Damn playing the guitar like mohterf__king riot!!🤘🖤🙏

I bet this sounds equally cool at the original pitch too!

Top notch playing man. Cool way of presenting it too. I'm looking at my 414Mk 2 right now. I still have around 50 tapes to digitise. Such an epic era. It was so hard to change speed and follow so I usually avoided it back then. There's something about limiting your tools that can sometimes actually enhance your creativity. Great stuff man

Man you let the strings sing and howl... awesome Performance of great music...wow

Energetic and cool guitar playing ⚡🎶

Analog sound is so beautiful! I didn’t live through the analog era, but I really appreciate it!! Well done!!  [V]🙋🏻‍♀️🎸

Spring 2025

Light 
an expérimental vocal track idea I created with acoustic guitar raw strumming and plucking 
Moe Howard and Neil Tam are two brilliant musicians, producer and engineers that made my idea come to life.

Moe Howard - Piano Production
Neil Tam - Electronic Background Effects Mix and Master
Ana Ros- Vocals Guitar Electronic Viola, Cello and French Horn

LIGHT - ft. Moe Howard + Neil Tam

Emma McWalter @emmam-7 - Shiny Seaside Backing Vocals
Rick Medlock @rick-4-1 - Salty Drums and Percussion programming 
Phil McWalter @phil-mcwalter - The Other Arcade Stuff

French Fries

I’m standing on the seafront
Holding a cold metal rail
The sea is performing an acrobatic stunt
And rusting my chain mail

I could wipe my eyes
But I’m in disguise
Looking out for spies

The seagulls shine in lung darkness
Above me and below me
They’re pulling something dead apart down on the stones
That’s been dead for a while already

I don’t want no surprise
Just harmonise with
My unshared french fries

You can get a little closer to you
When you’re by yourself
You can get a little closer
If you stood in a book and looked out

I’m running flat out through the arcade
Throwing coins up into the lights
The traveller king spins around
"Kiss-me-quickly" hat on
But he doesn’t see my surprise

Now don’t act all wise
Like you know the franchise
You don’t like the cries
From the rooms where blood dries
You don’t like the cries
From the rooms where blood dries

Things that you said were taken for granted
But I realised they never were
All the bad things happen miles away
So what were you doing ‘round here
Things that you said were taken for granted
But I realised they never were
All the bad things happen miles away
So what were you doing ‘round here,
Today?

© Oct 2019 Phil McWalter

French Fries

Fading away
Our town
It’s just fading away
Our town

Running from this April day
Brush in tow to paint the gray
Going dark with nothing to say, hmm
On the flat side of the night
I see darkness you see light
This homegirl is taking flight

Fading away
Our town
It’s just fading away
Our town

Your old plaid suitcase in hand
No destination no plan
It’s not hard to understand, hmm
Can’t give in fall hard and grieve
I’ll rollup my denim sleeves
Give you the miles that you need

Fading away
Our town
It’s just fading away
Our town

Homegirl fading away
Our town
It’s just fading away
Our town

Fading away
Our town
It’s just fading away
Our town

Homegirl fading away
Our town
It’s just fading away

HOMEGIRL (with Joliz)

Vision of a timeless space

Cover picture: Albert Bierstadt, "Emigrants Crossing the Plains" (1869): an oil on canvas painting of emigrants on their way to Oregon, inspired by a fifty-wagon train of German emigrants who crossed Bierstadt's path during his 1863 expedition.

Although it is very difficult to estimate the total number of European emigrants, it is thought that from the beginning of the 19th century to the middle of the 20th century, around 30 million people left Europe for the United States.

I reworked in the last days on this not particularly original piece, whose first draft is from 2018.
Femal vocals courtesy by La Boutique Studios Dakar; harmonica by Dust Bowl - Vintage Country.
Composed by Michele Ansani (2018-2025).
Posted on SoundCloud: 2025, March 26

Their American dream *

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Youtube

Invader

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpany, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. 
  At that point, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done with it, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin that looks like a Telecaster guitar. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. Mark did help with the production, though, as he's very good with editing and spotting mistakes that need to be corrected.
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Country Ham (Eclectic Collective)

Mental Health Day$

Repetition In The Brain

CAN’T YOU SEE
Vocals: Melissa (Ghosthack) Can’t you see
Brandon (Ghosthack) I don’t wanna go
https://www.ghosthack.de
Lillithe: Arrangement and Production
Paploviante: Remastering


Can't you see

You can watch a video clip of this music here: https://www.youtube.com/live/iIewllTLxm0
The story of cheerful driver Mauricio Babilonia and about his great love for Meme Buendia. About how a shotgun blast forever confined him to a hospital bed. About how Meme was forcibly taken overseas, to a distant mountain monastery, in whose damp and cold walls she was ordered to forget forever the bright image of her beloved - Mauricio Babilonia, a smiling guy, permanently surrounded by a cloud of fluttering yellow butterflies...

«Mauricio Babilonia» Op.16-06. (2014)

This track was recorded on a Tascam 424 MKIII 4 track tape machine.  The guitar and drums were recorded together at once, and the bass track was added after.  The track was sped up using the pitch control dial on the analog equipment.  Mick Mack on Drums, Gremescer Fuckburger on Guitar and Bass.

Fred Leppelin

Made in March 2025

Video; https://youtu.be/s1t2OJ5rlHg

Deep Space

curieux l'évolution de ce morceau : d'abord une simple mélodie aux pianos électriques et à la flute, puis un climat très différent avec les voix et la batterie  ( pour agiter un peu la mélancolie, mais qui reste malgré moi bien collée au fond : on ne se refait pas!)

conversations en bord de nuit

Lyrics to follow

One note... A buddy just said to me man we are just vessels for songs and if the song wants life it picks one of us. I had never given it too much thought, but this song feels that way at the moment 

I might finally find a straight jacket with this rabbit hole... Music has consciousness Hmmmm... Or better imagined... Could it actually have some pre existing universal intent of some kind which we merely channel...

Plenty of my songs seem alien to me right after I make them as if they came from somewhere else. I know that sounds crazy but I do note the feeling when it's there and move on

May Apples Read You

P-Joyful Night Abyss

* Personal Music projects:

     - Gonzo J. Francès: Alternative songs

     - Morosgovanyi: Experiments with noise and FX

     - DJ Everfree: dj sessions in different genres


* Other bands or parallel projects in link section

Thanks for stopping by. Listenings & comments are very appreciate it.

Contact: gonzojfrances@gmail.com

Salut i soroll!

Fred Leppelin

Ultrasonic Pest Repellent

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