Who knows Who knows Who knows
I just go where the trade wind blows
Sending Love to my Friends and Foes
And I suppose
I'm pleased to be chilling in the West Indies
Jah Provide All My wants and needs
I got the sunshine rivers and trees, Green Leaves.


When me see Jah me see a way
Drastically stray from Hypocrisy i say
Everyman to them owna philosophy
A Live the proper way, and them me read a chapter daily
Man deh Inner City hungry and no eat
And food deh down a country just a drop off a the tree them
You see say poverty no real then
Is what the reasoning revealing

When the rain pitter pat pon the roof
Herb just a steam pepper pon pon the stew
Life is a dream if you got gratitude 
So go tell the regime them can't stop weh we do now
Information you think on your own
Or else you're a slave to the things that you know
What do you know if you learn everyday?
So be careful of things way u say


Africa in a we soul
But a Jah in a we heart
It if of important say I&I gather
If we cannot show now a balance at we yard
How do We propose then to carry it abroad
Cannot Go to Ethiopia and you nuh have a plan
The building of a nation a hand a help a hand
Everyone one love a one
A man is just a man 
It shall be a coronation when we land

Who Knows (feat. Chronixx)

ITUNES

Who Knows ft. Chronixx

50 Shades Of Grey Trailer Song   Crazy In Love (Beyoncé Cover)

New album 'Wisdom' - https://ineffable.to/WISDOM

Reggae Remix of Sam Smith's hit song "Stay With Me" from his debut album "In The Lonely Hour" (2014).

http://www.stickfigure.com
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http://www.soundcloud.com/stickfigure
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Stay With Me (Stick Figure REGGAE Remix)

Reggae Strong

You're Always Pulling Me Down off the "UB40" album released in 1988.

You're Always Pulling Me Down

Man Next Door Another John Holt classic, covered by UB40. 
From the album "labour of love IV"

Man Next Door

You're Always Pulling Me Down is a collaboration with Freddie Mcgregor off the 
"UB40 presents the fathers album " released in 2002.

You're Always Pulling Me Down (Freddie Mcgregor)

You Could Meet Somebody is a collaboration with the mighty Mighty Diamonds off the Album "UB40 presents the fathers" released in 2002.

You Could Meet Somebody

Who You Fighting For an original by UB40. 
From the album "Who You Fighting For" released 2005.

Who You Fighting For

 War Poem an original by UB40. 
From the album "Who You Fighting For" released 2005.

War Poem

Once Around an original by UB40. 
From the album "Twenty Four Seven" released 2008.

Once Around

Dance Until The Morning Light by UB40, a collaboration with Maxi Priest, using samples from Desmond Dekker's "Israelites". 
From the album "Twenty Four Seven" released 2008.

Dance Until The Morning Light

Sweet Cherrie by UB40 a cover of the Honey Boy classic. 
From the album "labour of love II" released 1990.

Sweet Cherrie

Rudie (Hold It Down) Featuring Gentleman & Bantu the original UB40 cut off the album "cover up", released 2001.

Rudie (Hold It Down) Featuring Gentleman & Bantu

Some Like You off "labour of love 3" released 1998

Some Like You

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

Dance Until The Morning Light

UB40 Official

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