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Ambient In The Forest

LastSound

Romantics

from Voltiges released on In Paradisum
https://inparadisum.bandcamp.com/album/voltiges

Chute Libre à Babylone

Kim Myhr & Lasse Marhaug - 31.5.17 [excerpt]

"premonitions" by @alenakoroleva [fom10]
CS/DL : f-o-m.bandcamp.com/album/premonitions

“Whenever I go, I can't help but notice signs of a looming change. I eavesdrop on conversations of creatures big and small, and like me, they seem uneasy and uncertain about what's to come. Something is in the air, dark clouds gather, winds are shifting course. Amidst the confusion and restlessness, the voices of non-human and human worlds blend in a worrisome symphony. This piece is an ode to anticipation, to the beauty of different forms of life on the brink of the sixth mass extinction. Joining in the chorus are the American toad, northern winds, an old kettle, Mr. Cat, tawny owl, crickets, domestic chickens and pigs, trumpeter swans, honey bees, truck horns, cormorants, seagulls and other elements and critters.” — Alëna Korolëva 

Something is afoot, the Tkaronto/Toronto-based artist and curator, Alëna Korolëva tells us in her new soundscape composition “premonitions”. American toads and water beetles set things in motion before the long-form piece journeys through a multitude of field recordings and non-human voices in a quasi-cinematographic fashion. Korolëva layers and manipulates sounds from the real into a sonic chimaera which mutates concrete ambiances into vaporous surrealities through the modes of collage. A storm blankets the soundscape, things grow quieter. Distant parallels with Luc Ferrari’s "musique anecdotique" come to mind, yet here the piece materializes in an acoustic docu-fiction of some sort, that takes the form of a waking dream. Various scenes, ranging from the mundane to the uncanny, unfold in eardrums exposing an underlying sense of earthly melancholy. A weight lurks throughout while winds, pigs, chickens, and mechanical apparatus weave into a strange agitated tapestry. A kettle whistles, a cat meows – Korolëva sprinkles the gloom with touches of humor and audible senses of home. Trumpeter swans are joined by a trumpeter human; Chayka Chekhov responds to the avian songs in a interspecies dialogue – echoing Jim Nollman’s “Playing Music With Animals”. Environments cascade into a finale droned out by truck horns. Their ringings and animal cries swell in a somber abstraction bearing the weight of a presentiment. “What does the future hold?” we ask ourselves throughout the album as we dissolve in imbrications of positionings, emanating from one another like stacking dolls. Poly-layered, “premonitions” engages in play, in negotiation with the disparate spaces and voices of a troubled world as if it created harmonious discord to decipher the ominous clouds gathering in the horizon.

C30 — limited edition of 60 
duration: 28’56’’ — piece repeats on both sides 
recorded, photographed, and composed by alëna korolëva 
trumpet improvisation by chayka chekhov 
mastered by mathieu bonnafous 
tape production by headless duplicated tapes 
published by forms of minutiae — fom10 — 2024

CS / DL

alëna korolëva — premonitions [fom10]

ALL SONGS BY PATRICK MATTEIS
PLAYED AND ARRANGED BY PAT ARTWORK BY MAYELLE
RECORDED AND MIXED BY PAT AT THE ROOM ABOVE THE GARDEN
2025 PATMAY PRODUCTIONS

FROM THE RIVER TO PEACE

FROM THE RIVER TO  PEACE PART 6

IDM_34

The A3 of 'De Lichting - Éën compilation'.

Order the 2 x 12'' at: www.delichting.com

Distributed by Bordello A Parigi

https://delichting.bandcamp.com/releases

Bandcamp

Nathan Surreal  - Eprex 4000 [De Lichting Één]

C Minus TV - Episode 2
April 4th, 2020

Tracklist:
Precipitation - Untitled 
Nasor - yourplanet 
Clearing - 3.1
S.A.M. - Baby I’m Sorry 
Cass. - The Diary 
Dravier - Memory Scene 1 (At the Bottom of a Natural Pool)
Monadh - Sinking Stream 
Nasor - Compton

Self-Care Mix for C Minus TV

Walking through the trees as the rain fell, he could hear little but for the tiny pitter patter of raindrops as they touched upon leaves and formed small puddles beneath his feet. It was cold out here in the wild, yet despite being lonely in the middle of nowhere he felt more at home than ever before. Perhaps he was made for the wild places, the wild spaces in the great beyond. He was looking for a mythical creature, a great beast. Blacksiris was his name and they told tall tales of his wicked trips in the murky mountains. 

OL is a producer on whom we have been keeping a close eye. With appearances on the likes of Muscut, FIT Sound and Motion Ward he is well versed in abstract electronics and has a distinctive 'out there' sound which offers as many questions as it does answers. His latest release is for gost zvuk, a label with which he is close.

GIN010

PREMIERE: OL - Blacksiris [ГОСТ ЗВУК]

The first track from the forthcoming album Cantus, Descant latemusic.ffm.to/cantusdescant

WAVs

Stations II

Aquaeductus vestibuli

Rory McPike dons his 2200 alias and picks up the guitar for some sun-bleached, Krautrock-leaning downtempo.

'World's Fare' is out October 10th on Altered States Tapes.

Pre-order: bit.ly/2GGBL9g

@rdjm0
@altered-states-tapes

Premiere: 2200 - Cryo Freeze [Altered States Tapes]

https://igordyachenko.bandcamp.com/track/fiksh

fikSH

Our Feels EP came out earlier this year so just uploading to the ole SC...

Overflow

Ghostly Fm - Flora And Fauna In An Urban Environment

𓉗 𓉘 𓉙 𓉚 𓉛 𓉜 𓉝 𓉞 𓉟 If you need album art https://opensea.io/LazyPluto Click it https://lazypluto.bandcamp.com/ 𒁋 𒂩 𒁌 𒁍 𒂤 The primary alias of Jade Krogh, Lazy Pluto, has been credited with some of the least predictable, least classifiable electronic music in Canada.

Although rhythmic and dance floor worthy, this track’s primary form takes on the immersion of a Transcendental Meditation. With a driving mantra present throughout, it works through different pockets of your mind; surfacing, making sense of and setting free buried thoughts, while always returning to the propulsive sedation of this motif.

Since debuting modestly in 2014 under the alias Kaboko, Lazy Pluto has juggled a diverse array of inspirations, including early-’80s funk and electro, art rock, raw and classicist house, and Dubstep, while putting a fresh spin on the forms to decayed, disorienting effect.

“Ambient music is something that can be used as a tool, I’ll often use ambient music for meditative purposes, you can create such an interesting emotional sensation with this genre, it’s beautiful and relatively unexplored.”

Aquaeductus vestibuli

ufo-angst

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Henrik Meierkord

Lazy Pluto 𒂼𒁂

Noir Moderne

Palatinus

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