Name: Beat Furrer 'Kaleidoscopic Memories' by Uli Fussenegger
Duration: 18 min 13 s
Description: Beat Furrer 'Kaleidoscopic Memories' for Double Bass and Tape (2016)

Wonderful and inventive music - and beautiful performance.

An ongoing series of songs that emerge while chilling on my couch and accepting whatever comes.

200922_Night Apples

Big s/o to @kirxcy
This track has some problems with predrop but mne pohuy.

Poison

Beat Furrer 'Kaleidoscopic Memories' for Double Bass and Tape (2016)

Beat Furrer 'Kaleidoscopic Memories'

Please, use headphones or good loudspeakers.

MOULT (2018–19), for orchestra
commissioned by Westdeutschen Rundfunk and Wien Modern

Live Recording WDR Orchestra, 12 May 2019, Witten

MOULT (2018–19), for orchestra

Sarah Nemtsov
NUN (2019) - excerpt 
for ensemble (ob, cl, sax, vl, vla, vlc, perc, pno, assistants) with electronics 
*
live recording of the premiere by ensemble mosaik with Enno Poppe (conductor)- May 22nd, 2019, Kesselhaus Kulturbrauerei Berlin
*
NUN was commissioned by and written for ensemble mosaik
- duration of the whole piece approx. 24 minutes

NUN (2019) - ensemble mosaik - excerpt

Anna Sowa: smar für Sopransaxophon, Kontrabass und Elektronik (2019, UA)

Marcus Weiss, Saxophon
Uli Fussenegger, Kontrabass
Jan Gubser, Elektronik

Live recording Gare du Nord Basel, 13.1.2020

Anna Sowa: smar (2019, UA)

This is an audio mix of the 4 elements from my sound installation/sculpture "Il tempo insassato che pur scorre" from 2020.

Background sound is played through the floor monitors, stereo, and they are placed on your left and right as you enter the room. This sound fills up the space like the light and opens it up beyond the walls of the gallery space, implying a reverberant, large, empty room/hall. The sound is composed by layering the multitude of oscillators coming from the EMS Synthi 100, covering each part of the spectra. 
The sound played through the speakers in front (which are covered by the cloth), are scattered sonic artefacts in low and mid registers, that should appear to be almost tangible and "real", as if something is moving beneath the cloth.
Devices hanging on the left and right wall are winding and unwinding the tape. They are sonified from within the box by the ready-made loops that consist of material produced by sampling the working procedures of the reel-to-reel tape recorder.

Durations of the tracks in the installation, differ from the ones in this mix which is made as an audio preview.

Installation was premiered at the gallery Weisser Elephant on January 2020 in Berlin, alongside the works by Alva Noto,  Robert Lippok, Katharina Bevand, Cecile Dupaquier, Anne Gathmann, Harriet Gross and Elliane Radiue, to whom this event was dedicated, celebrating her work in electro-acoustic music and her birthday.

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Il tempo insassato che pur scorre (sound part)

Accordion and electronics - Branko Džinović
Violoncello - Aleksandar Latković
Composition - Score, Interaction design (electronics) - Svetlana Maraš

Premiered and recorded at Belgrade Philharmonic Hall in March 2020.

VIDEO: https://www.youtube.com/watch?v=rCWx1RZaj3A&fbclid=IwAR20g4dJCQmcjUcjXXM3tqmQouWZ6eMM1xPrDh69dMiqO9h2SjRYgZRs1nc

Chamber music - for accordion with electronics and violoncello

This is one of 3 tracks that were made solely by using the analogue synthesizer EMS Synthi 100. For each track, there was a single patch and the material was recorded live in one go. Rhythmical synchronization of the material was done by using the Synthi's sequencer. Simple live manipulations included putting a pin or two in and out and switching on and off the mixer channels. Additional panning of each individual channel was done on a computer. These tracks demonstrate the effect of extremely simplified musical material produced by using the not-so-simple sound tool (for the reference, try figuring out and programming a Synthi 100 sequencer:)). Tracks are named by the number of sequencer steps used in that piece. Recorded live at Electronic Studio - Radio Belgrade.

2019

From the album STEPS: https://svetlanamaras.bandcamp.com/album/steps

Svetlana Maraš©All rights reserved
©SOKOJ

Excerpts from new album WEAK TIES by Brodbeck & Böhm, released on http://www.creativesourcesrec.com/
https://soundcloud.com/benjaminbrodbeck, drums and objects
Volker Böhm, electronics and tabletop guitar

https://volkerboehm.bandcamp.com

Weak Ties

bandcamp

New album: WEAK TIES - Excerpts

Track: Problem
Artist: Code Walk
Label: Peder Mannerfelt Produktion
Format: Digital
Release Date: 10-12-2020

Today, Lights Out brings you an exclusive premiere from Danish techno duo Code Walk. Taken from their forthcoming release spanning 3 EPs on Peder Mannerfelt Produktion, 'Problem' is an urgent and emotional cut of techno with a vast, spacey atmosphere. Ravey bass stabs add a bit of grit to keep the track from becoming too trancey, but otherwise, this is a perfect track to play at sunrise. Each EP will be accompanied by special artwork from Eigil Bakdal Jørgensen.

Beat Furrer 'Kaleidoscopic Memories'

Uli Fussenegger

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Martin Max Schreiner, composer

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