Filterscape 1.5: A trio of plug-ins with morphing EQ

At the core of all three plugins is the distinctive EQ, capable of seamlessly transitioning between 8 different "snapshots". Each EQ band’s frequency and amplitude can be dynamically modulated, even from different sources for each snapshot! With a sleek and future-proof new design, Filterscape has become more visually appealing and more comfortable to use.

Filterscape 1.5

Viktor - Stingy Steve 64 (FSVA Demo).mp3
Name: Stingy Steve 64
Description: Mascot platformer music, Stingy Steve moves from creepy jungle to sunny palm trees to crystalline caves! All tonal elements from FS-VA, percussion from XLN Audio's AD2, track by Viktor.

Viktor - Stingy Steve 64

The Wretch - Traces (Filterscape Demo).mp3
Name: Traces
Description: The Wretch used only FS-FX, FX-VA and a Machinedrum in this track.
Link to: https://thewretch.bandcamp.com/

Traces

Smoo - Filterscape Demo #2.mp3
Name: Smoo's Demo
Description: A piece reminiscent of old analogue synths by Swiss artist Smoo. All sounds except drums from FS-VA. FS-FX and FS-Q6 were used for additional processing.

Smoo's Demo

File: Oddvar - Grey is Gold (Filterscape Demo).mp3
Name: Grey is Gold
Description: Minimal Techno track by Oddvar. All sounds from FS-VA except percussive parts.

Oddvar - Grey Is Gold

File: John Lehmkuhl - Filterscape Demo.mp3
Name: Skippy's Demo
Description: A production by John ‘Skippy’ Lehmkuhl Link. FS-FX was used to create ambient delays and filter effects, FS-VA for synth lines.
Link to: https://www.pluginguru.com/

Skippy's Demo

File: Hyboid - Miniature in C minor (FSVA Demo).mp3
Name: Miniature in C minor
Description: Single preset demo by Hyboid.
Link to: https://hyboid.bandcamp.com/

Hyboid - Miniature In C Minor

Founded in 2001 by industrial designer and synthesizer fan Urs Heckmann as a one-man show, the Berlin-based audio software company u-he has since evolved into a tightly knit team of employees, active associates and 3rd-party contractors – with ambitious plans.

Known primarily for Zebra2 and Diva, u-he has released several other successful products over the years, and has contributed freeware plug-ins to popular music technology magazines. Despite their underlying complexity, u-he synths and effects are widely acclaimed for their ease of use.

The u-he team has been exploring new technologies for vastly improved analogue synth and delay emulation, as well as various "physical modelling" approaches to acoustic instruments and effects. All valuable groundwork for the Zebra3 project and other spin-off products - watch this space!
Especially well known for the Zebra2 and Diva software synthesizers, u-he has developed several other successful products over the last decade, and regularly contributes freeware to popular magazines (available as download or on cover discs).

Despite their underlying complexity, u-he synths and effects are widely acclaimed for their ease of use. This is often attributed to Urs Heckmann's background as industrial designer. Heckmann sees the seemingly unconventional decision to start an audio software company as a direct result of his equal love for industrial design and for synthesizers.

Most recently, u-he has been exploring concepts for analogue synthesizers, and the first results can be heard in the software synths ACE / Bazille (audio-rate modulation paths) as well as Diva, Presswerk and Satin (accurate simulation of electronic circuitry). Hive is u-he's first foray into the world of low CPU dance-oriented synths.