slow

睡眠專用

thank you very much for the provided material: #Last Days #Moon Ate the Dark #Roberto Attanasio #Artur Matveenko #Carlos Cipa #Alex Kozobolis #Federico Albanese #The Eye of Time #Ulises Conti #Kreng #Frank & Elisa #Olafur Arnalds #Fabrizio Paterlini #Otto A Totland  #Sylvain Chauveau #Nils Frahm & Anne Müller / mixed by #fi2u/

017 #fi2u # PianoRoom ll # 24.11.2014

otros

khosham miad

Satellite is the 4th album from Graham Richardson's Last Days. Richardson who is now well known for his cinematic electro-acoustic pieces that effortlessly invoke an almost inconceivably tangible imagery has this time around turned ever inward for Satellite's core inspiration. While Richardson credits the album with certain personal themes in tow he's more apt to let the listener gather their own meaning of the album's affinity of satellite and stars. The song New Transmission features vocals by Beth Arzy (Aberdeen, Trembling Blue Stars) and could very well sum up the album's apex while delivering the most pop affected Last Days song to date. Satellite is out Sept 17th on n5MD

Last Days - Fidra

Fans of the Berlin based Nils Frahm are by now familiar with his beguiling live shows where more often than not fellow touring artists are encouraged to join Frahm on stage – the likes of Rachel Grimes, Rob Lowe of Balmorhea as well as label colleagues Peter Broderick and Ólafur Arnalds have all obliged with fascinating results. It will come as no surprise then that Nils Frahm, an accomplished composer and producer who signed to Erased Tapes in 2009, has extended his collaborative live musings to encompass the recording studio, working for the first time with noted cellist and fellow Berliner Anne Müller to produce 7fingers. 

With their first collective release Frahm and Müller have built a world where modern classical and electronica collide creating an ‘intoxicating and delicious’ collection of songs. Primarily a pianist Nils Frahm provides evidence with 7fingers that he can effortlessly turn electric throwing in loops, samples and glitches to accompany and showcase Müller on cello. Anne Müller, a renowned musician noted for her work with the Wolf-Ferrari-Ensemble, Phillip Boa and recent tours with Agnes Obel, proves an amp musical partner for Frahm. 

As the recognition continues to grow for Nils Frahm’s previous solo piano works Wintermusik and The Bells, 2011 sees a new side to this young talent as he embarks on a detour into strings, symphonies and glitch beats alongside the estimable Anne Müller.



PRESS:

‘The combined talents of wunderkind pianist Frahm and Anne Müller here produce a subtle, seductive chamber music sporadically interleaved with electronic glitches’ **** – Mojo

'Ludwig Van draped in velveteen electronic violence. A record of fractured beauty. A worthwhile venture' (7/10) - Drowned In Sound

‎'Imaginative and surprising collaboration. It teases out goose-bumps in way that alone gives rise to a hope this won’t be the last time we see the two working together' – BBC Music

‘An album that sees headphone electronica, modern classical, and soundtrack music all converge to beautiful, intelligent, often terrifying effect’ Track Of The Day – The Line Of Best Fit

‘One of the most emotionally-evoking neoclassic records of the year’  8/10 – The Silent Ballet

‘7 Fingers is an absolute necessity and will surely stand as one of the better releases of the year’ –  Fluid Radio

‘I can’t recommend it more… Intoxicating and delicious’ – Headphone Commute


Erased Tapes Collection III

Nils Frahm & Anne Müller – 7fingers

K&F Thema

K&F Thema (pizzicato)

شاید باید دوتا دست بسازه برام، موهاشو نوازش کنم
شاید باید دو تا پا بسازه برام مثل سایه دنبالش کنم
شاید باید با دکمه ی پیرهنش برام چشم بسازه نگاهش کنم
شاید باید دو تا لب بدوزه برام اینارو ازش خواهش کنم

عروسک ساز من بیار سوزنت رو
بذار جای چشمام دکمه های پیرهنت رو
می خوام بوی دستات بره تو وجودم، تار و پودم
بیار پارچه هات رو لباسی تنم کن
یه فکری برای موهای سرم کن
عروسک ساز من کاش همیشه کنار تو بودم

شاید باید دوتا دست بسازه برام، موهاشو نوازش کنم
شاید باید دو تا پا بسازه برام مثل سایه دنبالش کنم
شاید باید با دکمه ی پیرهنش برام چشم بسازه نگاهش کنم
شاید باید دو تا لب بدوزه برام اینارو ازش خواهش کنم

عروسک ساز من بیار سوزنت رو
بذار جای چشمام دکمه های پیرهنت رو
می خوام بوی دستات بره تو وجودم، تار و پودم
اگرچه تن من همش پوش و کاهه
عروسک دروغ نیست نه این اشتباهه
نگاه کن عروسک تو آغوش تو جون پناهه

شاید باید دوتا دست بسازه برام، موهاشو نوازش کنم
شاید باید دو تا پا بسازه برام مثل سایه دنبالش کنم
شاید باید با دکمه ی پیرهنش برام چشم بسازه نگاهش کنم
شاید باید دو تا لب بدوزه برام اینارو ازش خواهش کنم

مثل سایه دنبالش کنم
اینارو ازش خواهش کنم
برام چشم بسازه نگاهش کنم
اینارو ازش خواهش کنم
مثل سایه دنبالش کنم
اینارو...

Kaveh Salehi - Arousaksaz

Nils Frahm & Anne Muller -Long Enough

Music by Raam. Vox Shaadi Yousefian. Lyrics Ardalan Payvar. Mixed/Recorded by Mike Schlosser. Mastered by Ali Kamali. www.kingraam.com

-------------------------

روز و شب به یادتم عزیزم به تو بند نفسم

بگو به من چی‌ میگذره تو دلت که بگیره آروم دلم

احساس من به تو لطیف مثل حباب، نمی‌خوام بیارم به زبون بترکه بره به بعد

عمق این عشق من به تو هست قدر دریا، دل من به تو بند مثل جون ماهی‌ به آب

بی‌ تاب این دل‌ من نمیدونم که بمونم یا برم

ای کاش می‌‌شد باور کنم، عشقتو، که بمونه اینجا دلم

من بلند و فاش میگم عزیزم دلم مال تو است تا آخر عمر می‌‌مونیم پیش هم

روز و شب میگذره با فکر اون چشمها، می‌‌درخشن تو سرم مثل ستاره تو آسمونا

قلب من گرم می‌شه با نور عشق تو مثل آفتاب که می‌‌تاب رو موج دریا

بلند و فاش اینو میگم ، به تو بند نفسم

بلند و فاش اینو میگم ، به تو بند نفسم

تا روزی که من زنده هستم، می‌‌تپه قلبم

برات

به تو بند نفسم

به تو بند نفسم

به تو بند نفسم

به تو بند نفسم



The Last Waltz feat. Eendo - آخرین والتز

La Séparation / Follow her

taken from the album 'Los Griegos creían que las estrellas eran pequeños agujeros por donde los dioses escuchaban a los hombres'

http://www.flau.jp/releases/41.html

Ulises Conti - G

from 'Acoustic' [CD|LP|DIGITAL]
Denovali Records · den202
available on all formats at [http://denovali.com/theeyeoftime]

THE EYE OF TIME is the Solo-Project of French musician Marc Euvrie. Euvrie’s musical development is deeply connected with the French DIY punk and hardcore scene, though he has been classically trained as well. He used to play in several bands before he began to translate his personal reflection of our complex world into music, which initiated The Eye of Time. A self titled debut record, released in Spring 2012, evolved firstly.

For his debut Marc Euvrie’s critical writing exposed a dark look on the present, past and future: Linked to machines and samples, revealing an unnatural direction of the human being’s existence. His upcoming release ACOUSTIC is a consequent change of focus. Looking for the motor, the personal needs to survive, he found himself experimenting with only Cello and Piano. Apparently these classical instruments turned out to be a relevant strong signal to go back to the roots with something more natural and simple to start from. Though both records seem to go in opposite directions in terms of sound and concept, a strong underlying layer stays inevitable: The Eye of Time’s compositions imply a call to fight for the things we love.

ACOUSTIC might be understood as a counterbalance to The Eye of Time’s debut. Where the previous record disclosed the coldness of our time, destructing everything that is meant to be our deep nature and presenting the despair of our situation, Acoustic embarks on a little glimpse of hope: Finding some strength to keep fighting for the nature of things and their vital qualities. Marc Euvrie composed six songs for six different locations and points in time, reaching way back to ancient centuries as well as taking a glance into our near future of a yet unknown place. A very personal travel through time and space, between the beauty of nature (Cisjordania, Norway) and the need of hope, which allows humans to dream (Spain, Poland). Marc Euvries own feelings and thoughts about his life evoke mostly in the last two tracks, where he found a form to intensify what keeps him alive.

Acoustic

Preorder / Buy

The Eye of Time - Treblinka, Poland, 2 August 1943

GAMAANEH(Assumption)
Soheil Peyghambari: Composer, clarinet
Pouria Shivafard: Ney
Zakaria Yousefi: Percussions

Elegy for time, Soheil Peyghambari | مرثیه برای زمان، سهیل پیغمبری

https://open.spotify.com/album/7HRySZGFrRZzm6g0IXnus9?si=xoXppFU6QpGkY9IBSY6l1g

The Memory of the Landscape, Rasool Poursangari| خاطره‌ی منظره، رسول پورسنگری

Young Alaska [digitally and on 12"+ 7" Vinyl]

Digital: j.mp/1pfzbS3
7"+12" Vinyl: j.mp/youngalaskavinyl

http://the-ki-store.goodsie.com/christian-löffler-young-alaska
www.kompakt.fm/releases/young_alaska_lp_7
www.hhv.de/shop/en/item/christ…young-alaska-363503

Mt. Grace

Nils Frahm & Anne Müller live at Radialsystem on 14 December, 2013. In the frame of "The Intention", a multimedia production conceived by the innovative London based performance collective Neon Dance.  

Special thanks to Carlo Grippa and Terence Goodchild for the amazing sound.
Recorded at Radialsystem, Berlin.
Published with permission of the artists.

If you like what you hear, support the artists!
www.neondance.org
www.nilsfrahm.de

Visit UM:LAUT on Facebook and spread the word: 
www.facebook.com/umlautberlin
www.umlautlive.de

Nils Frahm & Anne Müller - The Intention @ UM:LAUT - Live Snippet 1

This is a few years old,from "the ep that never was".It will probably just be around for a little while then off again.

My shadow is on the Moon

A new Sonmi451 album called "The Limbic System", released on Time Released Sound. You can listen to an eight minute compilation, featuring all the songs on the new album. More info on http://sonmi451.bandcamp.com Enjoy ! Drop me a line if you like it.

The Limbic System

A Stream With Bright Fish

Haru Spring

7fingers

Teeth

Buy LP/CD/DL

Nils Frahm & Anne Müller - Teeth

LNT: http://po.st/olafurLNT  
iTunes: http://geni.us/LNTolafurarnalds
Bandcamp: http://po.st/olafurBC 

Standing at the intersection where techno meets classical music, Ólafur Arnalds directs the new Late Night Tales.

“When I was asked to do the next installation of the Late Night Tales series I thought "This will be fun and easy, only a couple of days work. No problem!". Six months later, I was still pulling my hair out in some kind of quest to make the perfect mix. As someone who has never really done mixes before, I learned a lot of things along the way and the whole experience was very inspiring. I decided to approach the mix in a similar way as I would one of my scores. This is the soundtrack of my life. I included songs from many of my friends and collaborators and tried to deliver a mix that represents who I am as an artist and where my influences are coming from - both personally and musically.” - Ólafur Arnalds, March 2016

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Ólafur Arnalds - Kinesthesia I

گیله مردان و گیله زنان در فیسبوک:
http://www.facebook.com/Gilemard.Gilezan

منتخب سه آهنگ شاد گیلکی | با صدای شاهرخ جفرودی

پیمان یزدانیان - بیگانگان

بیگانگان

ÓLAFUR ARNALDS & NILS FRAHM - a2 (Max Cooper Remix) 

DOWNLOAD it exclusively from XLR8R: http://www.xlr8r.com/mp3/2012/04/stare-max-cooper-remix

ORDER the Ltd. Edition 10" Vinyl/Download from our store and receive the remix with it:
http://www.erasedtapes.com/store/index/ERATP042

'A starry-eyed house experience that fits seamlessly into a soulful, deep-felt dancefloor dynamic. Swells of low end surge into a crisp, percussive breakdown that never seems to shift too abruptly, leaving Arnalds' & Frahm's original melody work to come humming through the compressed kick in a blissful wave of moonlit elegance' – XLR8R

'A hazy slow-builder that sits nicely equidistant between Arnalds’ solo work and his excellent Kiasmos project' – The Line Of Best Fit

Erased Tapes label mates Ólafur Arnalds and Nils Frahm record and mix their first collaborative record between Reyjkjavík and Berlin as a surprise release for label founder Robert Raths.

The ambient/electronic work ‘Stare’ is a true family effort from Ólafur Arnalds and Nils Frahm with Anne Müller joining in on cello and all graphics by close label-friend and now in-house designer Torsten Posselt of Feld Studios.

This release will be strictly limited and exclusively available on Record Store Day 2012, April 21st. Coinciding with the 5th Anniversary of Erased Tapes, it’s also available from the official Erased Tapes online store and sure to become a must-have for fans of the label and these two artists.

LABEL: ERASED TAPES RECORDS    UK RELEASE DATE: APRIL 21, 2012
CAT.NO: ERATP042 EP/DL   EAN: 4050486068137

TRACK LISTING:  1. a1  2. a2  3. b1  4. a2 (Max Cooper Remix)* digital bonus track

OFFICIAL WEBSITES:   OLAFURARNALDS.COM   DURTONSTUDIO.COM   ERASEDTAPES.COM 

Stare

a2 (Max Cooper Remix)

Ólafur Arnalds & Nils Frahm - a2 (Max Cooper Remix)

Mtk175-sonmi451-02-inner-structure

Be Khod Ai

ALEX KOZOBOLIS + LEE CHAPMAN - FROM NOVEMBER // TO MARCH   

(CASSETTE TAPE SPLIT)

Side A: Alex Kozobolis - From November

(Despite The Cold / Through The Leaves / The Light Will Warm Us Again)

Side B: Lee Chapman - To March [remix]

(Despite The Cold / Through The Leaves / The Light Will Warm Us Again)

This EP was finished as a re-release of Alex Kozobolis' "From November" Piano EP with a full reworking/remix by Lee Chapman. Limited edition cassette release of 100 C25 tapes is set to arrive April/May 2013 courtesy of www.UnknownToneRecords.com Pre-orders will begin sometime mid-April. Thanks for listening!

Artwork is collaboration by Alex Kozobolis & Aaron Cahill (www.nghbrs.org)


Alex Kozobolis // From November - The Light Will Warm Us Again

UM:LAUT is a live platform for artists and labels availing themselves of various musical traditions, realising ambitious and unique projects regardless of genre boundaries. The series' focus lies on the experimental range between classical and electronic instrumentation, composition and improvisation, club and concert hall. Considering itself an open stage for cooperations between artists of different disciplines, UM:LAUT aims to present music in dialogue with other art forms – music giving impulses to film, video, photography, installation, dance and performance.