Excellent groove! Good arrangement! Well done

Now this is what I call a vibe! Wonderful!!

Interesting genre mix. Love the relaxed funk vibes!

Nice guitar work. Reminds me of George Benson.

follow - https://ullip-percussion-artist.bandcamp.com/track/spring
follow - https://youtu.be/OWbxEmR-AkQ

Ullip - Single : Spring
EAN : 4061707376948
Release : 07.06.2020
1. Spring  7:13 min                       
ISRC : DEAR42037837 
﻿Gema reposted ©
Recording , mix and Master by Ullip at Bergtonstudio Andalusien.
music by Ullip ©
Cover : Katulli Artwork ©

"The melody of rhythm" - "Percussion drives emotions": this is a musical arc of tension that goes far beyond the boundaries of the usual. The percussionist Ullip is on the one hand inspired by diverse influences such as world music and jazz, classical and experimental, but always seeks and finds his own way to express moods in tempos and feelings in the specific sound of the percussion instruments

Spring

I'm a bass guitarist and I'm thrilled to welcome you to my channel, where the soothing magic of the bass guitar comes to life.
Join me in exploring a world of unique and relaxing music, all crafted using only the bass guitar's deep and resonant tones.

Here at 4 Strings Vibration, I'm on a mission to redefine relaxation through my musical creations. From tranquil melodies to mesmerizing grooves, each composition is a testament to the endless possibilities of this incredible instrument.

If you're seeking a sonic escape, a moment of serenity, or just something extraordinary, hit that subscribe button and let's journey into the realm of bass-infused tranquility together. Stay tuned for a new kind of musical experience – this is BassGroove Oasis, and I can't wait to share it with you.

First Snow

"Tea with Debussy & Pärt in Casablanca" is a musical dream that bloomed during my vacation in Havana, Cuba. Inspired by classical masterpieces from Arvo Pärt and Claude Debussy, I envisioned an imaginary encounter with these esteemed composers in Casablanca, over Moroccan tea.

Commissioned by a dear friend and talented violist Vincent Delorme, this piece is not an imitation of their styles but rather a heartfelt conversation between us. It embodies the essence of typical conversations in Morocco, where we all speak at the same time, meandering from topic to topic, and experiencing numerous changes of atmospheres, tempi, textures, and fragments of thematic material.

It begins with minimalist touches, a nod to Pärt's recent works, where the piano introduces serene arpeggios, intertwining with heartfelt viola melodies. As we delve into our tea time, I incorporate some of Debussy's harmonic vocabulary. 

Throughout our harmonious dialogue, the piece mirrors the dynamic nature of conversations in Morocco. We experience moments of collective excitement, where the music swells with vibrant textures and lively tempi, as if everyone is speaking at once. Themes and motifs emerge and intertwine, mirroring the meandering nature of our discussion as we navigate from one topic to another.

As our musical journey unfolds, our collaboration celebrates cultural fusion, weaving together Pärt, Debussy, and my artistic zest. Each voice contributes to the narrative, inviting moments of wonder and contemplation through our shared inspirations.

Tea with Debusy and Pärt in Casablanca

Tea With Debussy and Pärt in Casablanca - World Premiere (Live Performance)

Hold Me Now (Feat. Sergi Yaro)

Cloud Hoppin'

Sbatronico's entire discography can be downloaded for free at: https://sbatronico.bandcamp.com

Jazz breakbeat

Sbatronico - My Mind

Old Memory (Feat. Prod Floyd)

Writen, composed mix n mastered by Riki Whytock at Madazza Musik.

Introducing "New York Bagel" - a symphony of urban rhythms and lyrical finesse that transcends mere music to become an experience. This electrifying hip-hop track isn't just about beats and rhymes; it's a journey through the streets of New York City, pulsating with the heartbeat of the city itself.

From the moment the first notes hit your ears, you're transported to the bustling streets of the Big Apple, where every sound and every lyric tells a story. The vocals, dripping with passion and purpose, weave tales of redemption and resilience, urging listeners to rise above their circumstances and chase their dreams.

The synths and drums, meticulously crafted to perfection, provide the backbone of the track, driving the momentum forward with an irresistible groove that's impossible to resist. Each beat is like a heartbeat, syncing perfectly with the rhythm of the city, while the synths add layers of depth and texture, painting a vivid sonic landscape that's both immersive and exhilarating.

And then there are the lyrics - poetic, profound, and overflowing with raw emotion. Lines like "My game is to sing a song in hopes of moving life along" and "Might is touching on your ears like you're Hickey Lotto" hit you right in the soul, resonating with a truth that's both universal and deeply personal.

But perhaps the most magical aspect of "New York Bagel" is its ability to capture the essence of New York City itself - its grit, its glamour, its unyielding spirit. Like a perfectly toasted bagel, this track is both comforting and invigorating, offering a taste of something familiar yet utterly unique.

So whether you're strolling through Times Square or riding the subway at midnight, "New York Bagel" is the perfect soundtrack to accompany you on your journey. It's more than just a song - it's a love letter to the city that never sleeps, a testament to the power of music to uplift and inspire.

LYRICS
I really like to right some wrongs My game is to sing a song in hopes of moving life along Beats banging like a dong and smashing like a cymbal You'll be quick, jack out some bucks and I'll be nimble Might is touching on your ears like you're Hickey Lotto I'll topple with the knowledge of your tempo and staccato This hip-hop stampede's an interstice People need one more drop, these days stagnate, we proceed Proceed to rock a mic, rock a party, rock a cradle, rock a hotel I'll even rock a turn table, rock a chair, rock a whale Rock a chair with a female. York, Star and David on my chain, my style be smooth Dark, smooth, like melting butter on my morning toast, not from New York So I touch the East Coast Got a hook, got a hip, with a dollar per hop A guarantee to blow up, but we're never gonna pop Unless we stop lockin' or lockin' it down Like a New York bagel, we're the best around Got a whole lotta hip, with a dollar per hop A guarantee to blow up.

New York Bagel

Someplace To Go (feat. Lenny Lopez and Tyriq Johnson)

Beats of the Past II

Outmind - Corner Bodega

Bass guitar, programming, production  & mix Danijel Kelava 

Copyright © Danijel Kelava
Some Quora feedback
https://www.quora.com/I-need-your-help-What-music-genre-best-fits-the-following-song-https-soundcloud-com-danijelkelava-marcus-1

Marcus

percodrumming

Chained music &
the power
of drum sound

Music for speakers as honesty in art
Allowing music to do what it wants to do with us
A project is finished when the new becomes compelling
Ullip

Not, and this marks its artistic profile, not additively, "side by side". Ullip combines these functions in order to let a new something emerge from them. CDs whose tracks do not preserve and reproduce "played music" as is usually the case. But CDs where the music is created by editing, mixing and recording it "on the fly". The CD as an audience, so to speak. With the great advantage that - in contrast to live sessions - one can enjoy the cuts of the CDs over and over again.
Based on a rich musical experience and an almost "wild" past, Ullip - together with other musicians - has today found a style that activates and inspires a special genre:

'Chained music'.

Sounds and pieces, music and rhythms that are played in a self-inspiring way or created on technical devices. Born in the moment, just like jazz. Also, not only as in jazz, given as a theme, otherwise improvised. Above all, they are not reproductions in the sense of notated notes. All the elements that stand between the first beat and sound of a live gig, a studio recording and the final burning process on a CD are interlinked to create what the "piece" recorded on silver discs ultimately is.

Spring

Ullip

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