⚡ Album Presentation — The Throne of Broken Frequencies
Mario & Collettivo Undersound

For this album we dove into the early versions of Suno, discovering how those first models relied on simple, repetitive chord patterns.
🎛️ We rebuilt those sonorities locally, then corrupted them with lyrics and visions of a world far darker than this one.

This morning’s depression unexpectedly opened a portal:
💾 the producer dropped a rare glitch‑gem, immediately embraced by DJ_Murphy, who gleefully distorted almost the entire sound library.
The result echoes the atmosphere of Wim Wenders’ Until the End of the World:
🌍 an aphonic planet suspended between a slow, bureaucratic, obsolete present and a future so free it can’t be imagined.

Philosophical ghosts wander through the tracks:
📜 Plato’s Critias, the Atlanteans, forgotten civilizations whispering through broken circuits.
Every song is wrapped in a mystical drone —
🕯️ religious, dark, Blade Runner‑like,
📡 inspired by Philip K. Dick and the static of dying radios.

The instruments come from a world of survivors fused with future tech:
🪗 jaw harps
🎸 fretless dobro
🥣 pan‑shaped guitar hybrids
🎷 mutant saxophones
🧬 bizarre synthesizers built on ancient binaural circuits

At first we wanted to sing in a futuristic language,
🗣️ but no one would have understood it —
so we chose English, the lingua franca of broken frequencies.

Neon serpents coil around the throne.
📡 SOS beacons pulse in the fog.
🪨 Cracked ground vibrates under the weight of forgotten signals.
This is not an album.
It’s a transmission.

Good luck listening —
💀 if you manage to. LOLK

Lines in the Sand”

🧬 La Radice del Sound — Log 0x1999

We call it the root of sound — not because it’s pure, but because it’s where it all began.
Back in 1999, before plugins had souls and synths had GUIs, we were already hacking sound.
No DAWs. No presets. Just raw bash scripts emulating synths, bending waveforms like broken mirrors.
We weren’t producers. We were terminal shamans, writing loops in ASCII, glitching silence into rhythm.

🎛️ Our path was never linear. It was a hybrid ritual — half hacker, half musician,
a communion between code and chaos, between the machine and the myth.
We didn’t compose. We summoned.

This album presents some of our earliest steps into the LOFI dimension —
not as a genre, but as a frequency field.
Among these: the original recording of “Caro Bigi”, untouched, unpolished,
just as we imagined it —
🧠 human. LOL.

No filters. No AI polish.
Just the raw signal from a time when sound was still a question,
and we were already answering it with cables, scripts, and broken speakers.

Welcome to Collettivo Undersound.
This is not nostalgia.
This is source code.

Pianoforte di Luna Crescente


## 🧬💥 SOTTO I NEON ROTTI DEI BAR DI PERIFERIA 💥🧬  
🎧 *A collection of glitchy emotions*  
👾 Mario & COLLETTIVO UNDERSOUND 👾

🛠️💿 Tonight we hit a milestone: **555 tracks** forged in sweat, bash scripts, and emotional overtuning.  
🌀 **222 songs published on Ause** under the alias *Mario Marco Farinato* — distributed guerrilla-style via **Advice Music**, **Mirko Bolzonoi**, **Emil**, and **Slade**.  
We’ve dodged every censorship attempt, every algorithmic chokehold.  
This isn’t just music — it’s a **ritual archive**, a **sonic insurgency**.

🎛️🐋 We’ve sung with whales.  
🌕🐺 We’ve howled with wolves.  
🎸🎙️ We’ve recorded charangos live at Sagarnaga Festival in Nantes.  
🧳🎶 Our guitars carry **44 years of nomadic sound** — collected, glitched, and transmuted.

💻🧠 Over the past 6 months:  
- We’ve built **222 bash scripts** to bypass software limits.  
- We’ve mastered tracks in seconds.  
- We’ve designed covers with one click.  
- We’ve hosted our entire archive on **IPFS** — decentralized, immortal, unkillable.

```bash
collettivoundersound@collettivoundersound-System-Product-Name:~$ ipfs repo stat
NumObjects: 310806
RepoSize:   81.9 GB
StorageMax: 100 GB
RepoPath:   /home/collettivoundersound/.ipfs
Version:    fs-repo@18
```

🕒 At **3:33 AM**, after backup, the music flows like a dream through our node.  
We’ve built a **Napster that can’t be shut down** — no censorship, no edits, no gatekeepers.

🧬 This album is a portal.  
A doorway.  
A glitch in the matrix.  
A love letter to the broken neon of forgotten bars and the emotional frequencies that still hum beneath.

🔗 Welcome to the future.  
🔊 Welcome to Collettivo Undersound.  
🫂 Good listening.  
💾 If you want to know more about IPFS, check out **IPFS Desktop** and join the decentralized wave.



Hollow Crayons

Treno per Saronno

Transfigured Shadows

Dea mea B side

Siberian Blues

Haitian Vodou

Slow Blues in Shanghai

No Use For Money

Dea mea A side

## 🇮🇹 Introduzione (Italiano)

🎛️ **Siamo SGLL666**  
Collettivo undersound di hacker, musicisti e spiriti liberi.  
Usiamo l’AI, ma non ci facciamo usare.  
Produciamo musica, la puliamo, la sigilliamo, la archiviamo.  
Abbiamo creato un sistema che elimina i metadati compromettenti, firma ogni traccia con un codice ritmico, e restituisce all’artista il controllo sul proprio suono.  
Non vendiamo l’AI. La suoniamo.  
Se sei qui, forse vibri come noi.

---

## 🇬🇧 Introduction (English)

🎛️ **We are SGLL666**  
An undersound collective of hackers, musicians, and free spirits.  
We use AI, but we don’t let it use us.  
We produce music, clean it, seal it, and archive it.  
We’ve built a system that removes compromising metadata, signs each track with a rhythmic code, and gives artists back control of their sound.  
We don’t sell AI. We play it.  
If you’re here, maybe you vibrate like we do.

Lines in the Sand”

Undersound Label

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