my favorite sounds in a playlist...no special order..newest additions at the end.
a new volume every 101 titles. this is the volume 9.

cloud.selector

cloud.selector vol.09

My Way

Praah - Thank You Satan (Mahharoba Remix)

Euch gefällt der Sound von Vivian? Dann stimmt jetzt auf flügge.bln.fm für euren Favoriten ab und sichert ihm einen Platz auf unserer Compilation!


Flügge 2014: Vivian - A Wedding Night

how come they don't want to make out with me?

the track was made using 4 sounds from a toy baby doll.  I recorded these sounds, played with pitch and speed, and added odd vocals.

make out

Penny Penny Remixes ATFA009
OUT NOW
iTunes (http://bit.ly/1yVscmi)
Juno (http://bit.ly/1pusW0o)
Boomkat (http://bit.ly/1kMoAC0)
Bleep (http://bit.ly/Xt4UZU)

01. Penny Penny — “Dance Khomela” 
02. DJ Moruti — “Milandu Bhe” 
03. Tshepang “Rambo” Ramoba — “Aye Papa Penny”
04. Ntsako — “Xirilo (Black People Msanzi Remix)” 

Tshepang Rambo Ramoba — Aye Papa Penny  (Penny Penny Remixes ATFA009)

New York based conceptual artist James Hoff returns to PAN with ‘Blaster’, a document of his explorations of computer viruses as agents within the composition process. Specifically, Hoff used the Blaster virus to infect 808 beats and then utilized the mutated results as building blocks for seven new compositions.

Hoff’s interest in computer viruses lies in their ability to self distribute through (and ultimately disrupt) networks of communication and Hoff’s agency as an artist centers on placing these parasitic forms into pre-existing genres, such as dance music. BLASTER is a timely exploration of the infectious qualities of sound, and how it too, as a carrier, makes it’s way through social networks, reduced to bits and programmed to infiltrate and replicate.

“Viruses, like art, need a host. Preferably a popular one.”

Interested in ways in which the virus works could mutate and spread socially, the first side of ‘Blaster’ contains these sonic presentations, and the second houses all of the artist’s infected samples and serves as a scratch record for DJ’s, an object of utility, and ultimately a provoca- tion, mobilizing its new hosts as a point of potential transmission.

Blaster is a logical progression from Hoff’s PAN debut LP “How Wheeling Feels when the Ground Walks Away”, which dealt with aural documents of riots and disruptions and the record is part of a larger body of work by the artist that also includes virus paintings.

The LP is mastered and cut by Rashad Becker at D&M. The artwork was constructed using viral images from the artist and typography by Bill Kouligas.

http://p-a-n.org

James Hoff 'ERBLAST' (PAN 55)

"There's all kinds of Jesus there's a black Jesus down in Florida, he's having a good time, there's a Mexican Jesus down in Mexico, I mean there's all kinds of Jesus there's a Jewish Jesus. I mean Jesus, you know all kinds of Jesus coming back everywhere! And nothing can stop it! It's a consciousness that lives in your mind!! Ladadadada!" Charles Manson, CNN 1994

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"Davamın aydınlatılmasında Avrupa uygarlığının temel etkenlerinden biri olan Hz. İsa’nın çarmıha gerilme öyküsünün doğru çözümlenmesi önemli rol oynayacaktır. Burada öykünün biçimsel gelişiminden çok özü bizi ilgilendirir. Başta İncil olmak üzere konuyla ilgili metinler derinliğine sosyolojik olarak incelendiğinde, Hz. İsa’da simgeleştirilen kült ve kültürün dönemin hızla gelişen sosyal ayrışmasına dayandığı genel kabul gören bir görüştür. Bir yanda bölgede hızla gelişen Roma İmparatorluğu etrafında birleşen geleneksel aristokratik ve bürokratik güçler, diğer yanda tüm halklardan ve kültürlerden sayıları aynı hızla çoğalan yoksullar dünyası. (…) Hz. İsa’nın öyküsünden tam iki bin yıl geçtikten sonra, onun mekanına ve kültürüne yakın bir yerden, benzer bir sürecin içine düşenlerden biri de benim. Bu sefer Roma yerine ABD, Batı uygarlığının imparatorluk gücüdür. Roma Batı uygarlığının doğurucu gücü iken, ABD bitirici gücü olmaya daha yakındır. Ortadoğu’da o da tıpkı Roma gibi hızla yayılmak durumundadır. İşbirlikçilere sıkı ihtiyacı vardır. Ortadoğu toplumu zenginler ve yoksullar olarak hızlı bir ayrışmayı daha yaşamaktadır. Zenginlerin işbirlikçi partileri yanında yoksulların da birçok partisi türemiştir. Bu sefer bölgenin en yoksul halkı Kürtlerdir. Katmerli bir baskıya uğramaktadır. Öykünmeden hoşlandığım için belirtmiyorum. Ama doğuş, oluşum tarzım, sistemin içine giriş, muhaliflik ve yakalanış tarzım Hz. İsa öyküsüne öz ve biçim olarak yakın durmaktadır. Ortadoğu’nun en yoksullarını taban olarak aldığım bilinmektedir. Yeni ideolojik, zihniyet arayışı belirgindir." Abdullah Öcalan, Öyküm Hz İsa’nın Öyküsüdür, 11 Eylül 2004 Özgür Politika

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"Her taşın altında bir yılan ve akrep vardır. Buna rağmen, adeta çağdaş bir Mesih İsa hareketine girişilmekten çekinilmiyecekti. Benzerlik gerçekten çarpıcıdır. İsa döneminin Esseniler Hareketiyle Emekçiler Hareketi yakın özellikler taşımaktadır. Vaftizci Yahya ile sosyalist propagandacılar da çok benzerdir. İşin daha da ilginç yanı, PKK’nin oluşumunun da başlangıç grubu on iki kişi civarındadır. Muhtemelen saflarında bir ya da iki muhbiri de vardır." Abdullah Öcalan, 27 Aralık 2002 Özgür Politika

Jesus Christ & İmralı APOstles feat. Charles Manson - Sexual APOcalypse

Every machine has its own acoustic signature - a precise frequency that indicates whether that machine is operating at peak performance. GE engineers monitor and record these sounds to perform real-time diagnostics on airplane engines, locomotives, power turbines, and medical equipment. Musician Matthew Dear and GE Acoustics Engineer Andrew Gorton teamed up to collect and compose thousands of audio emissions from the world’s most powerful machines. The result is an original track of music titled “Drop Science.”

Watch the documentary of the collaboration at youtu.be/cCUX4dDjhBQ.

Follow Matthew Dear: soundcloud.com/matthewdear

Drop Science by Matthew Dear + The Sounds Of GE

Recorded live using in-app recording feature in DIN Is Noise available only to licensees. A small fade in+out added with Audacity.

A bunch of drone launchers around 48 Hz (low G) are visually modulating both in amplitude & pitch and they launch 60 drones a minute which are driven by gravity/wind vector edited live.

Methane Lakes of Titan

Virtual Recess And Mr. Moods - Trip Logic

Yours Eyes adapt to Darkness
by Sanlis: voice and text /
tambours: el panada
panade records

Yours Eyes adapt to Darkness

Reality crashes my brain

ltd. cassette Sept 27, WW digital Sept 30, 2014

Ssaliva - Matta

Over the years, Laurent Jeanneau aka Kink Gong has become an expert of Gong orchestras of South East Asia, releasing in 2014 a double LP highlighting the different tonalities and resonances inherent to this kind of animistic ceremonies of the Asian Sub Continent (Gongs of Cambodia, Kink Gong recs, 2014). The compositions on this LP deform, re-assemble and distort said recordings. 

For more info go here: http://www.discrepant.net/products/536471-kink-gong-gongs

Kink Gong - Gongs(LP Excerpts)

Lengths

using sounds by https://soundcloud.com/gluid-1 and http://freesound.org/people/jorickhoofd -- bedaankt!


with thanks to Iain M. Banks

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live coded in SuperCollider (http://supercollider.github.io)
something like this: http://sccode.org/1-4Rs

with some post facto amplitude tweaking in Audacity (http://www.audacityteam.org/)




_________________________________________________________
pic: https://www.flickr.com/photos/jayhem/244523299/in/faves-48773669@N02/

Stood Far Back When The Gravitas Was Handed Out

Available September 29th 2014. 

https://itunes.apple.com/us/artist/brian-mayhall/id602770571

http://www.beatport.com/label/mesa-recordings/31195

http://www.junodownload.com/labels/Mesa+Recordings/releases/?show_tracks=all

Brian Mayhall - New Mallertons (feat. Lily Taylor)

johnny_ripper - Audrey (Holobody remix)

A first glimpse. A debut album will be released later this year. This song is a bare-bone one shot take, guitar and vocals all into a single mic.

WALKING THE WORDS

The poison of apples have turned from their roots,
worms picking birds off their bones,
out of the skulls there’s no more good songs,
to bring your love back home, to bring your love back home.

Bullets will rain from buffalo men,
the cowards which no whore would claim,
who might rape their sheets or butcher their bed,
but no one remembers their name.

Lay down your eyes there’s no need to see what next,
nothing can catch you the fall that has no rest, and
who needs purpose, it's just light upon your hands,
the lines of a paper can’t walk the words, a poem can’t stand.

It's a terrible feast with nothing but teeth,
a ravenous murder of beaks,
wearing a crown of featherless wings,
who once were sparrow kings.

Who needs to taste every good under evil tongues, there's
no need to know which flower grows each fawn, and
your black eyes unfrozen from the dark, 
all good storms feed the lightning to the static heart.

Play me the song of birds that need no skies,
put me to sleepless dreams without lullabies,
a souless symphony that needs no bow,
a gift without a box, just your soul.

The wild skins will drum like elephant guns,
the treacherous ties of black suits,
the poor little pistols of rich little thieves,
who never find their youth.

Don’t say you love me, don’t you speak those hideous words,
its a slaughter for hides, to quaint to be overheard;
like skeleton houses, the corpses of the plains
like rivers once bent, the breathless reeds of drowning bands.

Play me the song of birds that need no skies,
put me to sleepless dreams without lullabies,
Souless symphonies that needs no bows,
a gift without a box, just your soul.

Lay down your eyes there’s no need to see what comes,
nothing can bring you the falls that knows no sun,
and who needs purpose in the way light touches land,
the lines of a paper can’t walk the words a poem can’t stand.

cloud.selector vol.09

ulezak