Built around a melodic idea one of my co-workers came up with around 2017. After promising to create a song around that melodic motif, I tracked some initial ideas that would remain untouched for several years. While briefly considered for Solitary Stat2, "In the Library" was never a serious contender. Some additional work was done in the fall of 2020, but I tired of the song and shelved it for about nine months. By June of 2021, I decided to heavily rework the arrangement with more worldly percussion and experimental textures. Finally satisfied, I prioritized "In the Library" for an early July release.

Sinny: books, wood, jam, and granite blocks, wind chimes, gong, finger cymbals, tambourine, claps, snare drum, bass drum, sound sticks, breath, synth programming, loops

In the Library

I think i have had a lot of fun to mix this up with my drum machine and some Sounds
Hope you  People like it

Begin Again / Cosmic ratzzz Fet. Emily Coy

Begin Again / Cosmic Ratzzz Fet. Emily Coy

My reimagined Prog Electronic very mellow take on the original ainas snerle track b-01340.

Please also check out the original https://soundcloud.com/ainassnerle

ainas snerle b-01340 (reimagined by Electric Supply Station)

Inspired by the Dark Ambient live mixes by Neon Rhythms (https://www.youtube.com/channel/UCyP_7g2xV8YUTR47aPiTl0w) I'd like to bring to your attention yet another jam session where I tried to emulate this intricate genre. 

Once again, the speech samples came from the stock audio library for the Eurorack module "Radio Music". Other than that, I used my humble Eurorack and my loop station to layer my sounds and the samples and mangle them in various ways. Also, I used quite a compilation of guitar pedals. 

I incorporated the samples and a vast amount of sounds and settings, and recorded the stereo in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

Most of my tracks can be downloaded for free, and I encourage you to use them in your jam sessions and live sets. If you use any of my material, I really would like to know what you could come up with. So drop me a message and please give a shout-out to Mrs. Audio Boy! 

MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Bleak Soundscapes [Jam session sections: RAW2021 - 7]

You Can't See, But You Can Sense

FLOATING WORLD // composed by Frank Luge. https://soundcloud.com/user-739579168 
Extended and revised by Doc Fritz https://soundcloud.com/docfritz and joerxworx
Frank Luge >> Keyboard, Synthesizer and Bass  //  Doc Fritz >> Drums  //  joerxworx >> Saxophone
ⓒ 2022 by Frank Luge; Doc Fritz // OoESJ | ORCHESTRA of ELECTRIC SPACEJAZZ
The OoESJ was originally founded in November 2004 in Berlin/Germany by bassist and keyboarder Frank Luge and drummer Peter Pasch aka Doc Fritz, as a platform for free flowing improvisation music.
In 2013 this formation disbanded and the current OESJ with Ralf Wadephul was formed in 2015. https://soundcloud.com/oesj

FLOATING WORLD

My friend @azurium created this awesome remix of my track "Fluorite". 
Don't miss to check his music: https://soundcloud.com/azurium
Original track: https://soundcloud.com/ariadmusic/fluorite

Azurite (remix of Fluorite by Azurium)

flowing 5 10 bpm take 1 91325

shifty keys test may 22 1 v1 36 bpm

breathe take 1 11724 40 bpm

We make soundtracks for scenes in movies we imagine.
Video: https://www.youtube.com/watch?v=dWIZ4SP-uNA

Evasion

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!