Atimos is a Brazilian-born DJ and producer, based in London, dedicating his research to regional rhythms from all over the world.

Palms Trax is a producer and Dj based in Berlin, Germany. His first record was released in October of 2013 on London-based imprint Lobster Theremin.

For bookings: matt@octopus-agents.com

Fatima Yamaha’s now classic single ‘What’s A Girl To Do’ taken from the EP ‘A Girl Between Two Worlds’ saw the light of day in 2004, but it wasn’t until 10 years later that a re-release made the song truly explode. 
For many years, Fatima Yamaha was shrouded in mystery, known only to be a project led by “a young lady born to a Japanese father and a Turkish mother”. By now we all know Bas Bron is Fatima Yamaha. The Dutch producer has many guises, but Fatima Yamaha is his most enigmatic.
The album ‘Imaginary Lines’ was released in 2015 and followed the success of ‘What’s A Girl To Do’ with the fabulous single ‘Love Invaders’. Later followed by another banging club anthem ‘Araya’.
His live shows unfailingly live up to the highest expectations, offering refined house and techno complimented by virtuoso synths. But after years of selling out tours and headlining the most prestigious festivals all over the world, Bas took a year off touring to focus on new material and other ventures.
He directed, produced and made the soundtrack of the short film ‘Heian’ and recorded lots of other tracks, for many different projects. But this autumn there will finally be a new Fatima Yamaha album; ‘Spontaneous Order’. Bas shows his versatility on the album, effortlessly moving form harsh dancefloor tracks to spacious ambient drones and funky electronic pop tracks.

It is as bewildering as it is unfair to consider only some of the regions of a country as immense and culturally diverse as Brazil when we think about its immense musical heritage. A common trend that ends up distancing us from a vast universe that lies far beyond the usual southeastern soundscapes and deprives us of delicious surprises like the ones a scene as lively as Belém do Pará's has in store for us. The same that shaped Bernardo Pinheiro's talents and made him one of the most daring and versatile artists of his generation.
Growing up in a home filled with the essential stimuli to the maturing process that turns art lovers into makers, his talents ended up taking shape through practically all the aspects that make up the creation and dissemination of our rich musicality: selector, producer, promoter, protector, or whatever else was needed to fulfill those tasks. And each one of the expressions of his artistic will and vision are manifested in some way all over a career that extends itself for more than two decades, across Brazil and throughout the world.
From Baile Tropical, a project he created alongside Patricktør4 to promote the same Brazilian aural plurality that feeds his repertoire, to his interventions in classics by fellow countrymen such as Fafá de Belém, Leila Pinheiro and other renowned interpreters of Brazilian music such as Djavan, Emílio Santiago, Marcos Valle and Gonzaguinha, the main urge remains is the same: to work this opulent raw material in every possible way. This is what orients him through the rhythmic and geographic immensity of the country to transcend its borders, in an itinerancy that is guided by the mining of musical gems and driven by the desire to share his findings with the public.
This trajectory not only includes visits to the booths of Brasilian venues that are renowned bastions of revelry such as D-Edge, Trackers and Heavy House, as well as Santa Catarina's Don't Tell Mama, it also counts memorable performances at the stages of festivals as diverse as Se Rasgum and Vai Tapajós back in his homeland, Rec Beat in Recife, Mareh Music and Marisco in São Paulo, all the to Virada dos Lençóis in Maranhão and Rio, relentlessly criss-crossing the country. Moreover, this itinerary includes a variety of spaces such as legendary studios and record stores or any other of those special locations where our communion with music takes place, under any pretext or format.
This same drive is transferred unbroken to exquisite musical pieces that comprise a solid collection of authorial releases, gracing the catalog of labels such as Barefoot Beats, Cocada Music, Bongo Synth, Kampana Records, Too Slow to Disco, All About Disco and Midnight Riot. Each of these show his inventiveness shining brightly as he transposes from one universe to another, with both precision and devotion, the full notion of the dance floor and the vivid experience of dance ingrained in a career that has traveled the world while mutating through a range of genres that encompasses Drum & Bass to Disco and House and pretty much everything in between.
A journey that is quite eclectic , never erratic, for its steered by the type of artistic personality and maturity forged along a route that is itself punctuated by expressive moments including all kinds of creative intervention and festive invention: reenergizing classics and reinvigorating traditions, moving bodies and conjuring emotions, all done on and for the dancefloor.

Mister Sunday | Mister Saturday Night | Planetarium | Mister Saturday Night Records

Parties and Label run by Eamon Harkin and Justin Carter, Mister Sunday and Mister Saturday Night residents, co-founders of Nowadays. We post releases from the label and mixes here.

BOOKINGS [DJ/LIVE]:
N.+S. America: ricky@visionarytalentgroup.com
Email: BaltraMusic@gmail.com

Baltra crafts music that lives between heartbreak and healing — tender, rhythmic, and cinematic. Through his label 96 & Forever Records, he continues to define post-club romanticism, with his latest single “Lost” (out now) opening a deeply personal new chapter. The track itself is an underground house roller that blends a driving 4x4 groove, wobbling LFO bass that nods to UKG energy, and Baltra’s signature dreamy textures.

Baltra’s music captures the aching tenderness of the dancefloor — nostalgia, resilience, and love bleeding into one. Born from the lo-fi underground out of New York City and raised on the global dancefloor, he’s evolved into one of electronic music’s most expressive voices, known for tracks that balance melancholy, intimacy, and rhythm. 

From early anthems that defined an era of hazy, analog house — including his viral hit "Never Let Go (Of Me)" — to his recent explorations in texture and songwriting, Baltra has become a leading voice in what could be described as post-club romanticism — the feeling that lingers long after the lights come on. Through his label 96 & Forever Records, he’s built a home for this vision: a space where love, loss, and self-reflection can exist in the form of emotionally-charged club music.

His forthcoming EP “In the Afterglow” lands on December 9th, led by the single “Lost”, out now on his aforementioned imprint. The lead track captures the full emotional range of his sound — deep, propulsive, and cinematic — signaling a new era of expressive, floor-focused production.

"Small Label Of The Year" at AIM Awards 2021. Beefing up your crates since the late 90's.

Uncle Pedro is following