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Ambient In The Forest

Emilie Weibel (Lyrics & Vocals)  https://soundcloud.com/emilieweibel
Kwasior / Noksidam (Composition & Electronics)
https://soundcloud.com/kwscore 
https://soundcloud.com/user-302613679

Emilie Weibel /Kwasior /Noksidam /Senglar - Genuine Suspension (Senglar Rutina Version)

CD available from: IMPREC.com

“an intoxicating sauce of stark and tripped out ritual music... which conspires to keep listeners in a semi-permanent trance state” Julian Cope / Head Heritage

“a heady brew of deep listening music that is almost medieval in mood and wholly reverential in technique” Edwin Pouncey / Wire Magazine

“Razen push the drone potential of medieval instruments like hurdy gurdy as well as shawm and recorders... into realms of total sensory overload” David Keenan / Volcanic Tongue



Razen's Postcards From Hereafter was recorded using a 17th century organ tuned at 398 Hz (meantone) in a Belgian cathedral erected in 1305. The ensemble explored, with rich results, the organ's strict and limiting tuning with an arrangement that included hurdy gurdy, recorders, chalumeau, violone and nyckelharpa.

Razen - Poscards From Hereafter - CD - Release: 3.24.23

Ain't docile Automatons, Vol​.​2

No One

▲ ◙ ▲

Shanyio 
Veacul unei clipe
Sloow Tapes - CS 40

Arise from the slumber of vegetable earth into translucent timeless nowhere clouded forests and drink from the crystal fountains of Uejima Onitsura. Shanyio weaves the tongues of Romania and Japan into a wondrous expansion and contraction of dulcimer, zither, psaltery, kantele etc. Edition of 70 copies.

Shanyio -  Veacul unei clipe

Kim Myhr & Lasse Marhaug - 31.5.17 [excerpt]

20240211

"premonitions" by @alenakoroleva [fom10]
CS/DL : f-o-m.bandcamp.com/album/premonitions

“Whenever I go, I can't help but notice signs of a looming change. I eavesdrop on conversations of creatures big and small, and like me, they seem uneasy and uncertain about what's to come. Something is in the air, dark clouds gather, winds are shifting course. Amidst the confusion and restlessness, the voices of non-human and human worlds blend in a worrisome symphony. This piece is an ode to anticipation, to the beauty of different forms of life on the brink of the sixth mass extinction. Joining in the chorus are the American toad, northern winds, an old kettle, Mr. Cat, tawny owl, crickets, domestic chickens and pigs, trumpeter swans, honey bees, truck horns, cormorants, seagulls and other elements and critters.” — Alëna Korolëva 

Something is afoot, the Tkaronto/Toronto-based artist and curator, Alëna Korolëva tells us in her new soundscape composition “premonitions”. American toads and water beetles set things in motion before the long-form piece journeys through a multitude of field recordings and non-human voices in a quasi-cinematographic fashion. Korolëva layers and manipulates sounds from the real into a sonic chimaera which mutates concrete ambiances into vaporous surrealities through the modes of collage. A storm blankets the soundscape, things grow quieter. Distant parallels with Luc Ferrari’s "musique anecdotique" come to mind, yet here the piece materializes in an acoustic docu-fiction of some sort, that takes the form of a waking dream. Various scenes, ranging from the mundane to the uncanny, unfold in eardrums exposing an underlying sense of earthly melancholy. A weight lurks throughout while winds, pigs, chickens, and mechanical apparatus weave into a strange agitated tapestry. A kettle whistles, a cat meows – Korolëva sprinkles the gloom with touches of humor and audible senses of home. Trumpeter swans are joined by a trumpeter human; Chayka Chekhov responds to the avian songs in a interspecies dialogue – echoing Jim Nollman’s “Playing Music With Animals”. Environments cascade into a finale droned out by truck horns. Their ringings and animal cries swell in a somber abstraction bearing the weight of a presentiment. “What does the future hold?” we ask ourselves throughout the album as we dissolve in imbrications of positionings, emanating from one another like stacking dolls. Poly-layered, “premonitions” engages in play, in negotiation with the disparate spaces and voices of a troubled world as if it created harmonious discord to decipher the ominous clouds gathering in the horizon.

C30 — limited edition of 60 
duration: 28’56’’ — piece repeats on both sides 
recorded, photographed, and composed by alëna korolëva 
trumpet improvisation by chayka chekhov 
mastered by mathieu bonnafous 
tape production by headless duplicated tapes 
published by forms of minutiae — fom10 — 2024

CS / DL

alëna korolëva — premonitions [fom10]

Ghost Nature_ Living Core

A SUMMER MORNING IS COLD BEFORE THE SUN RISES BEYOND THE MOUNTAINS

items in area

L'entré du bureau

The A3 of 'De Lichting - Éën compilation'.

Order the 2 x 12'' at: www.delichting.com

Distributed by Bordello A Parigi

https://delichting.bandcamp.com/releases

Bandcamp

Nathan Surreal  - Eprex 4000 [De Lichting Één]

C Minus TV - Episode 2
April 4th, 2020

Tracklist:
Precipitation - Untitled 
Nasor - yourplanet 
Clearing - 3.1
S.A.M. - Baby I’m Sorry 
Cass. - The Diary 
Dravier - Memory Scene 1 (At the Bottom of a Natural Pool)
Monadh - Sinking Stream 
Nasor - Compton

Self-Care Mix for C Minus TV

Aquaeductus vestibuli

https://igordyachenko.bandcamp.com/track/fiksh

fikSH

Our Feels EP came out earlier this year so just uploading to the ole SC...

Overflow

Ghostly Fm - Flora And Fauna In An Urban Environment

𓉗 𓉘 𓉙 𓉚 𓉛 𓉜 𓉝 𓉞 𓉟 If you need album art https://opensea.io/LazyPluto Click it https://lazypluto.bandcamp.com/ 𒁋 𒂩 𒁌 𒁍 𒂤 The primary alias of Jade Krogh, Lazy Pluto, has been credited with some of the least predictable, least classifiable electronic music in Canada.

Although rhythmic and dance floor worthy, this track’s primary form takes on the immersion of a Transcendental Meditation. With a driving mantra present throughout, it works through different pockets of your mind; surfacing, making sense of and setting free buried thoughts, while always returning to the propulsive sedation of this motif.

Since debuting modestly in 2014 under the alias Kaboko, Lazy Pluto has juggled a diverse array of inspirations, including early-’80s funk and electro, art rock, raw and classicist house, and Dubstep, while putting a fresh spin on the forms to decayed, disorienting effect.

“Ambient music is something that can be used as a tool, I’ll often use ambient music for meditative purposes, you can create such an interesting emotional sensation with this genre, it’s beautiful and relatively unexplored.”

Aquaeductus vestibuli

ufo-angst

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Henrik Meierkord

Lazy Pluto 𒂼𒁂

Noir Moderne

Palatinus

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