Studio Kate

the good!

KATALAKSIJA

Take Away 35

"SUPERMARKET" OUT JUNE 2014.
PRE ORDER: 
USA-> http://bit.ly/1myWDuL 
UK-> http://bit.ly/1oF3MdH 
GER -> http://bit.ly/SDWgV4
FIN-> http://bit.ly/1kbO8Bo

AEIOUYAÄÖ

Watch this recording here: http://boilerroom.tv/recording/nils-frahm/

Nils Frahm Boiler Room x Dimensions Opening Concert Live Set

Lyrics:

somehow i am here now 
what do i do 
but who am i  
someone who made it to now 
hit me like a ton of bricks 
as they say 
you are only here now 
what do you do 

whatever whatever 
whatever whatever 
whatever whatever  

moment swallows moment 
goodbye, goodbye 
so why should i hold on 
to future and past 
ground and ceiling vanish 
but i can fly 
if i face the truth 
and be only now 

run or remain 
only one way 
forward onward 
moving doing 

no matter no matter 
the matter the matter  
no matter no matter  
the matter the matter 
whatever the weather 
lighter than a feather 
no matter the matter 
whatever whatever

Whatever Whatever (ft. Aya Toyoshima)

From Late Night Tales, for Record Store Day 2015. 

http://recordstoreday.co.uk/

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Buy vinyl

Jon Hopkins - I Remember (Nils Frahm Dub Interrupt Remix)

Manchester based newcomer Contours (@tom-burford) makes lieu to Peckham for a release on @bradleyzero's Rhythm Section International imprint.

Read more on Dummy: http://www.dummymag.com/new-music/premiere-contours-technician

Premiere: Contours - Technician

Track 5 from the beatless album 'This is soon too late' (2016).
Out now. Mastered by A.P.

FDL#05
www.federleicht.be

Herbstlaub - For When You Need Me

Kaitlyn Aurelia Smith & Suzanne Ciani - Closed Circuit

Learn more at RVNG: http://smarturl.it/frkwys13-rvng
Add to your collection at Bandcamp: http://smarturl.it/frkwys13-bcamp
Download + stream everywhere else here: http://smarturl.it/frkwys13-digital

From FRKWYS Vol. 13: Sunergy. Out everywhere September 16, 2016.

℗ and © 2016 RVNG Intl. / www.igetrvng.com

FRKWYS Vol. 13 - Sunergy

Closed Circuit

Kaitlyn Aurelia Smith & Suzanne Ciani - Closed Circuit

BPLS002 - VA
Out on Banoffee Pies Records 

Contours & Yadava - Pistachios

Andrea Belfi live at Radialsystem on 16 April, 2016.

Enoy this great souvenir of Andrea Belfi's visit to the UM:LAUT stage. Back in April 2016 he opened two sold-out evenings with a solo show before supporting Nils Frahm and his Nonkeen band for their release tour kick-off at Radialsystem V. 

Special thanks to Andrea for the great performances, and for mixing and mastering this tune. And cheers to Carlo Grippa for the amazing sound and the recordings.
 
Recorded at Radialsystem, Berlin.
Published with permission of the artist.
Photo: Markus Werner

If you like what you hear, support the artist!
www.andreabelfi.com

Visit UM:LAUT on Facebook: www.facebook.com/umlautberlin

Andrea Belfi @ UM:LAUT - Live Snippet

This my version of Fovea Hex's piece "All Those Signs" released on 21 June 2017. I was particularly inspired by the original song and was very pleased to contribute to this release.

This remix is contained on the Bonus Cd only which can be found here:
http://janetrecords.com/2017/buy.html

Their original version can be listened here:
https://www.youtube.com/watch?v=kA0dEukZyfQ

The Salt Garden II

FOVEA HEX - We Dream All The Dark Away (Abul Mogard Remix)

Rafael Anton Irisarri from "The Shameless Years"
Available in LP & Digital
www.umor-rex.org © 2017 Umor Rex Records

Post-minimalist American composer Rafael Anton Irisarri makes his Umor Rex debut with bold new album, The Shameless Years. Inspired by a troubled socio-political climate, buried melodies punch their way through a bleak cover of noisy drones, periodically veering into some of Irisarri’s most eerily pertinent music to date.

One of Rafael Anton Irisarri’s most thematically and sonically cohesive records to date The Shameless Years came together in a relatively short burst of creativity starting at the end of 2016. Rediscovering some relatively older tools - namely Native Instruments’ Reaktor, Absynth, and Kontakt software - Irisarri combined them with his collection of guitars, pedals, amps, and analogue processing gear, turning his Black Knoll Studio north of NYC into a powerful writing tool. Completed quickly by Irisarri’s standards, let alone during a period of social upheaval in American society, the record faces down several key personal themes. The title, suggests Irisarri, could in fact be seen as a reflection of the era of shamelessness we’re currently living in; a time of fake news and alternative facts.

Two tracks were completely remotely between Irisarri in New York and Umor Rex veteran Siavash Amini from his home in Tehran, Iran. This music came together at the peak of all the anti-Muslim and anti-immigrant rhetoric happening in the USA, not to mention the banning of Iranians from entering the country, explains Irisarri. The diptych with Amini, ‘Karma Krama’ and ‘The Faithless’, seems bathed in additional waves of sorrow and dread. The wash of symphonic stormclouds of synth drones and processed notes on the latter gradually appears and disappears over the course of thirteen mournful minutes.

‘Rh Negative’ marches gigantic guitars through towering valleys of scarred ambient noise dealing with Irisarri’s own heritage, many of his ancestors having come to America to escape poverty and oppression. The refusal of modern America to extend similar sanctuary to refugees escaping turmoil weighs heavily on the composer. Elsewhere an emotional onslaught of notes buried in mounds of greyscale noise on ‘Sky Burial’ aims to deal with Irisarri’s very own mortality – something he was recently confronted with following health scares, an accident, and a near-death experience in 2016. Pushing 40 as this album was being made, the composer is constantly aware that he’s already outlived his own father, who died at the age of 32. Facing down both intolerance and the void, the epic soundscapes of The Shameless Years are a vast cry of emotion from Irisarri. The clock is ticking - gotta make the most out of it while you still can.

All songs written and performed by Rafael Anton Irisarri, except #5 & #6 written and performed with Siavash Amini. Design by Daniel Castrejón, photos by Camilo Christen. Mastered by James Plotkin.

The Shameless Years

Buy LP & DL

Rafael Anton Irisarri — RH Negative

Delakeyz - Walkingfree (Contours Remix)

The Obnoxious Roulette: Volume ii | August
Artwork by Avian DSouza

Presenting to you, every month, a journey through sounds handpicked, curated and, compiled by @iggythedj to captivate your mind, body and soul. Every edition is an exploration of a new genre picked at random from a multitude of genres. Incorporating a diverse spectrum of harmonies, melodies and grooves, this series is testament to the melange of experiences, the work, this phenomenal artist can create. A maven with an exceptional palette, skills unrivaled, and a vision remarkable, tune in for a journey that will leave you astounded and invigorated.

Volume ii | The Romantic Bastard
For this month's edition, the genre that has been generated is #CosmicDisco. Get your dancing shoes on and throw down some moves, and dance off to this groovy set!
This set showcases unique tracks from vinyl dug up from this unique artist's crates and features sublime melodies and intricate mixing by the one and only Romantic Bastard.
"Compiled and dedicated for the loved ones who are not in the jungle with me" - @iggythedj

Iggy - The Obnoxious Roulette - ii - Cosmic Disco

Bugge Wesseltoft & Christian Prommer live at Radialsystem on 08 August, 2017.

Two extraordinary live musicians with a shared passion for experimentation and club music: Back on 08 August 2017, we had the honour to welcome Norwegian pianist Bugge Wesseltoft, a pioneer of electronic jazz, and the renowned drummer and producer Christian Prommer for an exclusive live session on the stage of UM:LAUT. We are happy to share one track of this amazing concert at the mighty hall of Radialsystem.

Special thanks to Bugge and Christian for the great performance, shout-outs to Sven Fobbe for making it happen, and cheers to Jan Gieseke for the amazing sound and the recordings.

"Lac"
Written by Bugge Wesseltoft
Performed by Bugge Wesseltoft and Christian Prommer
Recorded at Radialsystem, Berlin
Published with permission of the artist.
Photo: Markus Werner

If you like what you hear, support the artists!
www.ohsotrue.de/wesseltoft-prommer

Visit UM:LAUT on Facebook: www.facebook.com/umlautberlin

Bugge Wesseltoft & Christian Prommer @ UM:LAUT - Lac (Live)

ESCATIC TO FINALLY SHARE THIS SONG WITH YOU°
THANKS FOR ALL YOUR SUPPORT ON THIS MUSICAL JOURNEY!

if you drive through my mind… 
all the images you will see
pretty pictures 
all the time 
killed these fantasies of mine
hope you don’t cry
hope you don’t cry
so rewind,
to the child
all the messages she received
scrambled into code
worms within her head.      
hope you u don’t cry
hope you don’t cry
-------
Check out the Drive EP .... THNX FOR ALL YOUR SUPPORT XXXX
lnk.to/DriveEP

Drive

from 'WHRRu' [CD|2LP|DIGITAL]
Denovali Records · den299
available on all formats at [http://denovali.com/nadiastruiwigh]

Denovali Records is pleased to welcome Nadia Struiwigh to the roster. Her new album is due for release in April 2018.


Nadia Struiwigh is an electronic music DJ & producer from Rotterdam, Netherlands.

Sitting somewhere between Biosphere and Board of Canada, Struiwigh’s refined downtempo electronica takes you on a journey full of synthesized soundscapes that flirt with ambient techno.

Awash with melody and warm electronics, Lenticular is an expertly crafted piece from an artist who has found her sound and is now effortlessly outputting inspiring compositions.

Reminiscent of Warp’s Artificial Intelligence series, this is electronic listening music for quiet nights and club drowsy dawns.

"... it works in slow, drawn out movements - the piercing grumble of drone stretching and throbbing over spaced out pads. With each track the percussive footsteps edge ever nearer and nearer... " WIRE

"a superb armchair techno record for the post-IDM generation" Resident Advisor

"a pair of mindbending dance sketches that blur the liens between industrial and something verging on techno" Boomkat

WHRRu

Nadia Struiwigh - Soundshag

Sun Berries

Berlin-based composer and vibraphonist Masayoshi Fujita will release his new album Book of Life, the third instalment in a trilogy of solo vibraphone recordings, on July 27. Stories, the first in the series and Masayoshi’s debut under his own name, will be re-issued by Erased Tapes at the same time.

Masayoshi continues his mission in bringing the vibraphone — a relatively new invention in the history of instruments often kept in the background in orchestras and jazz outfits — into the spotlight with his new album, Book Of Life. Having trained as a drummer, Masayoshi began experimenting with the vibraphone, preparing its bars with kitchen foil or beads, playing it with the cello bow, or using the other end of the mallets to create a more ambient texture of sound. Focussing on the vibraphone in this way sets Masayoshi apart, dedicating his artistic life to celebrating this fascinating and often under appreciated instrument and making his take on ambient and modern compositional styles a unique one.

 “I think the vibraphone is capable of more interesting and beautiful sounds that haven’t been heard before. It’s quite a new instrument but it’s often played in a similar way. I feel that there is a lot more to explore with this exciting instrument.” — Masayoshi Fujita

Masayoshi previously released two albums under his alias El Fog. He often collaborates with other artists, most frequently with the adventurous German producer Jan Jelinek whose revered album Schaum was released in 2015. The following year, Masayoshi released his experimental Needle Six piece, a BBC Radio 3 recording of an improvised session with UK electronic artist Guy Andrews for Late Junction. In addition, his label peer and fellow Berlin resident Nils Frahm mastered Stories, providing a fitting symmetry to its re-issue on Erased Tapes now.

Book Of Life

It's Magical

Buy LP/CD/DL

Masayoshi Fujita - It's Magical

lyrics...
Ingeborg Bachmann "Anrufung des großen Bärens"
Friederike Mayröcker "Was brauchst du?"
...
samples...
Sergei Prokofiev - Overture on Hebrew Themes, op. 34

Download

ein Baum

This mix is very special from a very special friend, huge love.

https://soundcloud.com/anderson_luca

BSS#04: Above The Clouds - Mr Anderson

Dexter Story’s follows up Wondem, his album as East African love letter, with the astonishing Bahir. The new LP dives even further into the Horn of Africa’s musical cultures. Ethio-jazz,Taureg blues, Somalian funk and more swirl through the album’s DNA. These deep traditions are synthesized into contemporary compositions that pay homage while propelling ever onward. Story merges continents by bringing together luminaries from his Los Angeles music community like Miguel Atwood-Ferguson, Sudan Archives, Josef Leimberg and album producer Carlos Niño alongside forward thinking African musicians. The album’s title tune, premiered by Frosty on his monthly Red Bull Radio show, features Addis Ababa-based Endeguena Mulu aka Ethiopian Records who encases it in a radiant, electronic shroud. Bahir comes out March 15th on on Soundway Records. You can pre-order it here: http://soundwayrecords.com/buy/bahir-0/.

@dexterstory
@wondem
@soundway-records
@freeform-frosty
http://redbullradio.com/shows/open-end-frosty
http://redbullmusicacademy.com

Dexter Story - Bahir (feat. Endeguena Mulu) [Open End Premiere]

from the album 'connected' available oct22.

oren ambarchi & robin fox 'standing mandala'

benoit pioulard 'margin'

UM:LAUT is a live platform for artists and labels availing themselves of various musical traditions, realising ambitious and unique projects regardless of genre boundaries. The series' focus lies on the experimental range between classical and electronic instrumentation, composition and improvisation, club and concert hall. Considering itself an open stage for cooperations between artists of different disciplines, UM:LAUT aims to present music in dialogue with other art forms – music giving impulses to film, video, photography, installation, dance and performance.