new mix of track original done 26/7 2022
https://soundcloud.com/user-370942421-686440500/some-thing

some thing

Talking Legs & Feetz

Out of the Box January 2023
A Sonic Ballet - Part Two

Grace

Out of the Box February 2023
Special service
Featured voice model and actress Ellie Luna

Entertaining The Men On The Moon

Composition and Sampling collage by Synline
Featured on the album 'Welcome to Dystopia Land'https://on.soundcloud.com/vX696
This is my original, but before releasing it, my friend Mosa had already released a remix. I really like his version as well, so if you're interested, please give it a listen.
https://soundcloud.com/user-174681242/nature-signsynlinemozawa?si=6a5f58e5352345aea3c53cd9b041e87d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Nature Sign

D-Gosh!

An amateur cover version of Chick Corea's song "Eternal Child" (from the album "Eye of the Beholder", 1988). Not much improvisation here.... just a basic version showcasing Mr. Corea's ingenious composition. After installing the new awesome Rhodes V8 plugin I decided to try to record this song using a lovely and dynamic Dyno Rhodes type of electric piano sound.

Played by me with my Korg SGProX digital stage piano using the Rhodes V8 Pro virtual electric piano (Rhodes MK8; preset name "Dyna-Mite" and player profile "Dyn-O-Mighty", with some tweaking by the undersigned), Yamaha Montage 8 (CFX Concert) and Arturia CZ V (cf. Casio CZ-1, CZ-101). 

Posted as a private person for non-commercial purposes.

Chick Corea: Eternal Child (cover)

not really a cover version, but definitely based on this famous piece of jazz. ... (to be precisely, the original is in C sharp, we are in C minor :-) ........... Huge thanks to Hendrik aka https://soundcloud.com/cosmic-ratzzz for this smooth and wonderful piano & being a brother in mind regarding our (for now) 84 collab tracks ! ... of which 83 owe their concepts, creation & sound to him ! ... photo: J. Coltrane 1963

Lunatics 84 // EQUINOX John Coltrane Cover // joerxworx & Ratzzz

Chapter 139 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:

TAFFETA Vol. 8 is now available exclusively on Bandcamp: belialpelegrim.bandcamp.com/album/taffeta-vol-8

TAFFETA Vol. 9 releases on June 1, 2023 exclusively on Bandcamp.

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
https://soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 139

TAFFETA | 139

ocean breeze

As so often the case, I conducted a jam session which took approximately four hours, and in which I experimented with a vast amount of sounds, settings and samples, and recorded the result in stereo in Audacity, which I used in posts-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

In this particular jam session, I experimented with something I would describe as "time-synchronized sampling of percussive sounds". I played back a list of prerecorded Hip Hop drum breaks at 100 BPM through my humble Eurorack which was also set to 100 BPM. The next step was feeding the drum sounds through the Make Noise LxD module (which is a dual low pass gate that can function as a filter, and also be pinged to produce percussive sounds) and modulating it by a collection of different Eurorack modules. Due to the imperfections in the synchronizing, the already percussive sound was "forced" into a slightly skewed percussive structure which results in these intricate glitchy raw rhythms.

Again, I made use of the outstanding Radio Music module, which is a sample player with a twist. From this module came the sermon speech samples, and that organ sample from the first section of this track (which I was able to loop on the Boss RC-300 loop station, albeit after dozens of takes).  

Additionally, I used the Arturia MocroBrute, that provides that arpeggiated metallic acidy synth voice in the second section of the track. The descreet bass kick in the second section was created using an LFO at audio rates, fed through one of the channels of the aforementioned LxD module.

Samples from the following material were used:
- 100 Classic Hip Hop Drum Breaks At 100 BPM FL Studio (Product Of Tha 90s) [https://www.youtube.com/watch?v=vxLURvusYD4]



The following hardware was used:
- Arturia MicroBrute
- Boss RC-300
- Various Eurorack modules

Please bear in mind that this track doesn't reflect my ability to create live music on the fly in one go, like many great artists can do. As most of my tracks, this one is free for download. If you use it in one of your projects, let me know what you can come up with and give Mrs. Audio Boy a shout-out!

Lo-Fi Sermon [Jam session sections: RAW2020 - 2]

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!