Name: Plenty Troubles For You by uchylak in HK_daNcE_speCTaculAR_8_midterm
Duration: 2 min 21 s
Description: From "SZMELC": https://chlk1.bandcamp.com/album/szmelc

Spectacular dance tracks series no. 8
half way through version

HOT 50

Offers a spectacle, noticeable immediately, not necessarily better crafted or more original, just ... caught my attention. It's personal. It's the spirit in the sound. ... and of course I have regular conversations with members of the spirit world ; )

HK_daNcE_speCTaculAR_8_midterm

Excerpts from four-track (two stereo tracks) mixes of sounds recorded on the 73-75.com Homebuilt Serge: self-playing unattended patches recorded straight to disk, no external controllers/sequencers, no outboard effects apart from some EQ from a Soundcraft Notepad 124. Recorded in March-May 2020, four-track mixes assembled in May 2020.

73-75.com Homebuilt multitrack excerpts, Spring 2020

Original Music by :
https://soundcloud.com/didemcoskunseven

Didem Coskunseven & Paral·lel - A Handful Of Sand

a name is a password

2 Step

A tribute to the director João César Monteiro, who in an interview carried out in 2000 uses the term 'Photophobia', as a possible explanation for his film Snow White.

After all, the fear of images may prompt us to explore other senses. The search for sound can take the place of the aversion to colors and create a new reality.

Produced, mixed and mastered by ZZY/MIASMA Studio
Artwork by José Veiga

Hardware gear used: Dave Smith Prophet Rev 2; Lyra-8; Elektron Analog Rytm MK2; Erica Synths LXR-02; Eurorack Modular System (Mutable Instruments Plaits, Mutable Instruments Beads, Mutable Instruments Tides, Befaco Synth Muxlicer, Joranalogue Contour 1, Malekko Varigate 4+).

Available for purchase on zzyprod.bandcamp.com/album/photophobia

The Walk

sometimes when i'm sad i cut my bangs shorter

Explicit

Check - Up

Verse 4

(scene 0b)
The scene shudders, reverberating with the weight of the question. 
Dots of rapid energy burst into existence, spiraling in a carousel of white luminescence across the black. 
These motes crash, implode and then explode back into the perceivable field. An evolutionary dance of destruction and rebirth. 
Suddenly the white sphere starts to twirl with kalediescopic colors, it's a scene full of chaos and amazement, a cacophony of sights and sounds. 
The background pulsates with the intensity, the colors expanding then contracting, a circus of celestial fires lost and found again in creation of entropy. 
An echo, a whisper, then a solid melody streams forth, it seems to mirror the curve and spiral, winding through nebula of distant cosmic networks. Then a depthless plane emerges, radiating with color. 
Its increasing height synchronously expands, the weight of the moment creating ripples that unravel in reverse, moving down infinitely. 
Just when the tension is palpable, the backdrop flickers and shows a glimmer of the original melody, its notes written in stars, the tempo matching the cosmic dance.
At the origin of the plane, reality refracts, revealing a prismatic spectrum of untapped dimension. 
The ends recede, stretching into new angles, hinged at an unseen fulcrum.
The prelude is the flicker that causes the universe to dim in anticipation, ripples sucked back into an arrow pointing forward.
As the bend folds into a complex lattice, the hidden form materializes, a resonating echo of the past, present, and future, screaming the word "when".

"When does the narrative begin?"


RAVE
nn~

˛_∏|||.˛ ºÇ•||<‹⁄∑˙˚’|||∏_˙

Stones Withering Into Water's Harsh Harmonies

Upon the treaded path, stones rest, stoic sentinels in dawn's piercing chill,
Into the river they collapse, their rigidity dissolving into water's thrill.  
Furious rivers soften, as stones corrode to gravelled whispers,
Reality's dirge murmured to dark hearts; heed the tranquil ripples' persisters.

Underneath shade-striped ancient trees, breathing cryptid lore through cycles,
Epistles of ardor unfold, chiselled on the bedrock's gentle chronicles.  
Fractal reverberations, lessons of the low, thus; roots buried in hallowed anguish,
Unveiling itself to the sun, a silent testament to _

Winds enchant, a tangible weave, stroking the water's visage,
Invisible digits, etching narratives in fluid homage.
The night's pitch vanishes gradually, shadows constrict and scatter,
As sunlight uncloaks its blinding radiance, another hypnotic chapter.

As stones surrender to the peaceful dirge, silence drones its mighty hymn,
The perpetual rivers of precarious life echo with the sacred harmonies within.


The ripples articulate in solemn tones, love's refrain in a timeless tomb.

Ø˘øª°∑ † ∏

•  .Ø˘ øª°∑ † ∏

From "SZMELC": https://chlk1.bandcamp.com/album/szmelc

SZMELC

Szmelc

Plenty Troubles For You

This EP is a collection of tracks I made, but never included in my Morse Album. To me, they are not my favorite tracks in the world and are on the experimental side of things, but I thought I would release them anyways just in case somebody comes across them and enjoys them! :) And as always, thanks for tuning in!

Tmiss

Bagdad Moments Too (Remix)

FAKTOR4 - Radiomix 2023 Part2

ive been listening to a fair bit of phillip glass so this is i guess inspired by him

short calk+[glass] session lazy break

A Smegging Buffer Issue

Music,
centered on dance but I made the circle very,
very wide, from everywhere, for everyone.
Enjoy.
...

2024/03/20:
My linux won't boot so I'm presently forced to use Windows, and because of the bug in Soundcloud's system my account is all messed up when I don't use a VPN to connect which I am unable to do now... trying to get help from my VPN provider.  Because of this, and because I started working very long days I will be less present here.  Sorry, I'm trying.

2024/02/22:
Hi,
"Tracks: 0" is wrong, it should read 40.
Ever since the closing of this account by error by SC two or three months ago, this problem has remained unfixed.  Soundcloud and their AI are apparently still working on solving this and other problems with this account, and with my other account ; )

2024/01/29:
What I wrote below was heart felt but presumptuous and pretentious.  I would have to not be stupid myself to be allowed to claim such a thing.  More importantly though, I don't believe it is correct or accurate.  These people are probably not stupid but just don't care.  Justice is a collective thing and many if not most people seem to live in bubbles.  It is perhaps economic oppression which is responsible, they just don't have the resources, the time, the energy to be concerned about what lies behond that bubble.  It used to be fine but there's this thing they call globalization which makes this increasingly impractical or impossible.

mid January 2024:
Justice and vengeance are not the same.  Apparently most people are too stupid to see the difference.  Unfortunately it is not something unique to the Israeli-Palestinian conflict, and not unique to group conflicts.

What happened to intelligence?  Aren't we supposed to be the "intelligent" specie.
...

Here's the other account, for celebrities, ... this one here is for regular folks:

https://soundcloud.com/ha-kekong

I love you.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Plenty Troubles For You

uchylak

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