I was born in this month. Probably that’s why I’ve always been (a bit more) melancholic during this period of the year. 
BIG THANK YOU to Onoychenko who could definitely describe this feeling in turning it into a masterpiece. 
On my side, I just added my touch in adding a downtempo/ chillwave rhythm to it (I hope I did not killed it lol).
Hope it resonates with you all. 
Thanks for listening.

Onoychenko - November (Farwell Remix)

Rising on the Caldera's Heat

B3 Silent Escape

Eugenii Fadeev's drops some surreal, synth-laden downtempo under his latest alias, Wrong Water.

'Dozen' is out May 25th on Muscut.

Pre-order: bit.ly/2Gm4Kt7

@muscut

Premiere: Wrong Water – Inlander [Muscut]

すべては繋がっている ~ Everything is Connected

Debut album from Charles.A.D out January 31, 2019
@agriculturalchemicals 

Listen: https://umerecords.bandcamp.com/album/inception

ume001

Download

Charles.A.D ~ Inception (snippets)

Jeli

Soft Fit – Warmth Exhaled

London experimental label ALTER readies its sprawling and sonically complex ‘ALERT!’ compilation. Hear Space Afrika’s glimmering ambient closer ‘Yuly’ now…

Read more: https://bit.ly/2IpVMQ0

Premiere: Space Afrika ‘Yuly’

LIES-143
DeeCoy-DT Theory
from the upcoming
"DeeCoy Archives Vol.1"
to be released Sept 22nd 2019

Archives Vol. 1

DeeCoy archives vol. 1

Buy Direct

DeeCoy-DT Theory (LIES-143)

Amos’ Flat is a three part album by VASE in collaboration with Opal Tapes & INDEX:Records: an odyssey of sonic manoeuvres through ambient, bass and IDM. This trilogy reveals VASE dissecting compositions down to sparse rhythmic explorations, disruptive power shifts and nebulous bass bliss.
So , here we go , the first part from south-american born, Berlin based artist Vase with this open composition -  BV133 w/ Black Snake Whip -synthesis of cosmic and plasticized melodic collages, birthed from the guts of hand built exotic electronics and various audio devices, built from one's own design and heavily modified beyond audible recognition or return. From torn memories of pleasant dreams to plasticine free futursirstic jazz sculptures, wavey electro cuts squealing like rubber tyres and pop hallucinations. 12" record out Oct 25th you can buy here: https://indexrecords.bandcamp.com/album/amos-flat-room-1

https://soundcloud.com/vasesound
https://soundcloud.com/indexrecords
https://soundcloud.com/opal-tapes

Watch On YouTube

PREMIERE #643 | Vase - BV133 w/ Black Snake Whip [Index:Opal] 2019

After crafting one of the most impressive label debuts we had for years with his 2019's Non​-​deterministic Polynomial Poems, Vlad @Dobrovolski brings another finest contribution to Klammklang's catalogue. His Natursymphony No.3 titled Vibrant Matters is more than just an exquisitely organised sonic environment. It behaves like a living organism: it moves, it appears to be completely organic on a structural level, and it breathes. Using silence as a framework for anticipation, it inhales and exhales, while the hushed tension shapeshifting into uncannily familiar melodies one can only recognise on a subliminal level.

Like Vlad's previous instalments, Vibrant Matters utilises some bizarre acoustic instruments: coconut, horn and shrub root flutes played by composer himself, and various metallic percussions sounds contributed by Yoshio Machida, a multifaceted Japanese artist known for his sonic experiments and advanced steel pan performing techniques. It also features another special guest appearance from Kurvenschreiber; a fellow collective of Russian sound practitioners bring some results of their synthesizers exploration to the table, resulting a fantastic opening track. In its entirety, the third Natursymphony (incidentally, No.1 and No.2 do not exist yet) is an animated microcosmos of sound and a true adventure for your ears. But more importantly it's just music that perfectly resonates with your heart.

A word to the author himself:

«From a certain point of view, the ancient world was an exciting place to live. It was not only inhabited with people but also many other nature beings. The traditions of the past stirred people's imagination, and their everyday life always had the element of mysticism which sometimes resulted in visions and omens. Even though some of our ancestors lived in straitened circumstances, they never risked to become enlightened, which nowadays is happening by default. Following their rationalistic simplifying eagerness, the people of today want to get rid of anything (super)natural, even the good-natured Brownie – the last survived spirit under the reign of ratio-capitalism.

This way of denying the past is something we will regret for sure. Mentally impotent, like indolent bubbles of protein inflated with information we wander in between football stars, face-polished social media simulacra and status-dependent robots of everydayness. I look back to the world we lost with regret and melancholy. It was the world where farms were full of life with their barns weren't empty; where the forests were still here, not destroyed. Of course the social situation wasn't the best, our ancestors were no angels wearing human clothes. But there were things we keep forgetting: nearness between people, the joy of small things and incidents, a common knowledge that human being is a dust thou art, and so shall it remain no matter how much we shout and rummage into the planet surface. While working on this album, I wanted to grasp and bring some of these special things I remember since I was a kid».

Out June 2nd
dobrovolski.bandcamp.com/album/natursymphony-no-3-vibrant-matters

Natursymphony No.3 – Vibrant Matters

Vlad Dobrovolski – Impetus feat. Kurvenschreiber (from Klamm26)

~Ambient~
~アンビエント~

umerecords@hotmail.com

Charles.A.D ~ Inception (snippets)

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