Be Svendsen lässt sich einfach nicht in eine Schublade stecken. Zumindest eins steht aber fest: Seine stilistische Freimütigkeit passt ganz wunderbar an die frische Luft!

Durchweg spaßorientiert betreibt der Däne hier seine einzigartige Klang-Jonglage. Auf minimalem Groove wirbelt er surreale Samples und Melodiefetzen herum, bis sich das Kaleidoskopmuster der Sounds schließlich mit jazziger Stimmigkeit um die swingende Stimme einer Sängerin legt: Let Them Not Weep! Mollono.Bass zaubert für seinen Remix noch mal eine Extraportion Schub aus dem Ärmel, wie so oft ist es die Summe vieler Details, die hier für ordentlich Druck sorgt. Der Titel Leone galoppiert mit wunderbarer Verwegenheit in die Klanglandschaft eines Spaghetti Western. Zwischen Club- und Saloon-Atmosphäre tobt hier eine draufgängerische Party. Damit nicht genug cineastisches Hitpotential: Be Svendsen’s Remix seines unvergesslichen Solo Para Mi entwickelt aus wagemutigen Gitarrenakkorden eine wilde Arpeggio-Hypnose.





It’s simply impossible to put a label on the sound of Be Svendsen. Well, at least one thing can be said: His stylistic open-mindedness is just perfect for open air scenarios!

Seriously fun loving – that’s the style in which the Danish producer performs his signature sound juggling. Based on a minimal groove he whirls around surreal tunes and melody samples until eventually a kaleidoscopic pattern shapes around the swinging voice of a female singer: Let Them Not Weep! Mollono.Bass has even a little more boost up his sleeve, once again it’s the combination of many small details that makes his remix pumping and kicking. The audacious beats of Leone gallop straight into the acoustic landscape of a Spaghetti Western where a wild party is taking off when the adventurous atmosphere of a saloon meets the urban energy of a club dance floor. There’s even more cinematic hit potential on this record: Be Svendsen’s remix of his epic title Solo Para Mi evolves from daring guitar chords into the endless rising of hypnotic arpeggios.


BeSvendsen - Leone - 3000Grad013 - Masquerade EP snippet

Motions

Kylie

Berbush & Kotobuki debut on Bonzai Progressive with the fantastic Shadows EP. Brazilian DJ and producer Berbush aka Bernardo Buschle has notched up a huge amount of respect among his peers due to his solid DJ performances and tight production. Kotobuki has worked alongside Bernardo on the their last three tracks and have proved to be a good connect with each bringing his own unique style, definitely a duo to be on the lookout for.

Shadows intros with a smooth and steady rhythmic drum arrangement that employs a punchy kick, crispy hats and a cool slapped drum pattern. A meandering and powerful bassline comes through and takes control as various synth plucks and FX form up. A short break brings in cool chords and a haunting voice that delivers Gregorian monk style that fits perfectly with the deeper house elements of the sound. Top notch stuff that will definitely perform well in any set.

Bonzai debutant Cartos shows up for remix duty with a wonderfully tweaked remix on Shadows. The pace get ramped up a notch from this guy as the original track gets a makeover for the more progressive floors. Super tight drums and a fantastic bassline that just melts into the sound provide a solid groove for the prog heads. Darker elements creep into the sound and an air of mystique is created with a brilliant display of FX alongside that awesome voice that adds so much depth. A definite contender that is not to be missed.

Under Flowers sets out with a pure deep tech house drive that draws you in with its sophisticated groove made up of rhythmic drums and slowly forming bass. An instantly recognisable robotic voice dripping with FX adds a little spice to the sound but the big player here is the drum arrangement, the infectious rhythm will have you moving your feet in no time. Simplistic synth notes provide a big focus in the track and stand out well in the groove. A must have track for your collection no doubt.

Shadows EP

Under Flowers

Berbush & Kotobuki - Under Flowers - Original Mix (Bonzai Progressive)

Faith Healer 4.0.2

http://www.deejay.de/UYSR029_-_Satori_-_In_Between_Worlds_Remixes_3_-_12inch__213185

Artist: @satorimusica
Remixers: @crussen , @olafstuut , @hraach , @thomasatzmann
UYSR029 - Satori - In Between Worlds Remixes III

UYSR029 is the closing chapter of Remixes for Satori´s longplayer. Crussen from Norway kicks of with a pretty down beat mix of "Days Without You" which is pure fun for the morning hours. Amsterdam based Olaf Stuut instead did a driving mix of "The Wishing Spell" crossing borders between Techno and Electronica. Hraach from Spain put big emotions into his "Bad Looking Trouble" Remix - deep House with sensual strings. Last Mix is from Underyourskin Resident Thomas Atzmann who gave a very new danceable attitud to "The Greatest Against The World".

In Between Worlds Remixes 3

itunes

Satori - Days Without You (Crussen Remix) - Snippet

Sunday Glide

Circle

Circle (feat. Kamilla Kovacs)

@acidpauli
facebook.com/therealacidpauli
twitter.com/acidpauli
instagram.com/therealacidpauli
@ouiemusic
facebook.com/ouiemusic
instagram.com/ouie_music

Acid Pauli’s unique brand of organic, psychedelic electronic music has found the perfect home on the label he runs with Nico Stojan. 
Mainacht, the latest release, sees Martin Gretschmann in playful mood - the title track skips along in a breezy, upbeat fashion, peppered with bass licks, congas and synth squiggles - an aural pick-me-up for our times. 
Ahmed locks into a groove from the start, fully utilizing Gretschmann’s knack for accentuating the space between the notes. Using only a few elements he creates a powerful moment of euphoric excitement. 
Legends of Saturn again sees the maestro exploring various bass guitar tones and patterns, creating a track 
that balances a live feel with perfectly shaped electronics. 
Completing the EP, Abrains is cut from the same cloth - a bouncy groove meets trippy effects and melodic snippets suspended in space.

Mainacht

Ahmed

Acid Pauli - Ahmed

KROOKS Records presents its second Anniversary Compilation album FIFTEEN. Celebrating its first FIFTEEN releases, by its first FIFTEEN artists among which Satori, Isis & Mozes, Dialoque, Arjuna Schiks and more. We are proud to present you this compilation filled with nature-inspired electronica; bringing you a pallet of deep, romantic and tribal vibes. Please enjoy FIFTEEN and keep updated at www.krooks-records.com for our developing catalogue with hefty & unique pieces. FIFTEEN comes with the artwork by artist Robert Groenewald.

KROOKS Records: FIFTEEN

Pink & Orange Sky (feat. Miou Amadee)

Satori - Pink & Orange Sky (feat. Miou Amadee)

Stavroz - The Ginning EP - out on Délicieuse Records.
Stream ☞ http://smarturl.it/TheGinning

@stavroz
@d-licieusemusique-records

Ijsbrand & Gert had always wanted to create balkan inspired music, and hence came the duo Stavroz. Beyond just sharing the same musical tastes, these two buddies bond over both being sound engineers (live for Ijs, studio for Gert), which makes them real "goldsmiths" behind each and every production (such can be seen in this short clip which presents their title 'The Ginning'). 
Their music is imprinted with original inspirations while keeping to a jazzy/burlesque influence, leaving little to be left displeased. The bridge, so it seems, borderlines between minimal and jazz-house.

The first title of the EP, 'The Ginning' is constructed around guitarist, Max Honckelinx. The track’s instrumental harmony is skilfully constructed by the duo as they borderline minimal and deep house.

The second original title of the EP, 'The Finishing' is merely a dialogue between a rhythmic stratospheric universe and the sax of Nathan Daems, well preserved from the first studio recording. The end result leaves us with 8 minutes of lyricism soaked in sophistication and technicality.

In regards to the remixes, Felkon, who has been presented several times before on the Délicieuse, takes on 'The Ginning' by including vocals which create a more dance-like ambiance. 
Britta Arnold, a legendary pioneer from Bar 25 and Katerholzig, worked on 'The Ginning' as well with Sascha Cawa. They delivered a version more obscure yet wickedly effective.

As for the remixes of 'The Finishing', Powel continues to captivate us while executing his deep and melancholic twists. He entirely redesigns the piece’s structure by retiring the "voice" of the sax. 
And then there’s our man, Viken Arman, who spins his version of 'The Finishing' by refiguring the rhythm pattern and adding a new dimension to the bass.

Stream

Stavroz - The Ginning

Released January 2010 on Wolf + Lamb Records
www.wolflambmusic.com
BEATPORT: btprt.dj/1w4QpVj
ITUNES: bit.ly/14wQScq



Beatport

Nicolas Jaar - Mi Mujer

Young and fresh, melodic and danceable, cheerful and melancholic, that's the way to describe it: music with a heart that gets Underyourskin.
We invite all Bullerbürianer, Villa Kunterbuntler, Lönnebergas, Taka-Tuka-Ländler, dream dancers & oblique birds of the night to the summery Ringelpietz with touch. 

check our current & coming releases at: https://solo.to/underyourskin
Booking & Demos: alex@uysr.de
Licensing & General: carsten@uysr.de

Satori - Days Without You (Crussen Remix) - Snippet

underyourskin records