Rival Consoles reveals the latest single from his upcoming album Overflow, out December 3. Pre-order it here: https://idol.lnk.to/Overflow

I Like features the mapping of data from dancer Tia Hockey’s personal monologue, which controls the volume of the chords based on the activity of her voice — drawing attention to things happening behind the curtain, invisible systems, algorithms.

“With this piece, the dancers were recording lots of personal monologues about how they felt when using social media. Alex the choreographer suggested exploring the words ‘I like’ as it’s so abundant a term and action online. With a simple momentary recording of this I began crafting a piece, in which melancholic chords would gently be triggered by Tia’s voice, as well as manipulating the words ‘I like.. and they were like..’ with a very chaotic system. I wanted to create a mood that was a weird combination of contentedness, sadness and strangeness.“ — Ryan Lee West

Overflow

I Like

Rival Consoles - I Like

Nictitating Membrane (GC164) / Wing Rowing (K08)

Nictitating Membrane (GC164)

Hauschka’s second album for FatCat’s 130701 imprint offers a brilliant advance on 2007’s ‘Room To Expand’. Where the previous album comprised mostly solo recordings of Hauschka’s ‘prepared’ piano (with a few electronic and instrumental overdubs), ‘Ferndorf’ is a far more expansive and fully-realised album, with many of the tracks also featuring a string duo, enabling an increased solidity.

02 Morgenrot

For licensing, contact licensing(at)erasedtapesmusic(dot)com

More info: www.erasedtapesmusic.com

Dysnomia

Dawn of Midi – Nix

Taken from "Sacred Ground"
Album Out Now on @counter-records x @monkeytownrecords

Available from...
NINJASHOP:
SMARTURL.IT/HWSGNJ
MONKEYTOWN:
HYPERURL.CO/O1B2HE
ITUNES:
SMARTURL.IT/HWSGIT
SPOTIFY:
SPOTI.FI/1F4XHBY

X Machina

Short Line (Hauschka Remix)

Produced by Accent Noir for Accent Noir Music

Mixing and Mastering by Accent Noir

Mittens

Floex live at Radialsystem on 14 June, 2015 in the frame of Denovali Festival Berlin.

Special thanks to the artists for a great performance, to Carlo Grippa for the amazing sound and to Matouš Godík for mixing and mastering this tune.
Recorded at Radialsystem, Berlin.
Published with permission of the artist.
Photo: Markus Werner

If you like what you hear, support the artist!
www.floex.cz

Visit UM:LAUT on Facebook: www.facebook.com/umlautberlin

Floex @ UM:LAUT - Isemifopix (Live)

From the album 'Music For Falling From Trees' by Peter Broderick released in 2009 on Western Vinyl.  Available soon as a limited edition 180 gram 45 rpm vinyl EP.

Vinyl:http://westernvinyl.com/shop/wv62
iTunes: https://itunes.apple.com/us/album/music-for-falling-from-trees/id377393049

Artist Page: http://westernvinyl.com/artists/peter-broderick
Website: http://www.peterbroderick.net/


2009’s Music for Falling From Trees, a 30-minute piece in seven sections, was created for a contemporary dance by London-based choreographer Adrienne Hart at Neon Dance. Adrienne was looking for a score of piano and strings, so Peter left the guitar and his voice aside and focused entirely on those two timbres.

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. The music is sometimes melancholic, sometimes playful, sometimes chaotic, but with the combination of piano and strings, full of beauty, reverence and awe.

“In late 2008, Adrienne Hart contacted me about scoring her new work, Falling From Trees. In Adrienne's words, ‘the piece is set in a psychiatric hospital and centered around one man's struggle to retain his identity in the most extreme of circumstances.’ There are four dancers in the piece. One male playing the patient, and three female hospital workers.

I had been making music for a variety of film projects, but the thought of scoring a dance was very exciting to me. I was on tour at the time, so I wasn't able to start writing the music until I had a break in early January. The dance premiered on January 21st, so I had about three weeks to create the score. I camped out up in the top of my father's barn with some minimal recording equipment, my violin and viola, and an old broken piano.

Given the time constraints, I approached the music in a very open way. Rather than sit down and try to compose something, I just set up a microphone and started playing. After coming up with a couple of themes on the piano, I started recording, using those small themes and improvising around them. Most of the sections have a small core that is composed, and then the rest is improvised. Luckily for me this method seemed to work. I would work all day and then send a sketch over to Adrienne, and every time her response was positive. So in this way we worked very well together. I give my hugest thanks to Adrienne for trusting me to create the music for her wonderful work.

Adrienne told me from the beginning she was looking for a score of piano and strings. So I decided to take this literally and make a rule not to use any other instruments. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails. The sound of an electric shock given to the patient is depicted by a quick, distorted piano chord. And all other droning and bass tones were made by extending and processing violin and/or piano tones, etc. Thank you very much for listening.” – Peter Broderick, March 2009

Peter Broderick - "The Dream"

More info: https://www.xlr8r.com/news/2016/05/premiere-hear-a-new-track-from-johann-johannsson/

@johannjohannsson

More info

Premiere: Johann Johannsson - They Being Dead Yet Speaketh (Live)

For more info visit: http://www.electronicgroove.com/premieres/in-is-opus-einn-tom-adams-remix-nw1-records 

https://soundcloud.com/in-is 

https://soundcloud.com/aswefallintostatic

Album SEVEN DAYS by IN-IS coming out 28/10/16 via NW1 Records

iTunes buy OPUS EINN - Tom Adams Remix
https://itunes.apple.com/gb/album/opus-einn-tom-adams-remix/id1164495718

iTunes preorder album SEVEN DAYS by IN-IS
https://itunes.apple.com/gb/album/seven-days/id1162651102

Seven Days

Premiere: IN-IS - Opus Einn (Tom Adams Remix)(NW1 Records)

You can PRE-ORDER this release on Ltd. Vinyl or Digital Download via Erased Tapes:
http://erasedtapes.com/store/index/ERATP039

And the CD edition from our Japanese friends at Cote Labo:
http://www.cotelabo.com/discography.html



Nils Oliver Frahm + Peter Ray Broderick = Oliveray.

Being musical companions and label mates for years, it was just a matter of time until modern contemporaries Peter Broderick and Nils Frahm would start their first standalone project together.

Oliveray was born in their shared home city of Berlin and will see its debut release Wonders – a nice little collection of eight musical pieces – available on Vinyl/Digital via Erased Tapes and on CD via Japanese friends Cote Labo from December 12th, 2011.


Say hello to Oliveray!
Blog post by Peter Broderick:

I am super excited to announce the debut release from a project very dear to me!
Oliveray consists of me, Peter Ray Broderick, and one of my greatest friends in the world, the incredible musician / producer Nils Oliver Frahm. We’ve been collaborating in many ways these past couple years and traveling a lot together. Now finally we have arrived with our first truly 50/50 collaboration effort entitled Wonders.
It all started when I was asked to create a cover version for my great friends Efterklang. I asked Nils if he’d like to work with me on the project. So one day we got together in his studio and ran through the song (Harmonics) a couple times and then laid it down to tape in the most relaxed way possible – me playing the guitar and singing and him on the piano… We were both really happy and inspired with how easy and fun this process was. We thought you could hear and feel that relaxed atmosphere in the song.
So when our Japanese friends Cote Labo asked us to prepare some kind of release for our Japan tour, me and Nils set aside a couple days to record some music in a similar manner. Without much preconception we just set up the mics and started recording, with an aim to create a short album of half instrumentals, half vocal-based songs. We ran through a few fresh musical ideas that each of us had, improvising along with each other, sometimes just improvising entirely. And before we new it we had a nice little collection of eight intimate pieces of music.
The first official output of what will hopefully be a lifelong collaboration, Wonders feels really special to me. Here comes Oliveray!


TRACK LISTING: 01. Growing Waterwings 02. The Book She Wrote And In The Time 03. Piano In The Pond! 04. Harmonics 05. Hiding Hydiration 06. You Don't Love 07. Just Resign 08. Dreamer


OFFICIAL WEBSITES:   
      
PETERBRODERICK.NET
NILSFRAHM.DE
ERASEDTAPES.COM     

Wonders

Oliveray - Harmonics

UM:LAUT is a live platform for artists and labels availing themselves of various musical traditions, realising ambitious and unique projects regardless of genre boundaries. The series' focus lies on the experimental range between classical and electronic instrumentation, composition and improvisation, club and concert hall. Considering itself an open stage for cooperations between artists of different disciplines, UM:LAUT aims to present music in dialogue with other art forms – music giving impulses to film, video, photography, installation, dance and performance.