Just. Magnificent.  From start to finish.

Beautiful bass line, sitar and vocals. Excellent groovy composition and superb arrangements, the reversed effects are superbly integrated, this is top notch.

Awesome as always. I love your voice. Instruments and production are precisely brilliant!

So easy to love this. You rock that psychedelic vibe so well.

Right dead center of your wheel house Kyle. Psychedelic Sitar!! Awesome work on this one!!

Freaking awesome !! Straight out of the 60s haha, love it

The first song I learned to play on the melodica as a kid.

Καλήν εσπέραν άρχοντες, αν είναι ορισμός σας, Χριστού την Θείαν γέννησιν, να πω στ' αρχοντικό σας.
Χριστός γεννάται σήμερον, εν Βηθλεέμ τη πόλη, οι ουρανοί αγάλλονται, χαίρει η φύσις όλη.
Εν τω σπηλαίω τίκτεται, εν φάτνη των αλόγων, ο βασιλεύς των ουρανών, και ποιητής των όλων.

Good morning, good people, and if you so desire, can tell you of Jesus’ Holy birth.
Christ is born this day in Bethlehem and the heavens and whole earth rejoice.
In a manger in a stable is born the King of the universe and Creator of the world.
And the multitude of the Heavenly Host is praising God and singing “Glory to God in the highest…”

video >>> https://youtu.be/IcV2rmpNaHQ

© All rights reserved

Greek Christmas Carols - Κάλαντα Χριστουγέννων

Instruments played:  Sitar, Guitar, Bass, Drums

Lyrics:

Everything under the sun and the moon
The emperor will be there soon
His greatness will bless the land
All the people hand in hand

His presence filled with gloom and grace, 
Sadness etched within his face
Magnificent and Splendorous
Generous and Dangerous

Emperor's Greatness

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

La Fille Aux Cheveux De Lin

THE BOY - NOISE MAN
EVERYTHING BY THE BOY
OUT NOW ON EVERYWHERE!!!
LINK IN BIO!!!
SPREAD THE WORD!!!

NOISE MAN

2024/09/30
Title/HananaraGuitar by Tomoki(Tot.prod)
Vocals, song and lyric/Khan
Guitar /Tomoki
mix/Tot
This song  is blessed. 
It has many version.
This is an amazing guitar version, mixed by Tot.
Have fun!
Album https://linkco.re/ATghzUV4
Tot url
https://soundcloud.com/tot-beat

lyric
Hananaraii

夏の夜を彷徨う
雨が上がり
空が冷え恋は覚めるよ
花ならいい
何かが欲しいわけじゃない
わかってるから
誰も知りたくない
The last part of story
We don’t want to know 
The last part of story
誰も君の道について
答えられないだろう
No one know your way
誰も君の道について
知らないだろう
No one know your way
誰も君の道について
答えられないだろう
No one know your way
No one know your way 
No one know your way
No one know your way
No one know your way 
No one know your way

I Wandering summer night,
Rain ceases to fall,
falling out of love
Flowers so good(=hananaraii)
We don’t want to know 
The last part of story
No one know your way 
No one know your way

HananaraGuitar by Tomoki(Tot.prod)

Recording sessions from 20/03/2024 - 14/04/2024.

presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
❤️🕊️🙏

202-3

202 - 3 - ❤️🕊️🙏

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en marchant dans la charrière profonde

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You do not recognize any of the bodies in the water


Members:

Gremescer Fuckburger: Vocals, lyrics, guitar, bass, sitar, synths, keyboards, Saxophone, Drums, Didgeridoo

Mick Mack: Drums, vocals

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