Hi, I imagined a ball bouncing on that concrete room (photo).
The room is huge.
the ball is hollow and metallic.


Used:
Hang (treated with a bouncing delay fx)
Synthesized field recording
Filtered and treated field recording.

Recorded on December 22nd 2023  during the morning.

for this junto:https://llllllll.co/t/disquiet-junto-project-0625-noise-ceiling

Ball Bouncing in This Empty Room (disquiet0625)

Original by encym https://soundcloud.com/encym 

Dubbed & mixed 15 Mar 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. This was also Day 1338 of the 100 Day Project.

Music distributed under CC BY-NC-SA 3.0 DEED

Process notes
Last week, encym(https://soundcloud.com/encym) recorded & uploaded “Neat Disorder” and I downloaded it on 3/13 

His original post and notes -
https://soundcloud.com/encym/neat_disorder_disquiet0636

“This week’s Junto project has always been one of my favourites – so I recorded the first third of what will eventually become a trio. I played it on my Tele through a simple, straightforward signal chain of Chase Bliss Mood (the main sound), fed through a Dark Star and a Polymoon to add space and variations in terms of timbre. No further editing in the DAW. I went for as sparse a track as I could, to provide as much space as possible for my potential collaborators. My hope is that you feel inspired by my “almost crumbling to pieces” vibe, and I look forward to hearing what you will be adding over the coming weeks for it to become a trio recording.”

My own additional process notes - 
On 3/15, I recorded about 9 minutes of prepared cuatro and picked some bits I liked for this piece. I used a few native Ableton Live effects, panned to right.

Artwork: Edit and additions to encym’s original using Adobe Photoshop 2024 and Q’MIC-Qt.

------

This original version of “Ataxophobia, Right?” was submitted as part of Disquiet Junto Project 0637: Right (2 of 3). The Assignment: Record the second third of an eventual trio.

More on the Disquiet Junto at: disquiet.com/junto

Subscribe to project announcements here: tinyletter.com/disquiet-junto](http://tinyletter.com/disquiet-junto

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/ 

#DisquietJunto #AtaxophobiaRight #Encym #JimmyLem #MusicProject #Collaboration #Tele #ChaseBlissMood #DarkStar #Polymoon #AbletonLive #PreparedCuatro #Bowed #Struck #AbletonLive12 #disquiet0637

2024-03-15 Ataxophobia, Right? by encym & Jimmy Lem (disquiet0367)

For the second third of what will become a trio, I improvised over the neat track: https://soundcloud.com/encym/neat_disorder_disquiet0636?si=b9ddc52764ed4a2aa016f867b517e4fc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing by @encym

The right side was made with a meaty and glassy combo instrument using Pigments and Falcon. 
Following the approach of the original track on the left, I made a sparse arrangement, with plenty of air and spectrum for future collaborators.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

encym & undermulden - Picks & String 2 of 3 (disquiet0637)

The Assignment: Record the second third of an eventual trio.

Used the track Four Variations for Left by Jim Lemanowicz: https://soundcloud.com/blisterpop/four-variations-for-left-by-jimmy-lem-disquiet0636?si=34834046ea474be7810d00b8e10455c0&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Four Variations tied together - with Jim Lemanowicz (disquiet0637)

YT: https://www.youtube.com/watch?v=GyGtk4-ZtfQ

Part of the Naviar Records Haiku-Challenge:
https://www.naviarrecords.com/naviarhaiku536-tall-wide-arching-trees/

Assume a cathedral shape-naviarhaiku536

for john hinks.

two loops of vinyl glitch and a filtered techno beat give forward motion to several layers of piano and live guitar, tuned down and tone rolled off to make it sound like a bass guitar. the high end rapidly rolls off near the end to "de-arch" everything.

[naviarhaiku538] de-arching (for john)

Recorded for the Naviar Haiku challenge #536.

The intention is to illustrate the passing; peacefully, into darkness, into light.

Starting with a simple arpeggio on the Vintage Vibe, running through a Space Echo, followed by a slow and mellow bass on the Moog One and a bit of space glitter from the Waldorf Quantum. Finished off with an ambiguous melody on the Moog.

Recorded in Logic Pro X with a Soundcraft MTK22.

into light [naviarhaiku536]

Submission to Naviar Haiku challenge 536:

Tall, wide-arching trees
Assume a cathedral shape
Until darkness falls

A background wash from Giorgio Sancristoforo's PointsAndLines: https://www.giorgiosancristoforo.net
Added to that were a couple of semi random layers created in virtual modular using VCV Rack.

Along with those random elements I played a live solo using  Solionid an emulator plugin  based on the Solina String Ensemble: https://solcitomusica.blogspot.com/p/virtuales.html

Darkness Falls - (NaviarHaiku - 536)

Darkness Falls - (NavciarHaiku - 536)

Make kick drums from the sound of something carbonated.
Disquiet Junto Project 0642: Kick from Champagne
The Assignment: Use carbonation to make a beat.

Step 1: Make kick drums from the sound of something carbonated.

Step 2: Make a rhythmic track (think techno, but certainly follow your own muse) using the result of Step 1.

Thanks to the folks in the Echo Chamber Slack whose discussion about techno and kicks informed this week’s project.

Tasks Upon Completion:

Label: Include “disquiet0642” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0642-kick-from-champagne/

Discuss: Listen to and comment on the other tracks.

Additional Details:

Length: The length is up to you.

Deadline: Monday, April 22, 2024, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

Please Include When Posting Your Track:

More on the 642nd weekly Disquiet Junto project, Kick from Champagne — The Assignment: Use carbonation to make a beat — at https://disquiet.com/0642/ 2

Feijoa - disquiet0642

“Take the sound of the stone aging.” At first I thought about this in the geological sense. Then I came to the conclusion that aging basically just means living. So what are stones up to when they live their secret lives when nobody is watching? What’s their sound? I imagined it being something cheeky and a little funky, kind of slow but danceable.

More on the 643rd weekly Disquiet Junto project, Stone Out of Focus — The Assignment: Make music inspired by a poem — at https://disquiet.com/0643/

This week’s project is based on a text by Yoko Ono, originally published in her book Grapefruit60 years ago, back in 1964.

Disquiet0643 - Cheeky Stones Funk

En Plain Air improvisations with my Buchla Music Easel at beautiful Flinder's beach a hot and sunny day in January 2017.

Equipment: Buchla Music Easel, power pack and headphones.
Recorded by Daniel Bowden.
Edited by Mats Unden.

Flinders Part 1

Mats Unden is a Swedish sound artist based in Darwin, Australia. Creates minimal electronica, ambient, and makes noise, with a passion for analogue, modular and vintage synthesizers.

Flinders Part 1

unden

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