Song about spiritual release from some physical attributes.

Let Me Go (electric) remastered 2025

Recorded at Amplified Studios, Carlsbad CA July 2025
Drums - Marc Polit
Lead solo: Tristan Brooks

LYRIC
It took me half my life 
To finally gain insight
I only saw myself as others did
And I mostly stayed hid

I spent half my life
Upset and uptight
I learned it’s stupid to walk on eggshells
Every egg eventually breaks
And if that takes you half your life
That’s what it takes

Can't say exactly when
I knew what I didn’t then
A dawning realization
An opening of the mind
It only took me half my life for me to find

Time isn’t playing
It’s counting the days
If you don’t know what I’m saying
(Well) you won’t be young always
You sure won’t!

As the years accrue
In the remaining few
I won’t let regret confine me
I’ll amble slowly toward the light
Let the past all fade to black
I can’t go back
I love this last half of my life
So that’s all right


Half My Life

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and compostion
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
Mistermark-- @user-432503709 -- Mark –- VST timbale, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
J.J. Terrell– @j-j-terrell – electric piano and synth
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HSS electric guitrar
This song began as Carl's tribute poem to our drummer, Ken. Carl came up with the chord progression and started a project, to which he invited the rest of us. This is the third song Eclectic Collective has done that is a tribute by Carl to one of our members.  We couldn't feel more honored than to be the subjects of his wild and boundless creativity.
  Fittingly, Ken was first in line to add his magnificent drums. Once we had drums, Josh had something to work with to add his bass, which he did shortly after the drums were up. Mark paid the project a visit next, helping out with a bit of production editing, and dropping in a mad percussion solo using his VST timbale drums.l.Stephen jumped in soon after, adding the melodic electric guitar riffs that appear throughout. Not to be outdone, JJ added some sonically thickening electric piano, as well as the throwback psychedelic synth that pops up towards the end. Finally, Tez came along and added the electrifying solo that appears about a third of the way in, as well as the one at the end. 
  Once the recording was finished, we turned it over to Stephen to mix in his always professional manner. 
  This song is all about our very talented teammate and brother, Ken, and it is well deserved, too. As mentioned, this is the third song from Carl about one of us. It's hard to describe the feeling of having someone who you respect take the time and energy to think about you in such a positive way as to produce a song about you. Then to have all your buddies join in to amplify it to a solid song is just mind-blowing. We are all very grateful to Carl for not only sharing his music with us, but for his thoughtful consideration of each of us as subjects. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Perfect Dark:
Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture

Rhythmic mountain maestro
Each day, graft, working hard
So kids can eat
Bruised back sees very best of yard

Still, beats get born of evenings
Deep love finds joules to jam
May generation X soothe meaning
Let's teach the younger pussies what we can

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture
Sticks in hand
Cymbals a floating
Snare and bass backbone gland
Tom'ed Ringo Star man keep quoting
Keep life steady paced by hand

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Rhythmic Mountain - The Eclectic Collective with The Beautiful Dark

I'm not gonna lie to you guys, this one's gonna assault your ears.  It's rough and nasty.  This is actually a live version of a track we released years ago, originally called "Who Were Fanny And Phaggot?"  This is also the only song to feature our occasional bassist, Dick Wartz, who plays bass on both versions.  Gremescer plays guitar and vocals, and Mick Mack is on drums.  This track was recorded on a Tascam 4 track tape machine, and believe me, it shows.  There's some mighty fine tape rasp and hiss in there for some of the real audiophiles out there.  Don't say you weren't warned.  

Recorded on August 12, 2025

Dark Slide of the Moon - Live

LYRIC VIDEO  https://www.youtube.com/watch?v=yukpFvbhX-Y
So ~ I wasn't really intending on writing / recording another new song at the moment since I'm attempting to finish a number of other songs for my current project ~~but This One came to me one day in July & I felt compelled & decided to kind of drop everything  & record it, as I was hearing it as the possible song I may tag on as the Final Song of my new project once it is complete to close it out ~~
Would Love to hear any thoughts on it at all ! :-)
©2025 Donna Dior

THE LAVENDER

Carl from the Beautiful dark wrote a song today titled "Baldy Patty" and  it inspired me to write my own personal a song about baldness.  I started to lose my hair in my early twenties, and for awhile it bothered me and then one day, I decided to shave my head and I have never looked back. And now so many years have passed that I have been bald longer than I had hair. 
***
Guitar (two strumming tracks) Taylor 114CE 
Organ (playing my midi keyboard using the Logic Pro Organ plug in)
Strings (playing my midi keyboard using Native Instruments strings)
Piano: EZ Keys 2 (Indie Pop (tweed))
Drums (EZ Drummer 3)
Bass (PG Music Midi track with sounds from Native instruments Rickenbacker)
***
My hair’s falling out and I don’t know what to do.
My hair’s falling out, and I’m singing this song to you.

I’ve got hair on my fingers; I’ve got hair on my neck.  
I’ve got on my toes, I’ve got hair on my chest.  
But the one place I want it, it keeps falling out.  
My hair’s falling out and I don’t know what to do.

I shaved my head until the top of my skull was shiny
And I know it’s counterintuitive but I’m no longer bald and whiny.
When you’re young, you assume that you’ll always have hair
And then when you start to lose it, you think it’s not fair
Sampson in the bible when he lost his hair, he became so weak
But that guy on the bottle of mister clean is definitely no geek

I’ve got hair on my fingers; I’ve got hair on my neck.  
I’ve got hair on my toes; I’ve got hair on my chest.  
But where it’s missing on the top of my head, I no longer care one bit.
Because now when it comes to baldness, I don’t give a shit

My Hair's Falling Out

Schalter Off

Recording sessions from 18/10/2024 - 15/12/2024.

***  Nothing to do with a very famous brand!
AUDI in Latin means "listening" and the R "recording"

presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork : Pier WILL
- Acknowledgements : Ableton-AKG-Arturia-Audacity-Cantabile-Focusrite
  Korg-M-Audio-MSI-Sony-SoundCloud-Teac-Techniks-Yamaha.
________________________________________________________________________

AUDI-R_218

I'll cut through the nonsense and offer a 3-minute song, canonical pop, based on an ancient formula from the birth of the genre. I'm deluding myself that it's in the vein of, say, Nick Lowe. I hope so.

In the Subway, you, in the Highway, I

This song is about the space between performer and audience. And about the spaces between all of us.

-----------------------------

Here I am on the stage tonight
Trying to make them laugh
Like a priest in the darkness 
Trying to keep my faith

Oh, help me, Jesus
The faraway eyes

Words that fail to reach
As thin as the air
Faith is not thunder
I wonder if they care

I’m standing on the edge tonight
Staring into the void
Waiting for the whisper 
To find me as I stand

Oh, help me, Jesus
Will one heart be moved?

Outside, the wind rattles 
The glass in its frame
It beats me every time I
Try to play the game
I try to play the game

The dust floats through the spotlight
And settles on red velvet
I tried to write the perfect line
One you will adore
You’ll cry for more
Or have you heard this one before?

I shape my words into 
Little wooden boats
I push them out to sea
They sink without a trace

Oh, help me, Jesus
The bodies in the chairs

They put their hands together
To signify my worth
Or is it just the sound of rain
Against the hollow earth?

Or is it just the sound of rain
Against the hollow earth?

On The Stage

Play the full Playlist soundcloud.com/chilloutify/sets/classic-hard-rock-high-energy-playlist

Venom Crown

Is that you John Wayne?  Is this me?


Members:

Gremescer Fuckburger: Vocals, lyrics, guitar, bass, sitar, synths, keyboards, Saxophone, Drums, Didgeridoo

Mick Mack: Drums, vocals

Dark Slide of the Moon - Live

Ultrasonic Pest Repellent