If you ever read one of my descriptions, you know the drill: I conducted a jam session in which I used a vast amount of sounds, settings and samples, and recorded the stereo in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

This particular jam session was quite extensive, so that I decided to create three tracks from it, so this is the first one. In this particular part of the jam session, I was heavily relying on the Eurorack modules Radio Music and Turing Machine, both designed by the amazing Tom Whitwell. As always, Radio Music provided most of the samples, while the Turing Machine provided most of triggering and modulation of several modules; just to name a few: the aforementioned Radio Music, Basimilus Iteritas Alter, Mordax DATA, Doepfer A-147, Make Noise LxD and the still superb Mutable Instruments Clouds. Especially the interaction between the BIA, the A-147, the LxD and the Turing Machine created that distinct "broken" abstract rhythm that drives this whole soundscape. Additionally, I employed several guitar pedals to add flavour to the synth sounds; most prominently the Boss ML-2 Metal Core, that really makes the Arturia MicroBrute sound almost like an electric guitar.

During post-production when listening through the recording and picking the best parts to create this track, a civil defense sirene test took place in my region and the siren nearby my flat was very audible. Funnily enough, it was quite in tune with the track and in my opinion really matched the oveall sound structure. As I mentioned previously, working with a modular synth system often brings something extraordinary into being by means of those happy little accidents. This time, not only my gear surprisesd me, but also this siren test. 

Unfortunately, I couldn't record this siren sound at that time on the fly, so I decided to use a sample from one of the numerous free sample online sources to recreate that surreal feeling I had during the jam session. So I placed the sample roughly at the same position as it occured during the post-production.

MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Roger (First Transmission) [Jam session sections: RAW2021 - 3]

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!

Egal ob Ambient, Slow House, Experimental, Electronica, Breakbeat, Minimal oder Downbeat es gibt immer eine Menge neue Sounds zu entdecken und zu erforschen. Ich liebe ruhige flächige Melodien, die zusammen mit den richtigen Elementen eine Geschichte erzählen, auf eine Reise einladen und in andere Welten eintauchen lassen.

Abonniert gern meinen Kanal, um die neusten Releases nicht zu verpassen.

against war

a moment of sound permeated.

jusb be 2 
by Jerome Hearn (timelessmusic, unArt ich, truUnArt, unun-ard...)
-Martin Walther - Martinyx

高円寺でOriental Forceという小さなUndergroundなLive / Dj バー、Creative Spceを運営しています。自身はOriental Loveという名義で、電子音楽を中心に現代の民族音楽を志しています。

どこまでも自由に、どこまでも楽しく、どこまでも烈しく美しく、どこまでも優しい、そんな場所にあれたら、と思います。
共に何か新しい価値観の創造、小さいながらも確固たるムーブメントの共有をできれば、心より幸いに思います。

I run Creative Space, a small, underground live/DJ bar in Koenji called Oriental Force. Under the name Oriental Love, I aspire to create modern folk music, with a focus on electronic music.

I hope to create a space that is endlessly free, endlessly fun, endlessly intense and beautiful, and endlessly gentle.

I would be truly happy if we could work together to create new values ​​and share in a small but solid movement.

Unbelieving, you may try it here … and now. 
... just start unbelieving all, it instinctively Voids every institution, convention and law Instantly when applied by one. 
Well,  ... !   Who Then Are The godDamn Light  ?
Welcome [ Invisible witch and denizen of the void ] i hope you are listening to this [ unprovoked microkinetic assault ] over Headphones [ please know unbelieving All is the fucking best ]
Really ... That Is All There Is, and ...  now you too can see it ... when you look inwards you are blinded by light, look outwards and you see the never-ending void of blank nothingness ... Sooooo ... figure it out (no disrespect) :):):) you Know
 what you are Sparky ... You Are the goddamn light

From May 2025 most of my official releases will only be found on Bandcamp and other streaming services. This Soundcloud page will be used mainly for unreleased tracks and demo-recordings.