-Selection Maison- Another vibe DJ set (download file open)

credits:

field recording by Tatjana Bikic

artwork by Rolf Hofmann

The Sum Of Its Parts

Taiwan

Taiwan (feat. Tatjana Bikic)

MAMACID

Korg R3,
Korg Kaossilator Pro+,
Boss RC-300,
Boss ML-2,
Fender Delay Pedal,
100 BMP,
Excerpt from a jam session.

REUPLOAD: Jam session section - RAW2016 - 94 - Inscrutable Drone

RawSix

Untitledbeta1.0

Rocktober day and track 21, a rough sketch, a rough everything, very work in progress. 

#edit: 2 Days later. Actually I'm quite content. Everything has space to breath fully. 
And the title, how does it feel within Gravities? I like to imagine this track 🧲

With tracks like this, every next move is a very delicate process. Perhaps it's not as rough as my _Rocktober Rush_ made me belief 💚🔥🎇

21 Gravities

/
Forgot How To Fight (Part Two - Welcome to 2030: The Terminator Sequel)

/
this is the second single of the reworked long form audio drama to be released now drop by drop day by day

the album as well as previous excerpts are compiled here
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Welcome To 2030:
The Terminator Sequel - Live And In Living Colour
The Album and Singles Compilation
soundcloud.com/fictionalive/sets/welcome-to-2030-the-terminator-sequel
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//

story written and album produced by fictionalive

music, carefully used, written, arranged, played, mixed, produced, and provided by courtesy of mobygratis and its crew, licensed and curated by fictionalive //
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vocal production, arrangement, and final mix by fictionalive

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artwork photography and image editing by fictionalive

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fusion of it all -
fictionalive with the popoems series and the hyper media reports.
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Forgot How To Fight (Part Two - Welcome to 2030: The Terminator Sequel)

hidden library

life is a game

New linear Music
Code SACEM :111647857767

ABYSS

inkjets - romain deschamps - novembre 2025

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!