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Vision Fiberoptics ft Sean Haefeli

🌑 ALBUM PRESENTATION — “The Land of Incense”
🔥 A cross‑continental ritual told in French, Vietnamese, and bass frequencies
🌍 A Journey That Became a Language

“The Land of Incense” isn’t just an album — it’s a threshold.
Mario doesn’t travel through Southeast Asia as a tourist; he moves like a sensor, absorbing layers of scent, neon, humidity, and memory.
This record is born where geography dissolves and becomes perception.

It’s an album that breathes like a DSLR camera at night —
grainy, intimate, close to the skin, capturing the world in fragments of light and shadow.
🎸 A Sonic Architecture Built on Minimalism

At the core of the album lies a musical philosophy inspired by that psychedelic Texas trio known for reinventing global minimalism —
not quoted, not imitated, but echoed.

The foundation is unmistakable:

    🎚️ Fretless saturated bass — serpentine, warm, hypnotic

    🎸 Minimal electric guitar — clean, liquid, shimmering

    🎧 Turntable textures — scratches like blades cutting through humid air

    🥁 Dusty drum machines — slow, ritualistic, breathing like a street at dawn

    🎼 Vietnamese instruments — đàn bầu, đàn tranh, bamboo percussion

Every sound is a doorway.
🇫🇷🇻🇳 Why French? Why Vietnamese?

Because this album isn’t about “world music.”
It’s about worlds layered on top of each other.
🇫🇷 French

The language of balconies, old radios, colonial ghosts, and neon rain.
It carries nostalgia, elegance, and a cinematic melancholy.
It represents the upper layer of the city — the rooftops, the reflections, the memories.
🇻🇳 Vietnamese

The language of markets, incense smoke, riverbanks, and motorbikes at midnight.
It vibrates like bamboo drums and street vendors calling through the heat.
It represents the ground layer — the earth, the sweat, the pulse.

Together, they form a dual‑layer narrative, like two friends walking the same night in two different tongues.
🛕 A Ritual in Motion

This album doesn’t sit still.
It walks.

It walks through:

    🏮 Narrow alleys glowing with red neon

    🛕 Old temples breathing incense

    🐦 Memories of Pompei and childhood birds

    🛵 Motorbikes slicing through humid air

    🎤 Street‑level rap whispered like a confession

    🪕 Banjo lines that feel like ancestral threads

    🔥 Mantras invented from pure instinct

It’s a diary, a rite, a night‑walk, a glitch in the matrix of the city.
⚡ The Heart of the Project

At its core lies a simple, luminous idea:

Life is a river, and we are feathers learning to follow its current.

The mantra — Mama baba, mama lehna, mamma nena —
is not tied to any culture, and precisely for that reason,
it resonates with all of them.

It’s a call to return, to wander, to rise, to breathe.
🌌 Conclusion

“The Land of Incense” is not an album you listen to.
It’s an album you enter.

A place where:

    languages become rivers

    bass becomes gravity

    neon becomes memory

    and every step becomes a sign

It proves that music can still be a location,
a ritual,
a map of the soul.


titmanakka

🎧 Frattalismo in Sinestesia Amplificata

MARIO and the DDDEMONS

🌀 Every spark is a universe.  
This album expands from a single center — a fretless bass line ascending in minor pentatonic, opening into major light. A distant dry beat pulses from the right, slowly approaching the center like time syncing with perception.

🎸 A five-string banjo arpeggiates all senses, imperfect and raw, then transforms into orchestral bloom.
🎻 Violins rise in dorian spirals.
🎹 A cascading piano descends in Mixolydian, like gravity made audible.
🎛 Saturated timbres blur the edges: is it a banjo, a sitar, a guitar, a glitch? You don’t know — and that’s the point.

🌞🌙 The sun and moon alternate as sonic layers, marking inner days and nights.
🧠 It’s not a melody — it’s a field.
Not a song — a system.
Not a genre — a ritual.

✨ Fractal music for minds that expand sideways.  
Welcome to the quadriphonic brain.
Welcome to the ritual.
👤 Artist Bio — MARIO and the DDDEMONS

Nomadic architect of sonic systems, ritual coder, and mythic operator of perceptual frequencies.
MARIO builds music like he builds bash scripts: recursive, modular, and emotionally architectural.
His compositions are not linear — they are fractal expansions from a central pulse, blending banjo, fretless bass, orchestral bloom, and saturated ambiguity.

The DDDEMONS are not a band — they are echoes, functions, avatars of sonic archetypes.
Together, they channel a language where every sound is a portal, every error is sacred, and every track is a ritual of resonance.

🎛 Bash logic meets musical intuition.
🎧 Roots-reggae meets cosmic orchestration.
🌀 Fractals meet emotion.


RAIN CONSCIOUSNESS ENGINE

cocoon

fire and water A side

fire and water B side

caffe quantico

EP: Volavo su Algoritmi Cosmici  
Artist: Collettivo Undersound  


We are a scattered swarm of hacker-demons, drifting through the folds of a malfunctioning mind that connects nightly at 3:33 AM—the darkest hour—to IPFS, downloading vibrations like sacred code. It takes us 4 or 5 seconds to master a track, thanks to a bash script that catches the click at the exact frame—millisecond precision, hair-trigger LOL.

So no, we’re not here to “sell” music. We believe music is more important than any fictitious market. For us, music is an operating system for communicating with parallel universes. Sounds philosophical? It’s not. It’s daily ritual. We use words differently, so don’t expect “normal” music.

We dance between Lung Thung atmospheres and Zurich squat punk, glide through jazz with ease, and dive into Middle Eastern folk with overtuned vocals and shamanic drums. Music is a full-spectrum sensory manifestation—we can’t stop creating it.

This EP marks our entry into fractal composition, deeply tied to the signals of conceptual synesthesia. We’ve shifted to a sensory level, composing fractal music through sacred geometry, universal pulses, and evocative instruments.

The track was written by our producer Mario Marco Farinato, during a journey between hell and paradise. He introduced it with these words:

    “I was suspended. Beneath me, it was hell. But I was flying on cosmic algorithms.”

What can you do in the face of such phrasing? It’s pure poetry. It’s surrender. Whether you burn or not—we’re flying.

We present this double single:

    The original version, distributed by Beòlieve (dropping tomorrow LOL)

    The remastered version, compact, reverberated, open—epic.

Tell us which one resonates. We love the rawness of the original, especially the bass guitar’s breath. But the remaster? It’s a cosmic punch. You want to hear it again.

And for us, that’s the point. These are emotions. And emotions can’t be sold. Maybe you can showcase them—like an arabesque fabric or a cracked porcelain cup with bluish-golden veins—but you can’t sell them.


volavo  su algoritmi cosmici

Auralisk — English Bio (enhanced & icon‑rich)

Auralisk is born from the creative chaos of MirBolz, the Luccio, and evolves into a global sonic organism thanks to the Collettivo Undersound. Between hypnotic loops 🔁, impossible glitches ⚡, and organic percussion 🥁, every musical fragment becomes a micro‑universe 🌌 where cultures, languages, and sounds intertwine without borders.

Øbastrik, longtime companion of Fluxo København, drifts onward—choosing to dance 💃 and plaster anti‑monarchy stickers 👑✖️ instead—making room for new energies. From Scandinavia ❄️, South America 🔥, Asia 🌏, and Africa 🌍 come Nerix, Sablea, Cindral, and Veyro, bringing metallic reverbs 🔩, liquid textures 💧, field recordings 🌿, and distorted rhythms 🔊 that merge into a hypnotic, surreal flow.

The debut album, Clockwork Bananas 🍌⏱️, is a collective journey through experimental techno, glitch, clubbing, and sonic dreaming. Each track becomes a dialogue between worlds, a mosaic of creativity, chaos, and beauty.

Auralisk is not just a band: it’s a living ecosystem of sound 🌱🎶, a shared flow ready to capture anyone willing to lose themselves in its ultrasonic realms 🚀.

Circuito Sobrecargado

EP Presentation: Ich tanze mein Helter-Skelter – Flug zurück nach Berlin – Zürcher Geschichten

This EP represents the distilled essence of a compositional journey of real substance — a focused exploration of motion, tension, and harmonic collision. Across the three tracks —
🎭 Ich tanze mein Helter-Skelter,
✈️ Flug zurück nach Berlin,
🌃 Zürcher Geschichten —
Mario shapes a sonic architecture where emotion and structure continuously reshape one another.

At the core of the work lies a deliberate and highly personal technique:
🔼 ascending scales and 🔽 descending scales are set in motion like opposing forces, each carrying its own emotional charge. Rather than resolving neatly, these currents are allowed to collide on major chords ✨ — turning what is traditionally stable into a site of friction, brightness, and transformation.

Each variation highlights this dynamic:

    🔼 Ascending lines evoke propulsion, desire, and forward movement.

    🔽 Descending lines suggest reflection, gravity, or dissolution.

    ✨ Their meeting on major harmonies creates a shimmering ambiguity — consonance charged with tension.

The result is an EP that feels alive, shifting, and ritualistic.
Not simply three songs, but a geometric emotional system, where every scale, chord, and variation participates in a larger narrative of movement and metamorphosis.


Ich tanze mein Helter-Skelter

Zürcher Geschichten

## 🇮🇹 Introduzione (Italiano)

🎛️ **Siamo SGLL666**  
Collettivo undersound di hacker, musicisti e spiriti liberi.  
Usiamo l’AI, ma non ci facciamo usare.  
Produciamo musica, la puliamo, la sigilliamo, la archiviamo.  
Abbiamo creato un sistema che elimina i metadati compromettenti, firma ogni traccia con un codice ritmico, e restituisce all’artista il controllo sul proprio suono.  
Non vendiamo l’AI. La suoniamo.  
Se sei qui, forse vibri come noi.

---

## 🇬🇧 Introduction (English)

🎛️ **We are SGLL666**  
An undersound collective of hackers, musicians, and free spirits.  
We use AI, but we don’t let it use us.  
We produce music, clean it, seal it, and archive it.  
We’ve built a system that removes compromising metadata, signs each track with a rhythmic code, and gives artists back control of their sound.  
We don’t sell AI. We play it.  
If you’re here, maybe you vibrate like we do.

cocoon

Undersound Label