various

Kelly Jean podshand set of tunez!

JoJo

UB40

Ub40

ub40

UB 40

Real reggae

a fan made radio edit remix of Rihanna's Cheers, with more vocals from Avril's I'm With You.
I didn't find an official acapella, so this is the best I could do.

Rihanna & Avril Lavigne - Cheers (Radio Edit) [Fan Made featuring more I'm With You vocals]

Taken from the album 'They Don't Know'

So Solid Crew present They Don't Know - without doubt the most highly anticipated debut album from a UK act this year. This album proves that they have the sheer talent, energy and originality to live up to the phenomenal hype. 

• The album features ‘21 Seconds’ and forthcoming single ‘They Don’t Know’ plus a remix of the track ‘Oh No (Sentimental Things)’ that first launched them into the mainstream consciousness early this year. 

• Other album highlights include the anthemic 'Ride Wid Us', the lyrically barbed 'Haters' and the clubland commentary of 'Rave Scene'. Their unique blend of R&B, rap, ragga and garage beats looks set to dominate the radio, clubs and charts in 2002 and beyond.

• So Solid Crew recently picked up 2 MOBO Awards for Best Newcomer and Best Garage Act

Their names sound like comic strip heroes. Their brilliantly raw and futuristic take on UK garage sounds like nothing else on this planet. And they've already been dubbed the Wu-Tang Clan of two-step. Ladies and gentlemen, meet So Solid, a 20-plus collective of super-talented London DJs, MCs and producers - and just about the most exciting prospect in urban British dance music today. Their third single, 'They Don’t Know’, on Relentless records, follows up from ‘Oh No (Sentimental Things)’ and their number one smash ’21 Seconds’ which platformed the crew's cutting edge blend of R&B, rap, ragga and garage beats, a blistering sound that's come straight from the underground raves and pirate radio stations of South London.

Leader of the sprawling So Solid family is 21-year-old MC Megaman, a smooth talking Battersea homeboy who has been promoting garage parties and MCing at jungle clubs since he was a teenager. Of the So Solid sonic sensibility he says: "It's a whole new sound. We're using straight R&B and hip hop sound but with a little bit of ragga flavour, and that's what makes the difference."

The So Solid collective originally came about a couple of years back when Megaman hooked up with now defunct pirate station Supreme FM and came into contact with like-minded souls like MC Mac and DJ PDS. Already promoting events like Garage Delight at the Colosseum and Chunnel Club, Mega decided to step up the So Solid brand, slapping the name on the top of flyers, getting some of those all-important tunes down on vinyl and self-promoting like crazy. 

After finally pushing past the typical disinterest from play-it-safe club promoters who didn't get the crew's ahead-of-its-time approach to garage, the word spread and the So Solid community expanded. Mega explains what bonds them: "There's a talent and a flavour that we all share. For instance Neutrino and Oxide started out in separate crews where they were the ones doing the main work. Things have just accelerated from there."

Now he says, he regards So Solid as "the Junior MAFIA of London". There's a community spirit that means "we are all family, we're not friends. We understand each other." The current So Solid line-up includes:  G-Man, Megaman, Harvey, Asher-D, Face, Morgan, Gilard, MC Mac, DJ Timeless, DJ Dan da Man, DJ Swiss, DJ PDS, DJ Oxide, DJ Static, MC Asher-D, MC Neutrino, AC Burrell.

With so many members you'd think things could all get a bit confusing at times. But, says Megaman, you can apparently split the So Solid membership into three basic personality-types. "There's the sweet boys, pretty boys - that's Romeo, Neutrino, Harvey, Morgan and Crazy. Then there's the ruff-neck guys, like me Face, G-Man, Asher-D, Swiss, Mac, Dan da Man, they're the hard nuts. And there's the normal, quiet, casual guys like Timeless, PDS, Statics, TW7, Gilard, Oxide. And then there're the ones who just want to be lazy, eat food and make money. That's Mr C! He ain't running around for no-one!" And last but not least there's Lisa, who's in a category of all her own. "She's our 24-carat diamond," says Mega affectionately.

Of course, there's more to So Solid than just a vibrant mix of diverse personalities. Their refreshing 'keep it real, keep it simple' approach to music means that the So Solid sound has a characteristic no frills, streetwise punch that walks all over so much of the over-produced bandwagon garage many major labels are now spewing out. Meanwhile, away from the raw energy of the mic, the turntables and the studio, there's a strong business strategy too. Megaman, who's nobody's fool, along with G-Man, Mr C and TW7 have rapidly built up a Puff Daddy style miniature empire from scratch over the past year and a half. So Solid Entertainment - now a limited company currently comprises a DJ agency, two record labels - Papermoney and So Solid Beats - a promotional division, and a distribution company. Megaman doesn't rule out merchandising in the future too - so look out for clothes and all manner of other goodies too. And let's not forget Delight FM, the radio station that sprung from the seeds of the Garage Delight raves. On a good day, with the wind blowing in the right direction, you can apparently catch the latest underground sounds as far out as Kent.

"We did it all ourselves and everyone wants us now," says Megaman of the So Solid success story. "We've been through our hard times and we struggled to get where we are. I was rags to riches but now I'm here. We did it from scratch, no banks, no loans. And we did it by helping each other."

With an ecstatic response from the crowds at Ayia Napa this summer, So Solid have already built up a loyal audience. As the word of mouth spreads via the rave and radio scene, Megaman admits he's not averse to a bit of the diamonds and champagne lifestyle either. He sees So Solid as something stylish - not necessarily about names and designer labels but about looking the part, and if that means dressing like a star and not a scruffy MC, so be it. "Everyone in the ghetto wants to make money and live the high life," explains Megaman. "To have a nice car and a big house and wear diamonds and nice clothes and party all night. It's all good! That's what we're going to portray in our music"

So Solid Crew - 21 Seconds

If you've listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill's "Everything Is Everything" and might as well be considered Kanye West's sidekick, having assisted the producer and MC on several sessions — Jay-Z's "Encore" and Slum Village's "Selfish" being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims "I've got something new," you've also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend's over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That's because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he's no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West — whose Sony-distributed boutique label released the record — is very helpful. Without it, Legend would likely be zoned into neo-soul (2003's Live at SOB's New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It's a given that Legend is destined to make at least two others that top it. 

Ordinary People

my love so good my love its just for you oohhhh!

MY LOVE 10 below orig remix

Old school 2pac track mix in with the new

2Pac - She Was So

Buy ‘Need U (100%)’: hhttp://smarturl.it/DukeDumont-NeedU

Need U (100%) ft. A*M*E is the first release on the Blasé Boys Club label.

http://dukedumont.com/
http://www.facebook.com/DukeDumont
http://twitter.com/dukedumont
http://youtube.com/dukedumontofficial

MNM Big Hits 2013 Vol. 1

Need U (100%) [feat. A*M*E]

Another GBROOKE FUNKY REMIX For Your Collection.

UB40 - Red Red Wine ( DJ Lamonnz GBROOKE FUNKYREMIX )

A lyric that is as current today as it was, when it was released, in 1981.

Present Arms

One In Ten

Signing Off

Madam Medusa (2010 Digital Remaster)

The UB40 File

Food For Thought

Best Of Labour Of Love

Red Red Wine (Remastered 2009)

UB40's classic "labour of love" version of the Lord Creator original.

Deejay Story 2

Kingston Town (2003 Remaster)

UB40's classic "labour of love" version of the Eric Donaldson original, released in 1984 and was the fourth hit single off the 1983 album "Labour Of Love".

Cherry Oh Baby (Remastered)

If It Happens Again, released in 1984 from the album "Geffery Morgan"

Geffery Morgan

If It Happens Again

UB40's 3rd number one single, "Can't Help Falling in Love" off the "Promises and Lies" album released 1993.

Promises And Lies

(I Can't Help) Falling In Love With You

Bring Me Your Cup off the "promises and lies" album released 1993.

Bring Me Your Cup

Homely Girl UB40's "Labour of Love" Version, of the Chi-Lites classic original. 

Homely Girl

Sing Our Own Song off the album "rat in the kitchen" released in 1986. Written for the black people of South Africa. 

The Best Of UB40 Volume I

Sing Our Own Song

Higher Ground off the "promises and lies album" released in 1993.

Higher Ground

Please Don't Make Me Cry (2009 Digital Remaster) cover version of Winston Groovy's classic from the album "labour of love" released 1983.

Alle 40 Goed

Please Don't Make Me Cry (2003 Remaster)

Where Did I Go Wrong off the album "UB40" released in 1988.

Where Did I Go Wrong

You're Always Pulling Me Down off the "UB40" album released in 1988.

You're Always Pulling Me Down

Come Back Darling off "labour of love 3" released 1998

Come Back Darling (2003 Remaster)

Breakfast In Bed is the second collaboration with Chrissy Hynde off the Album "UB40" released in 1988.

Love Songs

Breakfast In Bed (Remastered)

Bring It On Home To Me UB40's version of the Sam Cooke (with Lou Rawls) classic. 
From the album "labour of love IV"

Bring It On Home To Me

I'll Be Your Baby Tonight is a collaboration with Robert Palmer off his album "don't explain" released in 1990 and was later featured on the UB40 "love songs" compilation album.

I'll Be Your Baby Tonight

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

Homely Girl

UB40 Official