Lately I've been listening a lot to Industrial Ambient and Dark Ambient and in my jam sessions I often tried to emulate such a genre, albeit with varying results. This time, though, I quite liked the result, maybe because I've been incorporating samples from the following two awesome tracks:
* Lesa Listvy - Swarm
* Nine Inch Nails - Eraser, Over, Out

Additionally, I used samples from the following Youtube videos:
* "D&D Ambience | Clockwork Plane | Mechanus, Steampunk World, Huge Gears, Ticking" by the channel "Michael Ghelfi - RPG Audio" [https://youtu.be/JiogkSyZrNE], see also @michael-ghelfi
* "Ambient Drone Metal Guitar" by the channel "Fuzzlord Effects" [https://youtu.be/6wXNxPWoX0g]


Other than the aforementioned samples, I used my humble Eurorack and my loop station to layer my sounds and the samples. Also, I used quite a compilation of guitar pedals. For example, the Arturia MicroBrute can sound quite a lot like an electric guitar, once you run it through a distortion effect, in my case the Boss ML-2 Metal Core pedal. 

I incorporated the samples and a vast amount of sounds and settings, and recorded the stereo in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

Most of my tracks can be downloaded for free, and I encourage you to use them in your jam sessions and live sets. If you use any of my material, I really would like to know what you could come up with. So drop me a message and please give a shout-out to Mrs. Audio Boy! This track, though, is not downloadable, since I used too much of the Lesa Listvy's and NIN's tracks and didn't transform them enough for my liking. Give these two a listen and compare them to my track to see which parts I incorporated into my jam session.

MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Swarm Ambiance [Jam session sections: RAW2021 - 6]

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!

Any perceived signs of musical or technological competency will appear by random chance only.

Seriously, I have no idea what I’m doing or what on God’s green earth is going on.

Self-taught 1967. Mostly exploring electric guitar for noise ambient and experimental sounds since 2015 somewhere on music border.
Guitar based free improvised harsh ambient with bit of psychedelic, bluesy, jazzy, industrial tunes and accidental parallel threads...
Welcome anybody for listen/download. Check please raspingboy.bandcamp.com for free download of my homemade not mastered albums/EPs, most free improvised, guitar based, kept in simple concepts. 
... adventure and concentrated listening, un-predictive structures. Self-help, dirty sounds with meditative aspects, overcome pain, fear, mood/mind shift, preferring reality over expectations.

documenting "progress" since 2020

new record out now! link below (free to listen, support welcome)

all tracks were living performances, usually with acoustic bass and electronics, sometimes other things like guitar, synthesizers, voice, piano, mixers, fx, field recordings; usually single takes, no overdubs.

please dm or email (asdbmusic@gmail.com) for collaborations, commissions, booking, compliments, complaints, etc. etc.

Unbelieving, you may try it here … and now. 
... just start unbelieving all, it instinctively Voids every institution, convention and law Instantly when applied by one. 
Well,  ... !   Who Then Are The godDamn Light  ?
Welcome [ Invisible witch and denizen of the void ] i hope you are listening to this [ unprovoked microkinetic assault ] over Headphones [ please know unbelieving All is the fucking best ]
Really ... That Is All There Is, and ...  now you too can see it ... when you look inwards you are blinded by light, look outwards and you see the never-ending void of blank nothingness ... Sooooo ... figure it out (no disrespect) :):):) you Know
 what you are Sparky ... You Are the goddamn light

Welcome at : Mind GSM 

Mind GSM (Game Set & Match) is the solo project of Gerard, previously known as RoGeR, who is a studio musician utilizing a diverse array of softsynths, plugins, and creatively rearranged instrumental and vocal samples. His music is deeply inspired by artists such as Peter Gabriel, Genesis, Underworld, Philip Glass, Lisa Gerrard, The Editors, Sting, Depeche Mode, and classical composers, often resulting in compositions that evoke strong visual and cinematic themes intertwined with his passion for movies and photography.
Please enjoy as much you did before.





you tube videos  with my music :



https://youtu.be/dy3eB-MFDrw