you have not realized you were asleep for hours
dreaming about laying there with your eyes open
wordlessly convinced that it's twenty years ago
when you dreamed you could not sleep

sweet oneiric dissonance

Reposted

Thanks for all your comments and playlists on Hosanna (For Alphio), you are all the best!!!

M.E. Selects- April 2019

Project:Remix

Dr. Fresch is back with more groovy music, this time with a double remix of both The Notorious BIG's "Juicy" and Suzanne Vega's "Tom's Diner". Download "Juicy Diner" for free from Dr. Fresch's Facebook now!

"I felt a weird connection between these two songs and wanted to create a piece that reflected the vibes of both of these artists. I feel like the remix I came up represents angst, relaxation, and struggle at the same time." - Dr. Fresch

https://www.facebook.com/Dr.Fresch
https://twitter.com/DrFresch

FREE Download!

Juicy Diner (ft. The Notorious BIG & Suzanne Vega)

Pay what you want

Phosphenes

The MINTY @twobob remixes the MINTY @numbersinthedream!
wonderful original track & a wonderful remix

you can purchase this lovely track at:
www.cdbaby.com/cd/twobobnumbersinthedream

["This collaboration rework of "Take It If You Know What It Is" could be called
"ONLY Take It If You Know What It Is"...

In support of the recent tragic deaths at Fabric and the devastating outcome to the UK club culture, in fact the entire heritage of the UK.

Please help raise awareness of the Fabric situation.
If they open a fund all proceeds raise from this would go to that.

Peace, play safe.

Nick and Simon."]

NumbersInTheDream - Take It If You Know What It Is [TWOBOB InterWoven Remix] (MintFam Exclusive)

The rhythm of the track is composed by "domestic" sounds, to suggest the noise of a head full of everyday's troubles. The rest is arranged for guitar, organ, arpeggiator synths etc. New tracks every month. Hope u enjoy!

Intolerance

Re Uploaded from the Album "Portrait of an inner Landscape"

Portrait of an inner Landscape

Black Autumn

Polsteam Beluga 2017 © 

Composed, Produced, derbouka and sung,  by Rémi laurent  

Drum break arrangement  , mix advices  and much love by  François Blanfuné

The Finger In The Plug

Vecta - apathy

Appears on my album "A Dream Unfolds"
https://silentloverecords.bandcamp.com/track/a-dream-unfolds

A Dream Unfolds

Sleepless In The Darkness

Nominated for "Best Score in a Short Film"
at The Horrible Imaginings Film Fest 2018
http://www.hifilmfest.com/2018-awards/

"The Final Nights of E. Zann" screenings in order:
New Orleans Film Festival 2017
Always For Pleasure Fest III 2017
NxMW 2018 (North by Midwest Micro Budget Film Festival)
H.P. Lovecraft Film Festival in Providence, RI 2018
The Horrible Imaginings Film Fest 2018
H.P. Lovecraft Film Festival in Portland, OR 2018
https://vimeo.com/188565671

The short film is featured on:
The H.P. Lovecraft Film Festival Best of 2018 on DVD & Blu-Ray
DVD
arkhambazaar.com/films/h-p-lovecraft-film-festival-best-of-2018-collection-dvd/
Blu Ray
arkhambazaar.com/films/h-p-lovecraft-film-festival-best-of-2018-collection-blu-ray/

The Final Nights of E. Zann is an aural interpretation of a short story by H.P. Lovecraft, about a viol player who is driven to madness by his nightly battle to cover the horrific sounds of evil forces clawing into this world; struggling to keep them at bay with only the feverish strength of his playing.
E. Zann is a composition loosely mixing atonal and 12 tone techniques. The first track I wrote was the higher of the instruments which is so vastly layered with melodies, and delays that drape over everything with a beautiful dissonance so that it cannot help but be atonal. As soon as a semblance of melody peaks up it is once again sloshed away in the sea of dissonance. Next I chose to highlight the attack notes of the atonal melody with an accompanying, low sustain bass synth. I kept this bass in the same register as the original melody. I then played another of the same bass synths two octaves lower but to a completely different melody thus adding hits and knocks, which when all combined, made it sound as if a person was playing their instrument so violently as to not care how they banged it, and let loose strings fly in the fervor. 
After all of that I began to mix, but was still unsatisfied with the low end of the spectrum. I also felt that the atonality, while beautiful, was a bit numbing. It could have just been the hard to follow atonal melodies but I think it was also the length of the song, because I hadn’t cut it into Nächte yet. I decided to add another bass synth, this time playing a revised version of the atonal melody I began with, except that I transcribed each Nachte in steps from the original. Since it’s atonal I couldn’t exactly transcribe it to any key, I used middle C as a reference, and transcribed my chosen steps from there. There are 25 Nächte so every step is repeated twice (12 tones x 2 = 24) only one step was repeated a third time. I followed the 12 tone rule (kind of) by having not repeated a step until I have completed all 12. The first 12 Nächte represent 12 tones in relation to the highest melody these were chosen almost randomly. Nachte 13 I consider to be the extra tone; chosen wisely. Nächte 14 - 25 are another 12 tones intentionally chosen in relation to the highest melody.
The music for the audiovisual version is arranged specifically for the animation and the change in steps do not follow the 12 tone rule. The music for the animated trailers were also arranged specifically for each trailer. These three compositions exist outside of the album, The Final Nights of E. Zann, as revised themes or alternate Nächte.
I have long been a fan of H.P. Lovecraft and while working on this piece it came to me that it was a battle taking place to keep things out of our realm; a common theme in his work. My mind flew to The Music of Erich Zann and that inspired me to take the music far beyond the original atonal melody it began with. I changed the title because I also changed my approach to the story. This was being told from Zann’s perspective there is no other witness, save you, the listener. This is happening in real time; these are The Final Nights of E. Zann.

zimteemo.bigcartel.com/product/the-m…-poster-combo

zimteemo.bigcartel.com/product/limit…ic-prints-3-5

The Final Nights of E. Zann

The Final Nights of E. Zann (Film Score)

The Final Nights of E. Zann (Film Score)* trailer link in description

Life is Never Quite As It Seems

Collaboration between ubiq and Mrs. Audio Boy.
Original melodies and harmonies by ubiq (@ubqbuq); supplementary sounds, samples and drums added by Mrs. Audio Boy.
Voice by David Attenborough.
Thumbnail and samples: Bird interrupts David Attenborough - Attenborough's Paradise Birds - BBC Two, https://youtu.be/2TJaNDBI87s?t=58

Ubiq x Mrs. Audio Boy - Birds of Paradise (feat. David Attenborough)

no vocals yet. Just casting this into the sea.

Feel Love

This is a remix of the awesome track "Broken Mirror" by the fellow musician and great musical mind @faet. Here's the link to the original track: youtu.be/UHZA_AbVr3A?t=420 


In this track I used several samples:

- The Red Flower by Henry van Dyke, read by Lucy Perry (https://www.youtube.com/watch?v=pRJgpVd5IWE). The addition of this sample was inspired by the demo of Mutable Instruments Clouds by Luftrum1 (https://www.youtube.com/watch?v=zLj-YBy4Aa4)
- Piano-ology: Improvisation in D minor (https://www.youtube.com/watch?v=76kHMEtvHww)
- Peter Kater & R. Carlos Nakai Live Improvisation in D minor (https://www.youtube.com/watch?v=uSNEEXJsWR0)
- Adagio in D Minor by Zeforah (https://www.youtube.com/watch?v=dWXvJXRNqnc)and John Murphy - Sunshine (Adagio In D Minor), the addition of these samples was inspired by Adagio D Minor - Lord of the Rings vs Sunshine Version (https://www.youtube.com/watch?v=FayHOZISUQI)


Headphones are recommended and since the result is highly dynamic, turn the volume up! Why? Because the Loudness War is for losers!


-

fæt - Broken Mirror [MAB Remix]

Inspired from the tales and myths of old when ancient aliens were the gods and ruled and shaped our world into what it is today in this original spaced out mysterious foot stomping triumphant electronic psychedelic trance sci-fi styled instrumental adventure journey! Hope you enjoy Cheers :D

Subwav Therapy Room
subwav.com/
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Trip 4 Sale

Ancient Aliens 👽

Hosanna, Binghi Biscuits, Roots Biscuits, and Hosanna (Original) is available on Bandcamp as an EP titled, "For Alphio," here:
https://musiciselation.bandcamp.com/album/for-alphio

Don't forget to get your homemade sticker set of cover art while you are there!

All money will be donated to the Cancer Research Institute to fund more breakthrough research and more cures for cancers of all kind: 
www.cancerresearch.org 

$125 donated so far! Thanks for all your support!

Help us reach our new goal of $150!!! 

This EP is lovingly dedicated to Alphio, remembered by all of the SoundCloud community as Alpha Roots. 

Alpha Roots brought the irie vibrations and had us all skanking on the regular. His positive lyrics and vocals raised the collective consciousness and his genre spanning tunes, inspired many to collaborate, and kept our creative fires burning. Alpha Roots was a loving soul that will always be remembered by our tight community. We keep the spirit of Alpha Roots alive each time we listen to his music.

For an unknown reason, I always felt a strong urge to make another version of Hosanna and once Alpha Roots passed away, the impetus became undeniable. I was called to ask Soundwanderer, a regular collaborator with Alpha Roots, to lay a new musical foundation over the Binghi Biscuits rhythm. After Soundwanderer dropped the mad flavor with a truly heartfelt and touching musical performance, I asked Janine Levinson to compliment my newly recorded vocals to really make this dedication to Alphio super special. Russ, who also collaborated with Alphio, was the obvious choice to mix and master the track and really bring Alpha Roots' sprit back to life. I did my best to regularly ask Alphio what he wanted with this remake of Hosanna and I feel the song turned out as he would have liked it. 

Huge thanks to Wou-Wou & the Wormling for blessing this song with his beautiful artwork. Wou-Wou listened to the song and was inspired to draw this picture of Jah Lion being hugged by a young spirit; which reminded Russ of this picture of Alpha Roots: 
soundcloud.com/alpha-roots/sets/rip-alphio 

We miss you Alpha Roots! 
You can listen to a playlist of some of Alpha Roots' reggae tracks here: 
soundcloud.com/plastic-inevitable/sets/much-love-for-alpha-roots-vol

Credits

Alpha Roots: Nyabinghi Drums 
soundcloud.com/alpha-roots 
Soundwanderer: Acoustic Guitar, Electric Guitar with `Organ Machine´ Effect Pedal and E-bow, E-Bass, and Timple (a hand crafted 5 string instrument from the Canary Islands) 
soundcloud.com/soundwanderer 
Janine Levinson: Vocals 
soundcloud.com/janinelevinson 
Couch King: Vocals, Lyrics, Production 
soundcloud.com/couch-king-presents 
musiciselation.bandcamp.com 
Russell Sinfield: Mixing and Mastering 
soundcloud.com/russell-sinfield 
Wou-Wou & the Wormling: Art 
soundcloud.com/wouwouandthewormling 
wouwouandthewormling.bandcamp.com

Lyrics 

On a day sweetened by a breeze that enlightens us with prana 
I wanna climb this earth to find a place where we will sing hosanna 
hosanna, hosanna 
I wanna climb this earth to sing hosanna 

And in sweet meditation we will meet to dance in ultimate freedom 
Floating in the universal ghee outside of Vishnu’s dream in Eden 
In Zion, in Eden 
We will meet to dance in ultimate freedom 
In Eden, in Zion 
We will meet to dance in ultimate freedom 

And we will meet again my friend 
In Zion, in Eden 
And we will meet to dance again 
In freedom, in freedom 
In Zion, in Eden 
We will meet again my friend

For Alphio

Alpha Roots, Soundwanderer, Janine Levinson, Russ & CK - Hosanna (For Alphio and Soundwanderer)

Watching You
Paploviante Music / 2019
Bass and Idea Paploviante
Vocals Ghost Hack

Watching You - Paploviante

My second excursion into Mood Exhibit's fantastic world of the Mongol Princess. @r-salchaks-mood-exhibit

Produced by Belial Pelegrim

Prismatic Refractions Of The Mongol Princess | Pelegrim & Mood Exhibit

Please check my video:
https://www.youtube.com/watch?v=23WeFQ9txXI

Written, performed & mixed by
André "pixelorb" Brandes © 2019

Mastered by Steve Corrao at Sage Audio,
Brentwood, Tennessee (USA).

Image: pixabay.com (CC0 Creative Commons)

Instruments:
- u-he Diva
- EZkeys
- u-he Repro-5
- u-he Repro-1
- TAL U-NO-LX
- TAL Sampler
- Strum GS-2

support

A Kind Of Life (Memories Of Silent Hill)

I recently released a track entitled "The 18th". Nothing to do with this project, but the title reminded me of a great song from Wire which I always wanted to cover in one way or another. I started working on an electro version of it and was going to perform the vocals as well. As luck would have it, I encountered some difficulties with my audio interface and put in on the shelf for a few days. Then it struck me ... Fornicata! He could easily handle the vocals..and really do them justice! I could hear him singing the track in my head and it felt so right. Huge thanks to Jesse for tackling this project out of the blue. Enjoy.
@fornicata

Guitars and Programming: BP
Vocals: F

Words and Music: Wire

Reviewed, it seems
As if someone were watching over it
Before it was
As if response were based on fact

Providing, deciding, it was soon there
Squared to it, faced to it, it was not there

Renewed, it fought
As if it had a cause to live for
Denied, it learned
As if it had sooner been destroyed

Providing, deciding, it was soon there
Squared to it, faced to it, it was not there

Reviewed, it fought
As if someone were watching over it
Before it had sooner been denied
Renewed, it seemed
As if it had a cause to live for
Destroyed, it was later based on fact

Providing, deciding, it was soon there
Squared to it, faced to it, it was not there

The 15th | Belial Pelegrim & Fornicata

Mood Exhibit- Tibihxe Doom

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!