again, a convincing study in sonic relationships

Failing Façade

I made this song with the desire to replace and connect with the next tone before the change in tone has meaning.
 I love to remember the reality in my mind, such as "when I feel the emotions of others" and "impressions of dreams just before waking up".
 I wanted to express the movement of my heart, which only I, who I love so much, know through music. 
 I tried to stay as far away from any form of genre as possible and carefully searched and made my own form.
 The characteristic of this song is that you can't find a more comprehensive image than any other song in the past.

Longing for something that has substance even if it has no form.（238）

unlike the first version (recorded in 2020) the introduction is missing with that fantastic Pad-style sound which was actually a sample I recorded of a jute piece of furniture, the same sample used for the song precisely called: Juta.
here the piano part, unlike the first version which was more focused on the search for harmonic contrasts, is actually performed and I had to give up many notes (which for technical reasons I am not able to perform) and I don't even know if it is really possible for someone... I have been practicing it for some time and I still do it almost every day in performance and for some time I have wanted a new recording made properly with my hands on the keyboard.
You can find the first version here, in case you want to compare the two versions:

https://soundcloud.com/alias_nadir/dont-forget-to-breathe-whatever-happens?si=c6357eb0ab834e21ba0debb36a9f692c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

still in progress

Don't Forget To Breathe (whatever Happens) _*Solo Piano

Fragile Leaf - ste rozza - dronescape mudbuddha chill

Fragile Leaf

Disquiet Junto Project 0637: Right (2 of 3)
The Assignment: Record the second third of an eventual trio.

This years beginning was full of work and I missed 1/3. This time I did not want to miss the collaboration. I went with Daniels piece https://soundcloud.com/daniel-diaz/live-bass-soundscape-disquiet0636 simply because I liked it and I wanted to know what would come out if I tried it - if I would not like the outcome I would go on to another piece. I improvised a first track with a Hydrasynth Explorer. A second track is the rattling of a napkin ring with rattling shells on it, which I had bought in France just for this purpose. I went with my gut feeling until I had the feeling that I couldn't contribute any more. I always liked it in every step, probably because it's DDs. I think there is still room for a third person with something unusual.

If you need a left-right-version, just ask.

Track image based on a photo by Kelly Sikkema
https://unsplash.com/de/fotos/person-die-seifenblasen-im-freien-halt-hUuGUG9gdRg

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Reflecting Fragility [disquiet0637] 2/3 (first)

“…a Cyclopean city of no architecture known to man…vast aggregations of night-black masonry embodying monstrous perversions of geometrical laws…” H.P. Lovecraft, At The Mountains Of Madness.

Cyclopean Halls

Three Ghosts, One Forest  by Petri Lahtinen / Paul Mimlitsch / Martin Hoogeboom

https://petrilahtinen.bandcamp.com/album/three-ghosts-one-forest

Ghost in the Forest Act 3 https://petrilahtinen.bandcamp.com/album/three-ghosts-one-forest

Reaktor Generative Ensembles.
Strings and percussiv Pianos.

Il Dilemma, quasi sempre, è una forma simulata (e ormai largamente dissimulabile e dissimulata) di falsa coscienza e ipocrisia piccolo borghese. La realtà è una costruzione sociale. Come tale implica precise domande e altrettanto precise risposte. Chi non vede, non capisce o si astiene, si delegittima e delegittima. Dal Pithecanthropus Erectus all`Homo Sapiens, inteso come nuova forma di progetto culturale e ideologico lontano dalle ipocrisie/false coscienze degli ultimi decenni.
Dal Piccolo Mondo Antico alla Rivoluzione Permanente.

Il Grande Dilemma (naviarhaiku534)

Marco Lucchi : piano and synthesizer
Gina Berrett : vocals

*

aprile 2024

Iki no kôzô

Iki no k​ô​zô # 6 - w/Gina Berrett

unnaming the number

2024-07-17

In Clouds

art which overwhelms the senses, makes no sense, is incongruous with the 'normal' thinking process, which transforms and transmutates the listener into something they were not during before, and creates a permanent evolutionary change.

 
"Music projects a living image into your existence, it is an expression of something beyond our own comprehension, seemingly existing as part of the moment only as color and feeling – something that Unearth Noise has been able to achieve with every single track that I've listened to. The name itself can allow you to vaguely imagine what you are about to fall under the spell of. " -Rolby Perez of Neitherzine (http://neitherzine.com/)

Neitherzine interview (pg.42): http://issuu.com/neitherzine/docs/issue_seven?e=4786980/4515658

Facebook. page:: http://www.facebook.com/pages/Unearth-Noise/448815395188765

Downloads available on Bandcamp page http://unearthnoise.bandcamp.com/

Also check out my cyber band Ancient Aliens @ http://soundcloud.com/ancient-aliens-1

and: http://soundcloud.com/shadowface-2 (bitzone/Catcherye/Unearth Noise collaboration)

unnaming the number

Unearth Noise

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sonic structures and silent stretches

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