Game and Movie Scores

The Wilderness

Valhalla Rising

ZEMANDAN – Liquid Sunshine ∞ Immortal Boom Remake

Nine Eleven It

Related tracks: Across the river

Liknande spår: ZEMANDAN - The Swedish Paradox

Daily Drops

Eyes On Me

DEEP IMPACT - Soundtrack 

CREATED ARRANGED PRODUCED BY ALEX MUSIC ART
ALEX MAGIC ART PRODUCTIONS
"ALEX" S.H. 2025 ALL RIGHTS RESERVED

DEEP IMPACT

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Lyrics : Famous Bush'isms of the one and only retard that is George W Bush. 

I just know I don't know

I think we agree the past is over
I know that human being and fish can coexist peacefully

I just know what I've been told
It's not much but I believe it

I just want you to know that 
When we talk about war
We're really talking about peace
We must stop the terror
I call upon all nations 
To do everything they can
To stop these terrorist killers
Thank you 
Now watch this drive 

I just want you to know 
I just want you to know that 
When we talk about war
We're really talking about peace ✌️

Now watch this drive

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George Bush'isms turned into lyrics of purest gold.

I Just Know I Don't Know

En hommage à mes deux amis de SC: Damga et HyLGZ22 @user-618736932😉qui m’ont permis de ”poser ma voix” sur leurs excellentes pistes!
Instrumental: Damga @lorzha-la-succube 
Lyrics: DelhyA, Damga, HyLGZ22 et leurs collaborateurs
Vocals: DelhyA

Je vais oser être vraie
Je vais oser comme Joséphine et me la jouer façon bad gurl
(Je vais oser) et te proposer une romance erratique au son de mes mélodies nocturnes
Même s’il n est que 16h ce dimanche et que le soleil revient
Laisse moi t inviter dans la cathédrale de mes sons ecstatiques
Où je te jouerai la sweet polyphony de mes désirs
Te prenant ainsi dans les phares de mon clair de lune artificiel.

Welcome to my subspace
Où je ne te propose rien d autre que du love dans un magnetic cloud.
J’y ferai l éloge de ta rousseur en attendant que le rouge te monte aux joues
Bien sûr je ne te dirai pas lesquelles, ici je te l avoue…
Au gré de cette méditation guidée, nous allons jouer et nous élever
jusqu’à ce que la dernière goutte soit tombée,
Jusqu’à ce que la dernière goutte soit tombée….

Laisse moi te séduire au son de mes black keys et mes harmonies
Laisse-moi t’envoûter avec my dark smooth melody
Sous la douceur lunaire, je serai ta hiérophante adorée
Sous les étoiles endormies, tu seras bien vite piégé(e)
Au sein des vagues sublimes du storm de nos phéromones
Où tu n auras plus qu’à succomber aux sons de notre attraction musicale….

Ce soir my love soyons fantasques et frivoles
Ce soir my love ce sera juste: « relax and let me take control »

——————————————————
TRANSLATION:

I'm going to dare to be true
I'm going to dare like Josephine and play the bad girl
And offer you an erratic romance to the sound of my nocturnal melodies
Even if it's only 4 p.m. this Sunday and the sun is back
Let me invite you into the cathedral of my ecstatic sounds
Where I'll play you the sweet polyphony of my desires
Taking you in the headlights of my artificial moonlight.

Welcome to my subspace
Where I offer you nothing but love in a magnetic cloud.
I'll praise your red hair while waiting for the red to rise to your cheeks
Of course, I won't tell you which ones, but I confess here...
Through this guided meditation, we will play and rise until the last drop has fallen, Until the last drop has fallen...

Let me seduce you with the sound of my black keys and my harmonies
Let me enchant you with my dark, smooth melody
Under the lunar sweetness I will be your beloved hierophant
Under the sleeping stars you will quickly be trapped
Within the sublime waves of the storm of our pheromones
Where you will only have to succumb to the sounds of our musical attraction…

Tonight, my love, let's be whimsical and frivolous
Tonight, my love, it will be just: "Relax and let me take control"

Electro Goddess (with Damga)

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ZEMANDANs 'Crimson Rift of Eternal Scorn' – a brutal onslaught of Gothenburg Death Metal. Glen Benton-style growls, thundering drums, and cosmic chaos tear reality apart.
Headbang into the abyss!

Crimson Rift of Eternal Scorn

Slow paced cinematic electro-dub-fusion | Now Remastered
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Vocals: Astrid Solvrid

Lyrics:

How the little piggies will grunt
 when they hear 
how the old boar suffered

The future is open
  Trust in the Cross

Yes I have made mistakes
  Life didn't come with instructions

Don't waste your life looking back
  You are not going that way

We fight that's how we win
  And that is how we die

How the little piggies will grunt
  when they hear how the old boar suffered

Little Piggies | Remastered

so i let it all fall By Zitou Itou & Wildsilences

Bluesinha is a cheeky little blues that tells the story of a smooth-talking hustler who underestimated the girl — and ended up getting what he deserved. But in the end, they find common ground, and desire wins out. A tale of love for lust, or maybe lust for love.

Little Blues (Bluesinha)

Listen here, my girl,
Don’t mean to play you wrong,
Hope you’ll forgive me,
But tonight I can't come along.
I got no cash on me,
No ride, no fare,
And I know you don’t
Take buses anywhere.
My vibe is rock and roll,
But your scene’s pop and gold,
It’s money...

I’m a streetwise stray
In this crazy town,
Was a punk, Hare Krishna,
Now I sleep on the ground.
I got nowhere to go,
Got nothing to share,
No dog, no room or sofa,
No TV, not even air.
But if I steal your mint drop,
And sip your whisky on the rocks —
That's sweeter...

My vibe is rock and roll,
But your world’s pop control,
It’s money...

Now listen up, my dear,
Let me make it clear,
I don’t want your money,
Don’t care what you wear.
My folks pay my bills,
That much you should know,
Cash ain’t what I’m missing —
Just got nowhere to go.

My vibe is pure raw lust,
Your scene’s all junk and dust,
So hollow...

So come on now, my love,
Let’s not waste the night,
I’m finally gettin'
What’s been feelin' right.
You want me,
And I want you too —
Why worry 'bout the rest
When the world’s just passin' through?
Our beat is touch and heat,
Our world’s a Woodstock street —
So mellow...

And our life is tight,
Our kiss? A bolt of light —
Straight yellow.

+++++++++++++++PORTUGUES

Bluesinha é um blues canalha, que conta a história de um malandro que subestimou a garota e acabou levando o troco. Mas no final eles se entendem e o desejo prevalece. Uma história de amor ao tesão, ou tesão de amor.

Bluesinha

 
Escute aqui menina,
Eu não quero te enganar,
Vê se me desculpa, 
Mas hoje não vai dar...
Não tenho dinheiro, 
Tô sem condução,
Sei também que você 
Não é de pegar buzão.
Minha balada é rock,
Mas seu mundo é pop,
Dinheiro...
Eu sou bicho urbano, 
Dessa cidade louca,
Já fui punk, Hare Krishna
Hoje eu durmo numa moita
Não tenho pra onde ir
Nada à oferecer
Cachorro, quarto ou sala,
Nem banheiro nem tv.
Mas se eu te serro um drops,
Seu whisk on-the-rocks
Primeiro...
Minha balada é rock,
Mas seu mundo é pop,
Dinheiro...

Então preste atenção,
Vou te explicar meu bem,
Não quero sua grana,
Nem saber o que Tú tem,
Minha família é quem me banca,
Você deve saber
A mim não falta grana,
O que me falta é quem comer.
Minha balada é fuck
Mas seu mundo é junkie
Fuleiro...
Então venha meu amor,
Não vamos perder tempo
Agora eu to sacando,
O que está acontecendo
Você me quer, 
Eu te quero também,
Pra que saber do resto 
Se o mundo vai ou vem
Nossa balada é o toque
Nosso mundo Woodstok
Inteiro...
Mas nossa vida é top,
Nosso beijo e um choque!
E meio....

Little Blues (Bluesinha)

New remix of Chris Isaak's classic Wicked Game by Venturam.

Feel free to chuck a like, comment or repost, possibly a follow. 

Enjoy!

Chris Isaak - Wicked Game (Venturam Remix)

Written by Mark.H.F and Heliopolis 5
Guitars by Mark.H.F.
Keyboards, arranging and mastering by Heliopolis 5

This song is a collaboration with my good friend Mark who supplied the files to his super guitar-based rock song Bad Orange. I have remixed his track, taking his guitar riffs and tried to make something which retains the rock feel of the original but is pretty different as well. We are both happy with the result. You can check out Mark’s original Bad Orange track by going to @mfishman71 ( as well as his other great guitar driven tracks, of course ).

Juiced

Dancing with me…
May your days be filled with brilliance...
I composed this with that feeling in mind!👍✨

thank you for listening！！

DAW: Cubase pro 14

Spotify↓↓
open.spotify.com/artist/312MPUfW0fyacOfLoDMc9u

Instagram↓↓
https://gate.sc/?url=https%3A%2F%2Fwww.instagram.com%2Fsuperps32023%2F%3Fhl%3Dja&token=68bce4-1-1686833662817


Dancing with me

This instrumental track, performed by GOLTZ (Gunther Benedict-drums, Christoph Musil-bass, Mario Palaschke-keyboards), is the result of a nightly improvisation that started out in search of some musical idea but quickly developed a desire for swing.

Claire

Recording sessions from 03/05/2025 - 16/06/2025
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony,
SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
❤️🕊️🙏

Across the river

I had posted a year ago the row version of this track recorded back in 2015 (https://soundcloud.com/michele-ansani/bosque-redondo)
I thought that, after all these years, it was time to remake it, without altering the melody or the atmosphere.
Regarding the context evoked, see for example here: https://americanindian.si.edu/nk360/navajo/long-walk/long-walk.cshtml

Composed by Michele Ansani (2015-2025).
Bansuri is courtesy by Aahro.
Cover photo: Navajo girls at Fort Sumner, Bosque Redondo era, New Mexico, 1864-1868(?). Palace of the Governors Photo Archives, negative number 038208.

RePosted on SoundCloud: 2025, June 16

Bosque Redondo (final version)*

Don Quichotte à Dulcinée is a song cycle by Maurice Ravel based on the story of Don Quixote. It was composed between the years of 1932 and 1933. The text was written by the librettist Paul Morand.

Piano by Helen Roberts

Lyrics

Chanson Romanesque

Si vous me disiez que la terre
À tant tourner vous offensa,
Je lui dépêcherais Pança:
Vous la verriez fixe et se taire.

Si vous me disiez que l'ennui
Vous vient du ciel trop fleuri d'astres,
Déchirant les divins cadastres,
Je faucherais d'un coup la nuit.

Si vous me disiez que l'espace
Ainsi vidé ne vous plaît point,
Chevalier dieu, la lance au poing.
J'étoilerais le vent qui passe.

Mais si vous disiez que mon sang
Est plus à moi qu'à vous, ma Dame,
Je blêmirais dessous le blâme
Et je mourrais, vous bénissant.

Ô Dulcinée.

English

Romantic song

Were you to tell that the earth
Offended you with so much turning,
I'd dispatch Panza to deal with it:
You'd see it still and silenced.

Were you to tell me that you are wearied
By a sky too studded with stars -
Tearing the divine order asunder,
I'd scythe the night with a single blow.

Were you to tell me that space itself,
Thus denuded was not to your taste -
As a god-like knight, with lance in hand,
I'd sow the fleeting wind with stars.

But were you to tell me that my blood
Is more mine, my Lady, than your own,
I'd pale at the admonishment
And, blessing you, would die.

O Dulcinea.


Artwork by Zurab Martiashvili

Chanson Romanesque (Don Quichotte à Dulcinée - Maurice Ravel - with Helen Roberts)

The kings of violence

Une chanson contre la violence conjugale...
A song against domestic violence...
Vocal/intro & Final text : DelhyA  https://soundcloud.com/user-945711181/tracks
Piano/Synth/Arrangement : Régis GAUBERT  musicoman@wanadoo.fr https://soundcloud.com/robspiritduo/tracks
Composer/Arrangements/Guitars/Slide : Philippe SEGUINARD
Lyrics : Guillaume DULER

Lyrics:
J'entends les cris là-haut d'une autre qui se débat , d'une femme qui pour cette fois ci n'est pas moi. Rien ne doit transparaitre , je ne dois pas laisser mes larmes couler et se frayer un chemin jusqu'à mes lèvres scellées . Et même si les bleus sous ma peau se réveillent , je dois les ignorer et agir comme si tout était pareil...
La peur de lui parce qu'un verre de trop
surtout se fondre invisible sans  mots
elle en vit par la force à coté de la vie
prisonnière isolée sans porte de sortie
cécité de son sang et de ses amitiés
ne pas parler se taire rien ne doit transpirer
se voiler d' un rideau de tissus de mensonge
triste jeu de cache cache qui consume et qui  ronge
Et il dit qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort
mentir au soleil quand la lune voit tout
les nuits sont cruelles écrasées de tabous 
la honte qui maquille la vérité trop laide
qui étouffe les cris de ces appels à l'aide
accoudés au silence les sévices bien tranquilles
se prennent du bon temps ils jouent à domicile
au coupable les mains pleines de frappes de raisons
à la victime le doute de fuir sa déraison
Et il dit qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort
le sourire de façade sous des tonnes de semblants
donner le change à celles comblées par leurs amants
vider ses yeux de tout ce qui pourrait trahir
ces miroirs la qui font qu'elle ne pourrait mentir
les bleus des sentiments qui lui cognent à la peau
violence d'un élément qui laisse sur le carreau
un corps vandalisé mort pour la fratrie
tombé au champ d'horreur abattu par celui
Qui disait qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort
des baisers dans la gueule
caresses à poings fermés
d'un amour qui dégueule
de passions débordées
La tendresse des coups
Je ne peux les laisser atteindre ce rivage à nouveau où les vagues d'une mer intérieure continue se brisent en silence...

I can hear the cries of another woman struggling, a woman who this time is not me. I mustn't let anything show, I mustn't let my tears flow and make their way to my sealed lips. And even if the bruises under my skin awaken, I must ignore them and act as if everything were the same...
Fear of him because one glass too many
above all melting away invisible without words
she lives by force beside life
prisoner isolated with no way out
blindness of her blood and her friendships
don't talk shut up nothing must transpire
veil itself with a curtain of cloth of lies
sad game of hide and seek that consumes and gnaws away
And he says he adores her...always a little harder... until death
lie to the sun when the moon sees all
nights are cruel crushed by taboos 
shame that disguises the truth too ugly
that muffles the cries for help
crouched in silence quiet abuse
have a good time they play at home
to the guilty hands full of strikes of reasons
to the victim the doubt to flee his folly
And he says he loves her... always a little harder... until death
the facade of a smile under tons of pretence
giving the lie to those fulfilled by their lovers
emptying her eyes of anything that might betray
those mirrors that make it impossible for her to lie
the bruises of feelings pounding against her skin
violence of an element that leaves
a vandalized body dead for the siblings
fallen in the field of horror shot by the one
who said he adores her...always a little harder... until death
kisses in the face
caresses with closed fists
of a love that spews out
of overflowing passions
The tenderness of blows
I can't let them reach that shore again where the waves of a continuous inner sea break in silence...

© Philippe SEGUINARD/Guillaume DULER  Juillet 2025

La tendresse des coups ( DelhyA - Régis GAUBERT & JIM ) TRANSLATED

DreadVeil Marrow

This cover of Ben Daglish's iconic The Last Ninja 1 soundtrack is a tribute to a piece of music that left an indelible mark on my childhood. Its unforgettable melodies and innovative sound design captivated me growing up, sparking my passion for music creation. This track, hands down, inspired me to start composing my own songs. With this cover, I aimed to honor the one true King that was Ben Daglish, his original's timeless energy while adding my personal touch, hoping to evoke the same sense of wonder it gave me.

The Last Ninja

This is another cover of Ben Daglish's iconic Soundtrack for The Last Ninja on C-64. Originally released in 1987, The Wilderness track is a tribute to a piece of music that left an indelible mark on my childhood and therefore the World. Its unforgettable melodies and innovative sound design captivated me growing up and served as the vibrantly colorful soundscape badassery that only Ben Daglish Could master. Hours of sheer frustration, failures and daytime nightmares  in a completely un-nerfed game that gave absolutely Zero fucks about the feelings of the poor kid exposed to this satanic scheme. One of uncalibrated and worn out Tac-2 Joysticks on a good day. A game Sparking my passion for music creation. With this cover, I aimed to honor the one true King that was Ben Daglish, his original's timeless energy while adding my personal touch, hoping to evoke the same sense of wonder it gave me so many years ago.

This is as far from the comfort zone I have been-EVER

Vocals: Zemandan feat Astrid Solvrid

Forever the Flame

hot hot summer

Originally called: A Tree Savor Of The World, which was written in 2013.  This is my single, Come Back To Me (Pleiades). This is an original song, that is written, produced, recorded and engineered by Calyx Kre/Astral Realm Beats and DVLP Academy. 

This song shows a spiritual initiation — a moment when your higher self is integrating into your physical reality.
	•	Release mental tension (Ace of Swords reversed)
	•	Lead with heart and intuition (Pisces + Libra + “Listen to Your Heart”)
	•	Trust your divine path (Aquarius + “Surrender to the Divine”)
	•	Step into your role as a peaceful spiritual leader (Cosmic Ruby, Law of Grace, Divine Potential).

Come Back To Me (Pleiades) ft. DVLP Academy

Computer Data Discharge

Viking blood runs thick in this epic cinematic soundtrack blending colossal orchestral Northman power, tragic choirs, and symphonic grandeur. A dark, apocalyptic score that echoes with the fall of empires — perfect for fans of epic music, film scores, and orchestral soundtracks.
This is the 2025 remake of an old song recorded in 2011. The original can be found here;
https://youtu.be/8CFi68L47Mo?feature=shared

Can't Get Bayou (But I Can't Get By Without You Either)

Downtempo Dub Techno Noir
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Vocals by Astrid Solvrid 

Lyrics:
You wanna play it soft
Let's play it soft

You wanna play it hard
Let's play it hard

Time Not Important
Only Life Important

Time Not Important . Only LIFE Important!

💥 A cinematic dark electronic journey 💛
🔥 Dream as if you’ll live forever, 
      Live as if you’ll die today ✨

Vocals: Astrid Solvrid

Lyrics:
Why not go out on a limb? That’s where the fruit is.
There is no passion to be found in playing small
Dream as if you’ll live forever

There is no rain, just liquid sunshine
Boom!
Dream as if you’ll live forever

Take the first step in faith
You don’t have to see the whole staircase
Just take the first step

Dream as if you’ll live forever
Live as if you’ll die today
Play the game for more than you can afford to lose
Only then will you learn the game
Dream as if you’ll live forever
Live as if you’ll die today

Keep your face always toward the sunshine
And shadows will fall behind
There is no rain, just liquid sunshine

Friends are the family we choose
And losing you feels like losing a part of myself
Boom!
Dream as if you’ll live forever
Live as if you’ll die today
Boom!
Dream as if you’ll live forever
Live as if you’ll die today

Liquid Sunshine ∞ Immortal Boom Remake

⚡ ZEMANDAN – Nine Eleven It ⚡
A slow-paced cinematic dubstep anthem in crushing sub power. This track blends brutal sound design with dystopian atmospheres, glitch chaos, and apocalyptic drops. 

Full 2025 production – immersive, heavy, and unapologetically intense.

To test a sound from the Gradient synthesizer (Native.Instrument), I improvise  and in general I start from that to compose  but this time   I'm sharing it with you as is, just because I like the sound. I just added some percussion.
Pour essayer un son du synthé Gradient (Native.Instrument) j'ai improvisé et en général je part de cela pour composer mais finalement je vous livre ce titre tel quel  juste parce que j'aime bien ce son.  J'ai  simplement ajouté des percussions.

Dreaming Piano (Improvisation)


A slow, hypnotic and heavy dubstep track blending cinematism and subtle psytrance influences. Massive sub-bass, glitchy industrial FX. A monstrous hypnotic and immersive 2025 electronic beast of a track.


The Swedish Paradox

Song written, sung, produced and engineered by Chris Scheri.
Instrumentation by Chris, Mark, David, Brendan

COULD HAVE STOPPED THIS

(Intro. Instrumental theme )
Walking in the park on a hot Summer night.
Make the best of this - he wants to help.
Walking in the park on a hot Summer's night.
Make the best of this - and help yourself.

But you know
You could have stopped this
could have stopped this
could have stopped this (repeat chorus)

(repeat instrumental theme)
Walking in the park on a hot Summer night
Where's the rest of this? Where are you now?
I'm walking in the park on a hot Summer night
What's the best of this? I need to know the rest of this.
Because I know
I could have stopped this
could have stopped this
could have stopped this
I could have stopped this

Over and Over. It keeps me awake at night.
“Could have stopped this” (background vocals)

Guitar solo.

M8 Just when you think, “Everything's alright.”
Just when you think, “We're under control.”
You trip on a thought and slip into “If Only”
If only I'd known, I would have been there!

There – on a hot Summer night
Your thoughts are everywhere.
Can I still help you?
Walking in the park on a hot Summer night,
You're the best of this!
Oh can you tell me, is there anything
I can still do for YOU?

(Choruses repeat till the end, joined by lead guitar on the
third repeat)
YOU COULD HAVE STOPPED THIS

Could Have Stopped This

You Could Have Stopped This

Cast of Characters:

Cgmaness – @hiddenhands-760647700 – Chris – beats, acoustic and electric guitar, vocals, composition, and production

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – five string fretless bass, organ, composition, and production editing

TexMex Shaman– @texmex-shaman –Stephen– sitar, composition, and production

This was a seed that Chris came up with on his acoustic guitar, adding beats, and some subtle vocals, then shared with Josh and Stephen. They are always excited to work on Chris' songs, because he always comes up with magical tunes.

  Josh was first in line, adding his five string fretless bass, then the organ part. Stephen used Josh's chord structure to come up with his awe-inspiring, monster electric sitar part. After they both laid down their parts, Chris added the electric guitar you hear at the beginning, too. 
  The song was about twice the current length when Chris made it, but Josh chopped off the second half, as the crescendo fits right into the 2/3 slot now. This was mixed as a team effort in BandLab, too, which is a rarity, given both Stephen and Chris are expert producers. 

  This is an example of a song Chris came up with, that was taken to the next level by Josh and Stephen. We hope you enjoy listening to this as much as we enjoyed creating it.

Juxtaposed They Went

Woody Landscape (Remix)

Korg Gaget track on ipad. 
I mixed this on the internal ipad pro speakers..
This is kindof like an electronic music rhapsody ;)

Deep Dive

Fantaisie orchestrale

IPG 1 is one of my favorite artists on soundcloud. He offered  in an open collab his lyrics and vocals. 
https://soundcloud.com/ipg1/living-on-the-edge-vocals-92-bpm?si=b9087d905b184765b63d147deefa2bab&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing 

I made the music and added vocals, samples and did the production.
“Sometimes life brings us to the edge — where the body is exhausted, the heart carries old wounds, and hope feels out of reach.”

And than the wonderfull lyrics and hip hop voice ever thx Ian
Living On The Edge

(Verse 1)
Living on the edge, where the city never sleeps
Hustling in the streets where the hunger runs deep
Concrete jungle a playground for the brave
All the hustle and grind-find the strength that you crave

(Chorus)
On the edge of a dreams where -the hustle is the game
Life's a gamble but we rise all the same
In the shadows we dance walk that narrow ledge
Gotta stay sharp -like a razor’s edge
that’s the hustlers pledge the hustlers pledge

(Verse 2)
In the Streets that’s the canvas,-where we paint our tale
From the struggle we rise like a phoenix we prevail
Hustling hard like a lion without fail
Every move strategic in this urban maze.
Doing your best just to avoid going to jail
Time is money and money pays
You can count your riches never your days

(Chorus)

(Bridge)
Clock's ticking but the hustle just don't rest
Every challenge faced just to put you to the test
Living on the edge it's a risky ride
In the hustle we trust let the dreams collide

(Verse 3)
Concrete ambitions rising like the skyline
From the streets to the penthouse we make our climb
Living on the edge with a heart of a lion
In the hustle we trust time is money money is time

Living on the Edge-hope is out of reach (collab IPG1)

My earliest musical memories are of a small home on Williams Street, where my family moved when I was three. After dinner, my father would play hymns on his Conn organ, and I would sing along. That simple, shared ritual was my first introduction to music.

Our time at the organ came to an end a couple of years later when we moved, and my father's schedule became busier with teaching, pastoring, and graduate studies. I soon moved on to singing along to albums of musicals, and eventually, my mother became my first piano teacher. But I'll always remember that it was my father who first gave me a love for music. This piece is in his memory of him.

On Williams Street

EDM / Dark Electronic 
Eyes on Me is a hypnotic slow-groove dark EDM track from Zemandan. Pulsating basslines, falsetto-driven toxic vocals in bed with hypnotic club energy.

Thankyou for checking out and enjoying my tracks!

Henry Wadsworth Longfellow: "Music is the universal language of mankind."

Info: there is a uli steingruber acc on soundcloud with 3 followers or so.. this is not my account. Some individual ripped my photo from FB and faked my acc. So do not follow. ( yes i contacted sc about this but they did not resolve..)

Deep Dive

Uli Stonedigger